L.A. Story

When Steve Martin is hot, he's really hot. L.A. Story, written by Steve Martin, is hot. The entire film keeps you in a state of constant chuckling. And, the movie has more than a few moments of comedic genius. It's the cumulative effect of little jokes littered throughout the film, both verbal and visual, that keeps you in stitches. On top of that, it piques your interest.

Here's what I mean: while Martin mercilessly it pokes fun of L.A. for it's flakiness, it's love and tolerance of idiosyncrasies, it's constant preoccupation with image, it's narcissism, the humor is never vulgar, crass, or shallow. For example, one scene takes place in the municipal art museum. We see Harry Telemacher (Steve Martin), with his friends, rapt in admiration for a painting. The camera angle comes from the canvas itself, where we watch Harry, deep in thought, dissertate on the subjects in the portrait, their motives, actions, and hidden agendas. He moves forward, backward, forward again, as if in active dialogue with the lacquer. At last, moving backward, he concludes his remarks by wrinkling his nose in disgust and saying `Look at the way he's holding her: it's almost filthy!' And then the camera moves around to Telemacher's perspective. The painting's a total abstraction. There isn't a distinct line in the entire rectangular frame. In the argot of Postmodernism, one might call it a `readerly' work of art.

It's the perfect metaphor for L.A., where you may interpret anything, any way you like. There's no standard, except one's own `personal reality.' No one can use social norms as a personal club to tell someone else, `You're wrong,' because there is none. It's all `what-E-verrrr.'

Best of all, L.A. Story is a love story, the kind of love that adores someone as much for their faults as for their virtues. Martin's satire is so effective because he loves the city so much.

LA STORY is one of those films that leaves you feeling like maybe you shouldn't have enjoyed the movie as much as you did. Looking back on the film, the plot is absolutely preposterous, the characters are entirely one-dimensional and the acting questionable. Yet I don't think there is anyone out there that wouldn't ultimately enjoy this fantasy.

Steve Martin is in top form (maybe the last decent film he did before BOWFINGER), and the wacky charm throughout makes the comedy fresh and exciting. Tremendous cameo support from the likes of Chevy Chase, Rick Moranis and Woody Harrellson add to make LA STORY a fresh comedy with lots of appeal.

Okay, I was raised in the LA area, so I appreciate "LA Story" more than many might, but it's still just an incredibly wonderful romantic comedy regardless of where you grew up. The script is fabulous, and the soundtrack featuring the music of Enya is the perfect counterpoint to this wonderfully wicked lampoon of Southern California culture.

The humor is much more intelligent than early Steve Martin features such as "The Jerk", but it isn't snobbish. It has wit, charm, and pure satirical funniness. Whether it's watching Martin roller-skate through a museum of Old Masters, seeing a restaurant full of jaded Californians casually ride out a minor earthquake as their tables gracefully vibrate across the room, or the absurdity of a freeway sign giving out cryptic personal messages that change the course of the principal character's lives, the movie simply works.

Steve Martin is at his best here, equal to his wonderful performance in "Roxanne". Victoria Tennant is the perfect choice as the off-beat, tuba-playing British journalist Martin's character falls for. Sarah Jessica Parker is absolutely priceless as SanDeE* (that's her spelling, not a typo), the young would-be spokesmodel/bimbette who "likes to point". Even Rick Moranis as the comedic Cockney grave digger is wonderful, despite his having one of the least believable accents since Dick van Dyck as the chimneysweep Bert in "Mary Poppins". Forget the comment about Moranis' accent... you'll enjoy him anyway.

Overall, this is one of my two favorite movies of all time, and considering how many I've enjoyed, that's saying volumes.

LA Story is a funny and very inventive comedy drama, even though the real love affair is with LA itself. When looking at the storyline, it does look a bit odd, (man receiving love advice from a freeway sign?) but this helps give it a more surreal and somewhat magical edge.

The acting is very good all across the board, even from a non-man-eating Sarah Jessica Parker. It has a lot of quotable dialogue, (she's not young she'll be 27 in 4 years) and some passable cameos from Rick Moranis, Patrick Stewart and Chevy Chase.

Perhaps some scenes get a bit too sentimental and make the film seem a bit uneven. But I think this helps improve the shape of its overall atmosphere, and make it heart-warming and not just a bit of gas.

LA Story is an underrated classic. It's consistently enjoyable, nicely acted and highly memorable. 7.5 out of 10.

In Los Angeles, the meteorologist Harris K. Telemacher (Steve Martin) is the wacky weatherman of television news. He has a wasted relationship with his obnoxious girlfriend Trudi (Marilu Henner) and he feel that he lives a boring life.

When Harris meets the Londoner journalist Sara McDowell (Victoria Tennant), who has come to LA to write en article for the London Times, in a brunch party with her ex-husband Roland Mackey (Richard E. Grant) and other friends, he believes that she is the woman of his life. Harris does not know how to seduce her and he discovers that Trudi has been cheating him with his agent for three years. Then Harry dates the younger aspirant spokesmodel SanDeE* (Sarah Jessica Parker) because he believes that Sara is interested in her ex-husband. However a freeway signpost helps Harry to woo Sara.

"L.A. Story" is a romantic comedy that is still delightful and witty after so many years from the release. The chemistry between Steve Martin and his wife is perfect and there are hilarious dialogs and situations, like for example, when Harris tells Sara that he would like to take her on a cultural tour of L.A., and Sara replies that this would be the first fifteen minutes. Or when he tells to SanDeE* that her breasts are weird and she answers that it is because they are real. Or when SanDeE* and Roland fantasize with Mel Gibson. In addition, there are cameos of many actors and famous people. The music score by Enya is awesome and fits perfectly to the conclusion. My vote is eight.

Title (Brazil): "L.A. Story"