El Último Boy Scout

The Last Boy Scout is loud, vulgar, trashy – and great entertainment. Bruce Willis plays Joe Hallenbeck, a disgruntled former Secret Service agent struggling with personal demons, a dysfunctional home life and an unsuccessful attempt at living as a private detective. When his newest client, Cory (Halle Berry), is murdered, her boyfriend (Damon Wayans) joins Hallenback to find out why she was killed. What follows is typically Tony Scott – accentuated action, male bonding and loads of violent, gruesome deaths followed by outbursts of comic one-liners.

Written by Shane Black (Lethal Weapon) and directed by Scott (Top Gun), Last Boy Scout works thanks to Bruce Willis and Damon Wayans. The script is stupid, borderline ludicrous – quickly stretching beyond believability, ending in an explosive (somewhat literally) climax that resorts to all the clichés of the genre. However, there is some self-satire to be found within the material. Villains are referred to consistently as "the bad guys." Loads of genre clichés are fooled with, spun into jokes – the car chases and action sequences become satirical in nature, whilst the personal life of Hallenbeck – something that might normally be sugar-coated in another genre film – is totally f***ed up, leaving us with a pre-teen daughter who uses profanity like it's going out of style, a cheating wife, and a weary father who stopped giving a crap about it all a long time ago.

It's the stuff like this that makes Last Boy Scout succeed past its own sources. Shane Black is excellent at writing this type of stuff, and it really shows. Willis is given the best one-liners of his entire career, making Die Hard's crackling dialog look like child's play. Willis in particular is so good, and so at ease with his character, that his cynical and edgy performance makes the film worth seeing – and heck, even worth owning. It's the ultimate Stupid Male Action Film with Great One-Liners and Loads of Action, a genre I'd like to hereby declare official.

It's been 14 years since Tony Scott's The Last Boyscout was released and it was not a major hit at the box office.

Too bad.

Still, this guilty pleasure is one of funniest action movies ever made. The movie starts with the rocky (and cheesy) theme "Friday Night is A Great Night For Football" sung by Bill Medley. You can't top that way to begin a movie.

But then Scott surprises us again. the opening sequence, where a football player is going to use any way possible to score a touchdown, is breath taking too. Enter Joe Hallenback (Willis) and Jimmy Dix (Wayans) two fallen heroes. One, a detective, the other an ex pro of the Stallion's league. The mob is there too, gamble, money, bets, a murdered young girl and big explosions. All of this wrapped up in a great story, which I won't spoil. This film is one of Tarantino's favorites. It's full of one liners and classic scenes. Violent and graphic. "Touch me again and I kill you..." says Willis' character to one of the gangsters. You should see the result. Written by Shane Black (Lethal Weapon) you've got a guarantee you're going to have a great time. Taylor Negron is great as Milo, the villain, a young and beautiful Halle Berry is Kory a girl that knows too much, the sexy Chelsea Field is Hallenback's wife and Danielle Harris is her daughter a great characters that nearly steals the show.

This is not an "art" movie. It's pure entertainment, an excellent flick. Is anything better than that?

In the early 90's, there was a definite, consistent presence in action movies: slow motion cinematography, wild gun-play, and funny one-liners. Granted, there are still some of those today (2004), but it just wasn't the same as back in the day. Now there are so many special effects in the current action films that it drowns out what used to be the great style of a "popcorn flick".

Die Hard paved the way for these type of movies, and some of the offspring of this did well and did not. The Last Boyscout was one that did well. This was a very intelligent and fun action/thriller/buddy-comedy that can still be enjoyed to this day. Tony Scott is the master of under-appreciated action movies in the 90's, such as this and True Romance.

My suggestion is to get a 6-pack, go rent this movie, sit back and enjoy the ride.

Back in 1991 there was still only one way that studios could sell Bruce Willis and that was as various incarnations of his Die Hard hero. Even Eddie (Hudson) Hawkins had similarities to John McClane. Joe Hallenback is a sort of mix between McClane and Snake Plissken. Watching him mumble and grunt thru various near-deaths and close shaves makes for much fun.

Hallenback is a P.I. and scrounges for work wherever he can find it. So he takes up a job protecting a stripper named Cory and soon finds himself in a lot of trouble. Bad guys are trying to get him left right and centre and his bratty 13-year-old daughter tagging along doesn't help much. The bad guys are truly evil and Hallenback seems more like an anti-hero. This adds to the rough nature of the movie and heightens the sense of adventure.

Tony Scott's style of direction is best suited to this type of action flick. The flashy, exotic editing and cinematographic techniques lend a lot to the witty script and compliment the seedy or pretty locations. Shane Black has also written dozens of one-liners and riddled the script with funny dialogue and exciting situations. It's no surprise that this was once the most expensive script ever sold in Hollywood.

Some people say that this film is too violent and misogynist but I honestly cannot understand what they are talking about. I guess it was just a little out of the norm back in 1991. But still the tone of the film is so light and enjoyable you begin to wonder how this never made up for it. Check it out for yourself and I am sure that you will enjoy.

Love that opening song, man. 7/10

We watched this on an encore channel and given it's mediocre 2 star rating and age of 14 years we didn't really expect much. First, we aren't connoisseurs of the action flick and maybe it's too uneven to please people who really dote on the genre. There are a couple of places where the plot is advanced without much pretext other than the need to cut to an exciting bit of action. And there are a couple of action scenes that a good editor would simply have cut.

But Willis and Wayans give energetic and nicely tuned performances. Chelsea Field is just perfect in a limited role as the detective's wife. The villains are far better drawn than the usual bunch of lazy thugs. And Danielle Harris steals the show as Darian Hallenbeck, the feisty and foul-mouthed 13 year old daughter. She grows during the film with barely an effort – by either writer or actor. A part written with great comic creativity. Really the best thing about a film that has a lot of imaginative lines and action moments.

And there are lots of places in this film where the writers give us lines that are head and shoulders above typical film dialog – and way, way beyond the norm for most action movies. A quick guess would be that there were a dozen places where a good line turned up instead of the usual clichés.