Men of Respect

Checked this film out because of a positive review in the New York Times. Really captures the spirit of the Bard's play in a modern gangster setting. Doesn't romanticize the gangster life like other contemporary films in the genre. Doesn't pull any punches. Goes for the jugular instead, literally. Easy to see how top of the line actors like Stieger, Turturro, Boyle, Farina and Tucci were attracted to this low budget project. A daring experiment which shows how the themes and narratives of Shakespeare transcend time and place, Dark. Stylish. Intense. Very original adaptation with real flair. Would love to see it projected wide screen in a revival but will settle for the DVD release for the time being.

This is an awesome adaptation of a great play. I am a big fan of Turturro's company of players - they work as a true ensemble. The settings, the use of Uncle Will's language - everything works for me. I was introduced to the film by my father, who was doing research for a stage production he was appearing in as the Porter. I was particularly taken by the way the plot and characters played into the New York gangster genre. I I have used this film from time time when studying the Scottish play with my students and find that it actually helps them understand the original a bit better - I suppose they related to the more contemporary setting.

It's probably safe to say that the majority of moviegoers in America today cannot carefully outline the plot of Shakespeare's Macbeth (on which this film is based) and probably would wonder why the main characters start chattering on about guilt so often when murder is their business--and you know how agonized John Tuturrro can be when he wants to! The film can't decide whether to be a springboard from the play, a clever re-interpretation, or a mob film with some casual references. And in any case--who was their target audience?

For those who know their bard, the fun of watching this is in the anticipation of familiar scenes or dialogue--gleeful when director Reilly decides to drag the drunken porter in after the murder of the King (read "mob boss" here), or disappointed when Lady L. doesn't go into "Out Damn Spot!!" although she is shown scrubbing her bathtub a la Mommie Dearest.

If you know the plot well, its hard to get into this remake, which isn't quite ludicrous enough to be amusing (anybody remember Ruth Roman as Lady Macbeth in an earlier remake entitled Joe Macbeth?), but is impossible to look at objectively, and thus truly enjoy as a movie experience. I wouldn't say "fly, Fleance, fly! "but neither would I generally recommended this (in spite of a compelling cast and excellent pacing) except as a quirky and often stimulating comparison with the actual play.

What starts out as a well rounded, believable cast of mafioso family and associates and what is a pretty decent revenge story with lots of twists is mucked up by spiritual fluff, and a desire to be AL Pacino scarface by the lead man. The spiritual junk that has nothing to do with anything is just totally out of place. The free-fall descent from cold, calculated killers to loony tunes of the main character and his girlfriend makes no sense. Turturros girlfriend starts "sleep-walking" through their garden and talking about what they did is supposed to be believable? Clip about 30 minutes of hoo-hah out and this is a much better movie.

Imagine the pitch: A classic tale of betrayal, murder, deception - taking power by any means necessary. It's Macbeth - but set in the ever attractive world of American gangsters! William Shakespeare's Goodfellas! The story does lend itself to the setting unfortunately it is very boring, poorly acted and no real flair or excitment that other gangster pictures manage. It's full of good actors - none of whom are any good because they are constrained by a poor script and poor direction.

Don't watch this - go to the theatre and watch MacBeth instead.