Cuando el Capitán Garfio secuestra a sus hijos, Peter Pan debe regresar a Nunca Jamás y reclamar su espíritu de juventud para enfrentarse a su viejo enemigo.Cuando el Capitán Garfio secuestra a sus hijos, Peter Pan debe regresar a Nunca Jamás y reclamar su espíritu de juventud para enfrentarse a su viejo enemigo.Cuando el Capitán Garfio secuestra a sus hijos, Peter Pan debe regresar a Nunca Jamás y reclamar su espíritu de juventud para enfrentarse a su viejo enemigo.
- Dirección
- Guionistas
- Elenco
- Nominado a 5 premios Óscar
- 6 premios ganados y 24 nominaciones en total
Opiniones destacadas
I'm not one of the people fortunate enough to catch this in the theaters. I am, however, one of the people who loudly objects to the negative critical response to this film.
Peter Pan growing up is a wonderfully refreshing concept and saying "it adds nothing to the Peter Pan mythos" confuses me to no end. The beautiful practical sets would never have come to pass in an age where Spielberg and Lucas have gone crazy with the CGI and accusing them of being cartoony is rather superfluous seeing as Peter Pan's not exactly known for its realism. The actors all turn in decent performances, the best being Robin William's uptight Peter Banning and childlike Peter Pan, Dustin Hoffman's deliciously evil Captain Hook, and Bob Hoskins. Nothing to say about Bob Hoskins; if he's on screen, he's giving it his all.
I deduct points from the film do to the third act with the war, not because the Lost Boys use incredibly implausible weapons to fight the pirates but because Peter stops being savvy about Hook, there's a rather unnecessary dark moment during an otherwise cartoony climax, and about a half dozen inconsistencies appear in the span of five minutes. But, other than that, Hook is a brilliant film and its "Rotten" rating on Rotten Tomatoes is simply a travesty, for not only is it a heartfelt Spielberg experience, but when the movie wants to be funny, it's REALLY funny. Listen not to the critics unless they are Jim Sterling or Doug Walker, because this film is one of the best.
Peter Pan growing up is a wonderfully refreshing concept and saying "it adds nothing to the Peter Pan mythos" confuses me to no end. The beautiful practical sets would never have come to pass in an age where Spielberg and Lucas have gone crazy with the CGI and accusing them of being cartoony is rather superfluous seeing as Peter Pan's not exactly known for its realism. The actors all turn in decent performances, the best being Robin William's uptight Peter Banning and childlike Peter Pan, Dustin Hoffman's deliciously evil Captain Hook, and Bob Hoskins. Nothing to say about Bob Hoskins; if he's on screen, he's giving it his all.
I deduct points from the film do to the third act with the war, not because the Lost Boys use incredibly implausible weapons to fight the pirates but because Peter stops being savvy about Hook, there's a rather unnecessary dark moment during an otherwise cartoony climax, and about a half dozen inconsistencies appear in the span of five minutes. But, other than that, Hook is a brilliant film and its "Rotten" rating on Rotten Tomatoes is simply a travesty, for not only is it a heartfelt Spielberg experience, but when the movie wants to be funny, it's REALLY funny. Listen not to the critics unless they are Jim Sterling or Doug Walker, because this film is one of the best.
Right, I can understand that Spielberg's previous achievements had set the bar really high, but by no means does this make 'Hook' a flop. The story is what is so appealing to a young audience and a mature audience for that matter. The sensitive undertones of such a celebrated story spark much joy and heartfelt moments. The 'what if' factor of the whole story is really adventurous, and the fact that this story stems from the original is brilliant. Its a story of love,family and identity. All three elements resonate with a lot of audiences. From a visual standpoint Spielberg triumphs again! And i don't understand why people beg to differ! For the purpose of entertaining young audiences, it fulfills the intention and more. I must say however, the film owes 50% of its credit to John Williams. His absolutely stunning score supports the story's tenderness. The flying sequence is so thrilling that it literally makes me get up and want to levitate!
The performances are equally stunning and convincing, Robin Williams encompasses both his comedic and dramatic skills towards a full blooded performance. Dustin Hoffman and Bob Hoskins are superb....really really astonishing.
This film has to be one of Spielberg's most overlooked and underrated films of all time. It holds so much promise and warmth that every time I sit back and soak up the high-flying adventure it sends shivers down my spine. I recently watched it after so many years of it lost in my memory that I felt like I had visited a historical landmark..its placed within a treasured set of memories on my part.
I cant express how moving this film is, its just enthralling in every sense of the word..the construction of the story is very clever and realistic - from a child's point of view.
Really guys hold the cynicism and unlock you imaginations and appreciate this work of cinematic art.
The performances are equally stunning and convincing, Robin Williams encompasses both his comedic and dramatic skills towards a full blooded performance. Dustin Hoffman and Bob Hoskins are superb....really really astonishing.
This film has to be one of Spielberg's most overlooked and underrated films of all time. It holds so much promise and warmth that every time I sit back and soak up the high-flying adventure it sends shivers down my spine. I recently watched it after so many years of it lost in my memory that I felt like I had visited a historical landmark..its placed within a treasured set of memories on my part.
I cant express how moving this film is, its just enthralling in every sense of the word..the construction of the story is very clever and realistic - from a child's point of view.
Really guys hold the cynicism and unlock you imaginations and appreciate this work of cinematic art.
This was a gooood film and Spielberg was a genius. I don't understand why a lot of people hated it. It dealt with the loss of childhood innocence and the dread of adulthood by embodying these themes in the character of an adult Peter Pan.
I really can't understand why this movie has gotten so much hate throughout the years. I remember it as a hit. When it came out, all my cousins of around my age loved it, my friends loved it, I didn't know any kid that didn't at least like it. As for adults, isn't it a fun concept to see what it would be like if Peter Pan grew up? Who else could play a grown Pan than Robin Williams? Julia Roberts was perfect for Tinker Bell. Though I have heard she was a nightmare to deal with behind the scenes. The lost boys were excellent, a good balance of fun and humor, along with some serious parts in there too. Dustin Hoffman as captain Hook? I don't know if he won any awards, but that man should have. Probably his best performance.
This movie is a classic. F&@# the naysayers.
This movie is a classic. F&@# the naysayers.
I, personally, cannot understand why so many people have left negative comments about this film. When it was released, many of us were young children and we all enjoyed it, but now that we are older, too many people are pointing out the bad jokes and mistakes and clichés that they have found. The point is, this is a children's film, and we didn't see those mistakes when we were children because it's designed that way. Even so, people fail to see deeper into certain aspects of the film. Peter Pan was meant to be 'the boy who never grew up', so to have a tale of his adult life and to show how he forgot Neverland is a special and unique take on the story, one that won't be forgotten.
There have also been many complaints about the scene where Tink becomes human-size and expresses some kind of love for Peter. Although she is not a human per se, she can have human feelings, so why would she not love him? As the original story tells, she is often jealous of other womens' affections towards him, and this film just extrapolates on that theme a little.
There have been comments about the 'father-who-is-so-busy-and-can't-go-to-the-game' cliché. Well, here's news for you. It's cliché because it happens all the time, and it's a truth! Some parents are just too busy to care. Lastly, too many people are moaning that Hook was too comical to be the bad guy. Well, this is a kids film and if he wasn't a little bit cheery-in-a-maniac sort of way, you'd have parents complaining that their kids were scared.
The main thing about this film is that it is really good, but it IS designed for children, and adults who go back and watch it years later, then suddenly spot loads of mistakes are just ruining it for themselves and others.
There have also been many complaints about the scene where Tink becomes human-size and expresses some kind of love for Peter. Although she is not a human per se, she can have human feelings, so why would she not love him? As the original story tells, she is often jealous of other womens' affections towards him, and this film just extrapolates on that theme a little.
There have been comments about the 'father-who-is-so-busy-and-can't-go-to-the-game' cliché. Well, here's news for you. It's cliché because it happens all the time, and it's a truth! Some parents are just too busy to care. Lastly, too many people are moaning that Hook was too comical to be the bad guy. Well, this is a kids film and if he wasn't a little bit cheery-in-a-maniac sort of way, you'd have parents complaining that their kids were scared.
The main thing about this film is that it is really good, but it IS designed for children, and adults who go back and watch it years later, then suddenly spot loads of mistakes are just ruining it for themselves and others.
¿Sabías que…?
- TriviaBob Hoskins would alleviate stress on-set by singing various versions of the Lionel Richie hit "Hello" by including the lyrics "Hello? Is it Smee you're looking for?"
- ErroresIn the showdown between the Lost Boys and the pirates on the pirate ship, the sun is directly behind both of the two facing groups - there are two suns and three moons in Neverland.
- Citas
[last lines]
Granny Wendy: So... your adventures are over.
Peter Banning: Oh, no. To live... to live would be an awfully big adventure.
- Créditos curiososAfter Tootles flies away and the end credits start, one of the stars in the sky continues to glow. According to the Peter Pan stories, "The second star to the right and straight out till morning" is where NeverLand is located.
- Versiones alternativasIn the VHS release, there is a switch from pan and scan to widescreen in the final shot of the movie around the same time the end credits start.
- ConexionesEdited into 5 Second Movies: Hook (2008)
- Bandas sonorasWe Don't Wanna Grow Up
Music by John Williams
Lyrics by Leslie Bricusse
Sung by Jewel Newlander Hubbard, Francesca Serrano, Kevin Gasca, Andre Bollinger, Lauren Friedler-Gow, Bryce Armstrong, Margie Takeda, Alyson Healing, and Zoe Koehler
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Hook, El regreso del Capitán Garfio
- Locaciones de filmación
- Kaua'i, Hawái, Estados Unidos(Neverland exteriors)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 70,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 119,654,823
- Fin de semana de estreno en EE. UU. y Canadá
- USD 13,522,535
- 15 dic 1991
- Total a nivel mundial
- USD 300,854,823
- Tiempo de ejecución
- 2h 22min(142 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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