Agrega una trama en tu idiomaA young Londoner seeks to escape the drug scene by landing a waiter job, but his lack of proper footwear becomes a hurdle. The quest for shoes symbolizes his struggle to break free from a wo... Leer todoA young Londoner seeks to escape the drug scene by landing a waiter job, but his lack of proper footwear becomes a hurdle. The quest for shoes symbolizes his struggle to break free from a world of addiction and vice.A young Londoner seeks to escape the drug scene by landing a waiter job, but his lack of proper footwear becomes a hurdle. The quest for shoes symbolizes his struggle to break free from a world of addiction and vice.
Joe Alessi
- Plainclothes Policeman
- (as Joseph Alessi)
Yemi Goodman Ajibade
- Tramp
- (as Yemi Ajibade)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
If I'm to like a movie, I need to care about the lead characters and what happens to them. In this waste-pod of a film, I found myself hoping that they would all die in the end. None of the characters are people that you'd ever want to meet, they all made me sick. If not for a few nude scenes, I would have given this wretched movie a 1.
as an extra. To be honest I always thought it would be bad - and sure enough - it is. Hanif was pretty well organised on set - but his 2nd Assistant did more. I thought Justin Chadwick was mis-cast. I am in the last scene in the cafe and I am badly cut earlier on - walking past the cafe then suddenly leaping back 10 paces (only I would notice though)
The problem with it is that even with Brad Dourif in it (met him - nice guy) the film has absolutely no international appeal whatsoever. It is so mired in the late eighties - early nineties that is has no universality and the world it portrays - a rather dull UK with a wasted Alun Armstrong as an Elvis impersonator - is completely misleading for any international viewer.
It's interesting that Hanif hasn't flooded the world since with stuff he's directed - no surprise on this evidence - he's a great writer - stick to that.
The £90 I got went on fares and food - shame it didn't put me off a career as an actor - might have stopped me wasting 2 years at drama school!
The problem with it is that even with Brad Dourif in it (met him - nice guy) the film has absolutely no international appeal whatsoever. It is so mired in the late eighties - early nineties that is has no universality and the world it portrays - a rather dull UK with a wasted Alun Armstrong as an Elvis impersonator - is completely misleading for any international viewer.
It's interesting that Hanif hasn't flooded the world since with stuff he's directed - no surprise on this evidence - he's a great writer - stick to that.
The £90 I got went on fares and food - shame it didn't put me off a career as an actor - might have stopped me wasting 2 years at drama school!
See this movie! Sure, the lives of the characters in it are terribly sad, but the only grim sort of sadness I felt, watching this, was due to the overwhelming lack of such richness in most American films. We're talking actors who throw themselves into their parts, rather than ride the oily wave of celebrity. We're talking a script that tackles, with only minute concessions to gimmickry (at times the playfulness crosses over into winsomeness), the true complexity of human beings. Clint, Muffdiver, and Sylvie are multi-faceted, unfolding (but only so far--no easy answers here) characters. The end's a bit tidy, but this remains a minor qualm in light of the film's rewards.
I rented this movie , just seeing it there on the shelf. I had no idea what to expect. I watched it and thought it was wonderful. Clint is very adorable, very lost, very determined. He is trying to get out and all that matters is his pair of nice shoes. He has transferred all his hopes for a new life and a future outside of drugs in this one very simple thing. Its a beautiful concept. The other characters left me wanting more, but yet being satisfied with that feeling. I was left with the feeling of respect for tiny things that I take for granted sometimes and a great respect for a good pair of shoes or as Clint would say a "cute boot"!
10Zardok
I watched this movie when it came out and I really loved it. I loved the characters because they reminded me of myself or of my friends I either had or wished I had. Granted, the story has no grand significance nor does it attempt to. It's simply a tale of a few delinquents living their weird lives in London trying to get something out of life, whether it's a fix, a job, or a pair of shoes.
¿Sabías que…?
- TriviaThe title "London Kills me" was suggested to Hanif Kureishi by David Byrne who was just coming from Madrid. In the 80's "Madrid Me Mata"(Madrid Kills Me) was a well known phrase that became popular due to the Magazine "Madrid Me Mata" created and directed by Oscar Mariné (who will later design Film posters for Spanish directors like Almodovar, Medem and De La Iglesia). Soon in the 90's the well known phrase will be used to express the love/hate relationship of certain artists with the city they live in.
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Londres me mata
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 170,667
- Fin de semana de estreno en EE. UU. y Canadá
- USD 16,209
- 9 ago 1992
- Total a nivel mundial
- USD 170,667
- Tiempo de ejecución1 hora 47 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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Principales brechas de datos
By what name was London Kills Me (1991) officially released in Canada in English?
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