Frankie y Johnny

This film has been overlooked by everyone I know and to me it was one of the best movies of 1991. I didn't think the chemistry between Al Pacino and Michelle Pfeiffer would be any good, but their on-screen romance was very enchanting. Garry Marshall did a great job directing this movie and Terrence McNally translated his play to screen beautifully. All the characters in this movie could have had a film of their own. My favorite character is Nathan Lane's portrayal of the gay neighbor. Lane is very funny and I love the way his character encourages Pfeiffer's character to fall in love. Falling in love can be dangerous, exciting, scary and blissful all in one night. This movie captures love in a way that made me feel really good.

After their brief encounter in SCARFACE, Al Pacino and Michelle Pfeiffer were reunited for FRANKIE AND JOHNNY, a charming romantic comedy about an ex-con hired to work at a restaurant where he falls in love with one of the waitresses there. I absolutely love this move...Pacino has rarely been more sexy and appealing on screen and no matter how much they tried to make her look like a Plain Jane, Michelle Pfeiffer is just beautiful and also gives a very affecting performance as the repressed Frankie, afraid to release the love she has to give due to a troubled romantic past. Pacino and Pfeiffer make the most of a clever script, buoyed by Garry Marshall's sure-footed direction and solid comic support from Nathan Lane, Kate Nelligan (hysterically funny as another waitress at the restaurant) and Marshall's good luck charm, Hector Elizondo, as the restaurant owner. A warm romantic comedy with an unexpectedly quiet denouement.

You have to give the filmmakers credit: they did attempt to deglamorize Michelle Pfeiffer to fit into Kathy Bates' off-Broadway role of a waitress with no prospects who finds herself attracted to the new cook at the restaurant. Michelle's innate sparkle manages to shine through the dowdy clothes and plain-Jane appearance, and yet the miraculous thing is, her casting doesn't hurt the movie and her performance is one of the best things about "Frankie and Johnny". Pfeiffer and Al Pacino are a good screen match, and if they don't especially resemble the characters they're playing, they at least don't throw the tone out of whack (this is a Garry Marshall movie after all, so it's bound to have a bumpy narrative). Terrence McNally's play was about hard truths and sex on a low income; this is a big, charming commercial comedy-drama, directed with energy but no real flair. Pacino lays on the Prince Charming-pizazz a bit heavily, and Nathan Lane works overtime at being adorable as the proverbial gay best friend, but it certainly isn't a bad movie. It works on a certain level, even if it doesn't resemble reality or the original play. *** from ****

This film is simply great. One of the reasons I like it is that here romance is not reduced to some sappy idealistic fable, but is instead shown as realistically as life itself. There are no fantastic events or stretches of plausibility here. Just great performances and a well-written story. In short, this is what real movie-making is all about.

Very pleasant love-story that wouldn't have been this good without the great performances by Pacino and Pfeiffer. Pacino is the cook with the romantic heart who just got out of jail (of course he wasn't a real criminal) starts working in a Greek restaurant and falls in love with Pfeiffer, the waitress, who just wants to watch videos and eat pizza after a few bad love-experiences. Pacino has to do a lot (read Romeo & Juliet, dance like a madman, chop vegetables and be very patient) to win her love and is finally helped by the sound of Debussy's 'Claire de Lune'.