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IMDbPro

JFK

  • 1991
  • B
  • 3h 9min
CALIFICACIÓN DE IMDb
8.0/10
178 k
TU CALIFICACIÓN
POPULARIDAD
2,319
Kevin Costner in JFK (1991)
Theatrical Trailer from Warner Home Video
Reproducir trailer2:20
5 videos
99+ fotos
Drama JurídicoDrama políticoSuspenso legalSuspenso políticoDramaHistoriaThriller

El fiscal de distrito de Nueva Orleans, Jim Garrison, descubre que hay muchas más cosas sobre el asesinato de Kennedy que la historia oficial.El fiscal de distrito de Nueva Orleans, Jim Garrison, descubre que hay muchas más cosas sobre el asesinato de Kennedy que la historia oficial.El fiscal de distrito de Nueva Orleans, Jim Garrison, descubre que hay muchas más cosas sobre el asesinato de Kennedy que la historia oficial.

  • Dirección
    • Oliver Stone
  • Guionistas
    • Jim Garrison
    • Jim Marrs
    • Oliver Stone
  • Elenco
    • Kevin Costner
    • Gary Oldman
    • Jack Lemmon
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    8.0/10
    178 k
    TU CALIFICACIÓN
    POPULARIDAD
    2,319
    • Dirección
      • Oliver Stone
    • Guionistas
      • Jim Garrison
      • Jim Marrs
      • Oliver Stone
    • Elenco
      • Kevin Costner
      • Gary Oldman
      • Jack Lemmon
    • 582Opiniones de los usuarios
    • 86Opiniones de los críticos
    • 72Metascore
  • Ver la información de producción en IMDbPro
    • Ganó 2 premios Óscar
      • 19 premios ganados y 41 nominaciones en total

    Videos5

    JFK
    Trailer 2:20
    JFK
    JFK
    Trailer 2:20
    JFK
    JFK
    Trailer 2:20
    JFK
    JFK
    Trailer 0:16
    JFK
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    Fotos216

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    Kevin Costner
    Kevin Costner
    • Jim Garrison
    Gary Oldman
    Gary Oldman
    • Lee Harvey Oswald
    Jack Lemmon
    Jack Lemmon
    • Jack Martin
    Walter Matthau
    Walter Matthau
    • Senator Long
    Sally Kirkland
    Sally Kirkland
    • Rose Cheramie
    Anthony Ramirez
    • Epileptic
    Gary Taggart
    • Doctor (credited on Director's Cut)
    Ray LePere
    • Zapruder
    Steve Reed
    • John F. Kennedy - Double
    Jodie Farber
    Jodie Farber
    • Jackie Kennedy - Double
    • (as Jodi Farber)
    Columbia Dubose
    • Nellie Connally - Double
    Randy Means
    • Gov. Connally - Double
    Jay O. Sanders
    Jay O. Sanders
    • Lou Ivon
    E.J. Morris
    • Plaza Witness #1
    • (as E. J. Morris)
    Cheryl Penland
    • Plaza Witness #2
    Jim Gough
    • Plaza Witness #3
    Perry R. Russo
    • Angry Bar Patron
    Mike Longman
    • TV Newsman #1
    • Dirección
      • Oliver Stone
    • Guionistas
      • Jim Garrison
      • Jim Marrs
      • Oliver Stone
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios582

    8.0177.7K
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    Opiniones destacadas

    9pacific-oconnor

    A Modern Cultural Obsession

    The assassination of JFK has been told in every possible way through every available medium. Oliver Stone managed the unimaginable transforming and almost folk tragedy, through a mix of drama and cinema veritè, into a riveting mystery thriller with the paranoiac style of a man who's in touch with paranoia in a quasi permanent basis. Unnerving, frustrating and spectacularly satisfying. Kevin Costner manages to be convincing as the center piece of the conspiracy theory. We believe the whole damn thing because we see it through his logic. Sissy Spacek, as his wife, represents most us and she does it brilliantly. Tommy Lee Jones and Kevin Bacon are a pleasure to watch. Donald Sutherland, Jack Lemmon, Walter Matthau and even John Candy, Sally Kirkland and Vincent D'Onofrio deliver little parts of the puzzle without ever becoming distracting. Gary Oldman is a chilling dead ringer for Lee Harvey Oswald. For film lovers, for history nuts, for pop culture fanatics and for conspiracy theorists, this is a must.
    mermatt

    A good mystery

    Whether you agree with Jim Garrison's conspiracy theory or not, Stone's film is an effective mystery.

    The pieces of the puzzle are put together with great skill so that the viewer is kept involved despite the length of the film. The John Williams score helps to build the atmosphere of intrigue and confusion. Costner is rather bland, as usual, but that works well here since he is surrounded by such an interesting group of colorful characters.

    This is definitely a good mystery -- and a frightening one if even part of the conspiracy theory has validity.
    8Jeremy_Urquhart

    An impressive achievement.

    I feel like with Oliver Stone's JFK, whether or not it's actually convincing is less important than how passionate it is, and how it admirably presents a case over the course of 3+ hours, while never being boring. It's a paranoia-heavy movie, and can kind of make you feel overwhelmed and a little dizzy by the time it's over.

    Like anything by Stone, I think parts are overblown and come a little close to feeling slightly silly, but when JFK hits, it hits real hard. There are some incredible performances within it, too (Kevin Costner has never been better, and Donald Sutherland's extended scene - just one - is a highlight), and I love the blending of archival footage with dramatizations.

    It's surprisingly well-paced, well-acted, and technically quite the accomplishment, and earns its lengthy runtime well.
    10zinitime

    An excellent film

    As an American who lived through these years, but too young to really understand at the time, I find this film illuminating and thought provoking. I've watched it several times, and finally bought both the original theatrical version, and the director cut. While both are excellent, I recommend the director's cut which has added material.

    I had turned 10 a month before the assassination of President Kennedy. I'm now 71. I thought we'd know the truth by now, but we don't. Or do we? Perhaps the movie JFK IS the truth.

    As I stated before, this is a fascinating and thought provoking film and I think every American should see at least once.

    A big thank you to Jim Garrison for digging for the truth and sharing his findings. And a huge thank you to Oliver Stone for putting it on film, not once, but twice, and then revisiting it in documentary form in the 2020's.

    We may never know the truth about the assassination, but we should keep looking for answers, and remembering.
    9Cineleyenda

    Stone lone braveman

    "JFK" was and remains so controversial that any positive reviews (not to say they were characteristic) it received were dwarfed by the trashing to which it was subjected in the official press, which started well before it was released. This was disturbing, for what is the big need -- it is just a movie. But to so many "JFK" was not, it was somehow threatening.

    Ultimately, it does not matter whether JFK's conclusion is correct, and I am even willing to give a little more license than I normally would to more-substantive, as well as less-important, inaccuracies, although I have my limits here too. But this movie's significance is just that it was made. For although other films had chronicled the events surrounding the assassination, none had in any substantial way sought to discredit the Warren Commission, as was so absolutely merited.

    Regardless of your opinion on what really happened, it is my view that everyone should be critical of the media, which were so obsequious to the Warren Commission. The New York Times from the start referred to Oswald as the "assassin," not the "suspect." Life Magazine altered photos strongly suggesting a shot had been fired from the grassy knoll. Many years later, when being interviewed by Dan Rather about his film, Oliver Stone said to his face, referring to the event: "Where were you, Dan?"

    Indeed, in a documentary he made, Rather said, "in the absence of any CREDIBLE evidence, we can only..." This fallacy is a betrayal of the legal definition of evidence, with Rather's poor characterization of the word "credible." There is enormous, indeed endless, evidence contradicting the Warren Commission's view, and much of it is certainly credible, including all the evidence of the Commission's own efforts to conduct a dishonest and incomplete investigation and intimidate witnesses into changing their testimony to support the version it wanted. In fact, I consider it Gerald Ford's greatest character flaw that he served on it and backed its conduct and conclusion, a far more disturbing matter than his pardon of Nixon. Whether the evidence to which Rather referred is CONCLUSIVE is another story; that is up to us, the jury. The sort of smugness Rather shows has been characteristic of much of the media, and I do not know all the reasons they behaved as they did. Thus, we needed a more courageous, enterprising person like Oliver Stone to step in and fill the gap -- the overwhelming majority of people believe the Commission got it wrong.

    Stone's enlistment of mere hypotheticals, theorized by Garrison (setting aside the final scene--there were moments before) or whoever, has been subjected to unfair, ill-conceived criticism. Most people who knew anything at all about the assassination believed there were problems with the Commission's version before they saw this film, and came out of it with an elaboration and hypothesis, not a mindbender. Even if we concede that some younger viewers knew little about the assassination, the notion of the critics of "JFK" that the film would automatically program their minds is an insult to their intelligence, of the ability of people in general to think and come to their own conclusions. Indeed, no one to whom I have EVER spoken has betrayed a view of events that reflects even most, if not all, of Stone's conclusions. If any programming is called for, it is to program people against the Commission's version, not, as its defenders would wish, against Stone. For no one can be programmed to accept Stone's alternate view.

    OK, some inaccuracies of Stone can be criticized, such as his portrayal of Garrison (All-American Kevin Costner, natch) as a wholesome hero, and the time-between-shots issue (it is now generally conceded that there was enough time, based on all the evidence, for Oswald to have done it, for those who believe he did). Perhaps the speech by David Ferrie never occurred, but it still reflects the widely held view that the CIA and Mafia worked together in this matter. Certainly, many people in the government despised Kennedy, and there were substantially more elements of this hostility than portrayed in the film. Anyway, we can go on and on. The Warren Commission tried to cover up overwhelming evidence that Ruby knew Oswald, that a shot was fired from the grassy knoll, that a dark-skinned man fired shots from the Dallas School Book Depository, and that Officer Tippit was killed by someone other than Oswald (actually, two people). Well, at least some members resisted the single bullet theory (I guess that passes Rather's definition of "credible"), although they ultimately signed the report.

    I do not agree with Oliver Stone's specific ultimate conclusion about the central moving force of the assassination. But he has the right to suggest the U.S. government was involved, and many, including myself, think it was involved somehow, but that what is debatable is merely to what extent and how far up. Hats off to Stone for his courage and thoughtfulness in making his necessary statement.

    9 out of 10

    Argumento

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    • Trivia
      The murder of Oswald by Jack Ruby was filmed on location in the actual basement garage of Dallas City Hall, where the real-life shooting took place.
    • Errores
      David Ferrie's "confession" in Fountainbleu Hotel never happened. Ferrie went to his death denying any knowledge of Oswald or the plot to kill JFK.
    • Citas

      Jim Garrison: The Warren Commission thought they had an open-and-shut case. Three bullets, one assassin. But two unpredictable things happened that day that made it virtually impossible. One, the eight-millimeter home movie taken by Abraham Zapruder while standing by the grassy knoll. And two, the third wounded man, James Tague, who was knicked by a fragment, standing near the triple underpass. The time frame, five point six seconds, established by the Zapruder film, left no possibility of a fourth shot. So the shot or fragment that left a superficial wound on Tague's cheek had to come from the three shots fired from the sixth floor depository. That leaves just two bullets. And we know one of them was the fatal head shot that killed Kennedy. So now a single bullet remains. A single bullet now has to account for the remaining seven wounds in Kennedy and Connelly. But rather than admit to a conspiracy or investigate further, the Warren Commission chose to endorse the theory put forth by an ambitious junior counselor, Arlen Spector, one of the grossest lies ever forced on the American people. We've come to know it as the "Magic Bullet Theory"... This single-bullet explanation is the foundation of the Warren Commission's claim of a lone assassin. And once you conclude the magic bullet could not create all seven of those wounds, you have to conclude that there was a fourth shot and a second rifle. And if there was a second rifleman, then by definition, there had to be a conspiracy.

    • Créditos curiosos
      Closing statement: What Is Past Is Prologue
    • Versiones alternativas
      A director's cut prepared by Oliver Stone for the video release features 17 minutes of footage not included in the theatrical version. Among the new material:
      • Guy Bannister and his secretary talk briefly about Oswald and laugh.
      • New flashbacks of Oswald's life in Dallas with his wife after his return from Russia and his contacts with George De Mohrenshildt, Janet and Bill Williams (the man who gets Oswald a job at the book depository).
      • When Garrison and his assistant are at the book depository, they discuss the fact that the motorcade route was changed by then Dallas mayor Earle Cabell, brother of general Charles Cabell fired by Kennedy in 1961.
      • A fake Oswald (Frank Whaley) is seen in a flashback test-driving a new car and talking about Russia to the salesman.
      • In another flashback, Oswald is introduced to the New Orleans Cuban community and meets Sylvia Odio, leader of an underground anti-Castro movement.
      • A new flashback of Oswald and Clay Shaw seen together at a voter's registration drive in September '63.
      • Jim Garrison appears on "The Jerry Johnson Show" on TV to be interviewed. He tries to show photographs and defend his theories but he's cut short by host Jerry Johnson (John Larroquette).
      • Bill Broussard meets Jim Garrison at the airport where he's leaving for Phoenix, AZ and tells him the mob will attempt to assassinate him. After a few minutes he has to flee from a public restroom when he hears strange voices in the next stall and is approached by an unknown man (a cameo by production designer Victor Kempster) who pretends to be a friend of him.
      • Garrison and his staff discover that Broussard has disappeared from his apartment, and argue about the real reason why Clay Shaw has been brought to trial. While they're talking, Garrison sees Robert Kennedy on TV and says "They'll kill him before they'll let him be president".
      • During the trial, more witnesses against Shaw are shown than in the theatrical version, including a obviously insane man (Ron Rifkin) who claims that Shaw discussed killing Kennedy with him.
    • Conexiones
      Edited into Malcolm X (1992)
    • Bandas sonoras
      Drummers' Salute
      Arranged by D. G. McCroskie

      Performed by The Royal Scots Dragoon Guards

      Courtesy of Fiesta Records Co. Inc.

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    Preguntas Frecuentes52

    • How long is JFK?Con tecnología de Alexa
    • What is 'JFK' about?
    • Is 'JFK' based on a book?
    • How much of this movie is true?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 20 de diciembre de 1991 (Estados Unidos)
    • Países de origen
      • Estados Unidos
      • Francia
    • Idiomas
      • Inglés
      • Español
    • También se conoce como
      • Project X
    • Locaciones de filmación
      • Dealey Plaza - 500 Main Street, Dallas, Texas, Estados Unidos
    • Productoras
      • Warner Bros.
      • Le Studio Canal+
      • Regency Enterprises
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 40,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 70,405,498
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 5,223,658
      • 22 dic 1991
    • Total a nivel mundial
      • USD 205,405,498
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 3h 9min(189 min)
    • Color
      • Color
      • Black and White
    • Mezcla de sonido
      • Dolby SR
    • Relación de aspecto
      • 2.39 : 1

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