CALIFICACIÓN DE IMDb
6.7/10
35 k
TU CALIFICACIÓN
Con la ayuda de una valla publicitaria, un meteorólogo loco intenta ganarse el corazón de una reportera de un periódico inglés, que está luchando por encontrarle sentido al extraño mundo de ... Leer todoCon la ayuda de una valla publicitaria, un meteorólogo loco intenta ganarse el corazón de una reportera de un periódico inglés, que está luchando por encontrarle sentido al extraño mundo de Los Ángeles a principios de los noventa.Con la ayuda de una valla publicitaria, un meteorólogo loco intenta ganarse el corazón de una reportera de un periódico inglés, que está luchando por encontrarle sentido al extraño mundo de Los Ángeles a principios de los noventa.
- Premios
- 3 nominaciones en total
Eddie De Harp
- Maitre D' at Brunch
- (as Eddie DeHarp)
M.C. Shan
- Rap Waiter at L'Idiot
- (as M. C. Shan)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Quite similar to Woody Allen's Manhattan, and not quite as good, but pretty close to it. Steve Martin stands for comedy, and this movie is filled with jokes; some very funny others pretty stupid. What I like the most with this film is the acting of Sarah Jessica Parker; she is SO great. Overall, highly watchable.
7 or 8 out of 10.
7 or 8 out of 10.
When Steve Martin is hot, he's really hot. L.A. Story, written by Steve Martin, is hot. The entire film keeps you in a state of constant chuckling. And, the movie has more than a few moments of comedic genius. It's the cumulative effect of little jokes littered throughout the film, both verbal and visual, that keeps you in stitches. On top of that, it piques your interest.
Here's what I mean: while Martin mercilessly it pokes fun of L.A. for it's flakiness, it's love and tolerance of idiosyncrasies, it's constant preoccupation with image, it's narcissism, the humor is never vulgar, crass, or shallow. For example, one scene takes place in the municipal art museum. We see Harry Telemacher (Steve Martin), with his friends, rapt in admiration for a painting. The camera angle comes from the canvas itself, where we watch Harry, deep in thought, dissertate on the subjects in the portrait, their motives, actions, and hidden agendas. He moves forward, backward, forward again, as if in active dialogue with the lacquer. At last, moving backward, he concludes his remarks by wrinkling his nose in disgust and saying `Look at the way he's holding her: it's almost filthy!' And then the camera moves around to Telemacher's perspective. The painting's a total abstraction. There isn't a distinct line in the entire rectangular frame. In the argot of Postmodernism, one might call it a `readerly' work of art.
It's the perfect metaphor for L.A., where you may interpret anything, any way you like. There's no standard, except one's own `personal reality.' No one can use social norms as a personal club to tell someone else, `You're wrong,' because there is none. It's all `what-E-verrrr.'
Best of all, L.A. Story is a love story, the kind of love that adores someone as much for their faults as for their virtues. Martin's satire is so effective because he loves the city so much.
Here's what I mean: while Martin mercilessly it pokes fun of L.A. for it's flakiness, it's love and tolerance of idiosyncrasies, it's constant preoccupation with image, it's narcissism, the humor is never vulgar, crass, or shallow. For example, one scene takes place in the municipal art museum. We see Harry Telemacher (Steve Martin), with his friends, rapt in admiration for a painting. The camera angle comes from the canvas itself, where we watch Harry, deep in thought, dissertate on the subjects in the portrait, their motives, actions, and hidden agendas. He moves forward, backward, forward again, as if in active dialogue with the lacquer. At last, moving backward, he concludes his remarks by wrinkling his nose in disgust and saying `Look at the way he's holding her: it's almost filthy!' And then the camera moves around to Telemacher's perspective. The painting's a total abstraction. There isn't a distinct line in the entire rectangular frame. In the argot of Postmodernism, one might call it a `readerly' work of art.
It's the perfect metaphor for L.A., where you may interpret anything, any way you like. There's no standard, except one's own `personal reality.' No one can use social norms as a personal club to tell someone else, `You're wrong,' because there is none. It's all `what-E-verrrr.'
Best of all, L.A. Story is a love story, the kind of love that adores someone as much for their faults as for their virtues. Martin's satire is so effective because he loves the city so much.
Steve Martin plays Harris K. Telemacher, a funny weatherman who's in a relationship with Trudi (Marilu Henner) but falls for a British journalist Sara McDowel (Victoria Tennant).He also meets an energetic young woman SanDeE (Sarah Jessica Parker) on the way.He gets some important messages from a freeway sign like that the weather will change his life in two ways.L.A. Story (1991) is a great romantic fantasy comedy from Mick Jackson.It's written by Steve Martin, who also gives an amazing performance in the lead.This 59 year old comedian has made us laughed in many hilarious movies in the past.Hopefully he still will do so in the future.Let's see how he can fill the shoes of Peter Sellers in the upcoming Pink Panther movie.Other actors do a great job as well.Sarah Jessica Parker can be seen there before she was a huge star.This year she stopped working in Sex and the City after six years.You can also see, more or less, people like Richard E. Grant, Iman, Rick Moranis, Chevy Chase, Kevin Pollak, Patrick Stewart and Woody Harrelson.L.A. Story is a declaration of love to Los Angeles like Woody Allen has made many to New York.This movie is full of extremely funny scenes.I found myself laughing many times watching this movie.Isn't that what makes a good comedy?
LA STORY is one of those films that leaves you feeling like maybe you shouldn't have enjoyed the movie as much as you did. Looking back on the film, the plot is absolutely preposterous, the characters are entirely one-dimensional and the acting questionable. Yet I don't think there is anyone out there that wouldn't ultimately enjoy this fantasy.
Steve Martin is in top form (maybe the last decent film he did before BOWFINGER), and the wacky charm throughout makes the comedy fresh and exciting. Tremendous cameo support from the likes of Chevy Chase, Rick Moranis and Woody Harrellson add to make LA STORY a fresh comedy with lots of appeal.
Steve Martin is in top form (maybe the last decent film he did before BOWFINGER), and the wacky charm throughout makes the comedy fresh and exciting. Tremendous cameo support from the likes of Chevy Chase, Rick Moranis and Woody Harrellson add to make LA STORY a fresh comedy with lots of appeal.
In Los Angeles, the meteorologist Harris K. Telemacher (Steve Martin) is the wacky weatherman of television news. He has a wasted relationship with his obnoxious girlfriend Trudi (Marilu Henner) and he feel that he lives a boring life.
When Harris meets the Londoner journalist Sara McDowell (Victoria Tennant), who has come to LA to write en article for the London Times, in a brunch party with her ex-husband Roland Mackey (Richard E. Grant) and other friends, he believes that she is the woman of his life. Harris does not know how to seduce her and he discovers that Trudi has been cheating him with his agent for three years. Then Harry dates the younger aspirant spokesmodel SanDeE* (Sarah Jessica Parker) because he believes that Sara is interested in her ex-husband. However a freeway signpost helps Harry to woo Sara.
"L.A. Story" is a romantic comedy that is still delightful and witty after so many years from the release. The chemistry between Steve Martin and his wife is perfect and there are hilarious dialogs and situations, like for example, when Harris tells Sara that he would like to take her on a cultural tour of L.A., and Sara replies that this would be the first fifteen minutes. Or when he tells to SanDeE* that her breasts are weird and she answers that it is because they are real. Or when SanDeE* and Roland fantasize with Mel Gibson. In addition, there are cameos of many actors and famous people. The music score by Enya is awesome and fits perfectly to the conclusion. My vote is eight.
Title (Brazil): "L.A. Story"
When Harris meets the Londoner journalist Sara McDowell (Victoria Tennant), who has come to LA to write en article for the London Times, in a brunch party with her ex-husband Roland Mackey (Richard E. Grant) and other friends, he believes that she is the woman of his life. Harris does not know how to seduce her and he discovers that Trudi has been cheating him with his agent for three years. Then Harry dates the younger aspirant spokesmodel SanDeE* (Sarah Jessica Parker) because he believes that Sara is interested in her ex-husband. However a freeway signpost helps Harry to woo Sara.
"L.A. Story" is a romantic comedy that is still delightful and witty after so many years from the release. The chemistry between Steve Martin and his wife is perfect and there are hilarious dialogs and situations, like for example, when Harris tells Sara that he would like to take her on a cultural tour of L.A., and Sara replies that this would be the first fifteen minutes. Or when he tells to SanDeE* that her breasts are weird and she answers that it is because they are real. Or when SanDeE* and Roland fantasize with Mel Gibson. In addition, there are cameos of many actors and famous people. The music score by Enya is awesome and fits perfectly to the conclusion. My vote is eight.
Title (Brazil): "L.A. Story"
¿Sabías que…?
- TriviaSteve Martin and Victoria Tennant were married at the time.
- ErroresIn the credits Sarah Jessica Parker's character is listed as "Sandy" and not "SanDeE*".
- Créditos curiososSanDeE* (Sarah Jessica Parker) is very peculiar about how her name is spelled. Still, the character is listed as "Sandy" in the credits.
- Versiones alternativasA deleted scene featuring John Lithgow was reinstated in the cable-tv version of the film.
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is L.A. Story?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- LA Story
- Locaciones de filmación
- Ambassador Hotel - 3400 Wilshire Boulevard, Los Ángeles, California, Estados Unidos(entrance & foyer used as "L'Idiot Restaurant"/trellis area used for brunch restaurant/ballroom area used for the El Pollo Del Mar hotel rooms)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 28,862,081
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,616,915
- 10 feb 1991
- Total a nivel mundial
- USD 28,862,081
- Tiempo de ejecución1 hora 35 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
By what name was L.A. Story (1991) officially released in India in English?
Responda