Pescador de ilusiones

This movie is really exceptional in a lot of ways. It's got one of those plots, full of ironic reversals and personal struggle, that's been turned into melodramatic trash in every creative medium ever invented. With Robin Williams as the magic crazy guy and Jeff Bridges in an 80s ponytail, the ways the basic concept could have gone awry (in other hands) are truly frightening to contemplate. But with Terry Gilliam at the helm, The Fisher King speaks to your emotions more directly and powerfully than 90% of the movies out there without degenerating into sappiness.

Perhaps the most brilliant acheivement of this movie is the way it takes Robin Williams' crazy-improvisational persona and makes it an integral part of the story. Instead of being a tacked-on adjunct to the "real" movie, Williams' stream-of-consciousness patter is essential to the work as a whole.

At the same time, Gilliam is making an almost-mainstream movie for the first time in his career, while explicitly referencing his past (the Holy Grail). It all comes together into a movie you will never forget.

Terry Gilliam has made a lot of good films and a couple of great ones(namely Twelve Monkeys and Brazil)this, though could well be his best.

Why ?

For starters there is the cast.Jeff Bridges,officially the most underrated actor of his generation, giving a performance that veers from one end of the spectrum to the other almost imperceptibly.From comedy to tragedy and back again.

Robin Williams- a great comedian and a better actor than he is given credit for.Fair enough he does tend to go through spells of making films primarily for his kids (Mrs.Doubtfire, Hook, Jack) but when he does decide to buckle down and do a serious role he rarely disappoints (Good Will Hunting, Insomnia, Dead Poets Society).It is with this role though that Williams gives what is the best of his career to date,as Parry. He is undoubtedly insane, but it is not yet too late for him, he justs needs someone to take the effort to save him, and if it had not been for Bridges colossal mistake and subsequent search for redemption, no-one would have done it, and he would never have survived, merely another casualty of another one of Gilliams nightmarish cityscapes. Mercedes Ruehl is perfect as Bridges suffering girlfriend.She thinks of herself as hard-bitten a survivor, and yet she continues to stay with Bridges, trying to prove to herself that she has the strength to change him, to redeem him. She wants to be his saviour, and yet he comes in the shape of a homeless madman, prone to dancing naked in Central Park and seeing floating fairies whilst defecating.The Fisher King is a movie about hope, despair and redemption, and all of the human conditions that fit in between.It contains one of the most inspired,beautiful scenes in recent memory,as Grand Central station transforms from a dingy,noisy concrete hole into a luscious, gorgeous ballroom, simply because of Lydia, Parrys love, the one thing that keeps him grounded in any semblance of reality.The chinese restaurant double- date in which Parry connects with her for the first time is both funny and touching, and makes what comes after even more tragic.

It is at times tragic,brutal even but it's heart cannot be doubted,and it remains a wonderful success.

A touching yet humorous tale, THE FISHER KING brings together amongst the best performances given by Robin Williams and Jeff Bridges, as well as Terry Gilliam's finest directorial effort. Solid supporting performances by Amanda Plummer and Mercedes Ruehl round out a great film that ranks among my personal favorites.

Bridges portrays an arrogant radio shock-jock, who's big mouth and flippant comments send a disturbed listener on a murderous rampage, thus ending his career. Enter Ruehl as his new enabler girlfriend, waiting patiently for him to drag himself up from the dregs, hoping to catch a ride to the top. Just when Bridges seems to have hit rock bottom, he encounters Williams, a crazed vagrant who thinks he is a knight in shining armor.

What ensues is a tale of remorse, redemption and rebirth which is made all the more magical by Gilliam's magnificent vision. Most notable is a scene which takes place in Grand Central Station where the hustle and bustle of the busy commuters dissolves into a spectacular waltz as Williams follows Plummer, the woman of his dreams. Gilliam's style makes Williams delusions come alive as the character makes the slow journey from trauma-induced insanity to stark, yet hopeful, reality.

Every character in this film undergoes a metamorphosis, each learning from the others along the transformation. It is a beautiful film to watch, and an achievement to all involved that subject matter of such depth can come across with such humor and with such beauty.

The movie's plot has been discussed enough, no need to rehash it here. I just wanted to add a few observations. In my opinion this is one of Robin Williams' best performances. I know that at the time he was heavily involved in Comic Releif and this story about mentally ill homeless men and acceptance of all types of people really fits the PC Comic Releif mentality, but he really did a great job here, portraying Parry, a man lost in fantasies of knights and ladies.

Jeff Bridges is very Howard Stern-like as Jack Lucas, the insulated, rude talk show host. In 1991 Stern was still a New York thing, but being that his "fame" has since spread, we see who the character was based on with a little more clarity now.

Michael Jeter as the homeless, depressed former cabaret singer was a delight in every scene he was featured in. His "singing telegram" scene to Lydia in her office was a classic.

Mercedes Ruehl also stood out as sort of living outside this crazy world that Jack Lucas finds himself thrust into. Her home is a haven and scenes shot there are usually scenes of a return to normalcy in the story, a grounding.

David Hyde Pierce has pretty much found his niche as the asexual, slightly fey character. This was basically a toned-down Niles Crane in a hat here.

Amazing movie. Like other Terry Gilliam movies, they unwind like dreams and have the look of otherworldliness. I am sorry that the homeless people arent giddy and uplifting enough for some viewers, but in reality it is a pretty stark existance.

Recommended highly.

I recently saw this movie again. (actually I felt compelled to buy it at a video sale). I have always loved it and I continue to be moved by it. The story has such a romantic and poetic quality. It examines the nature of redemption born, not out of guilt and obligation, but out of a truly selfless act of love for another person. The film rivals "The Shawshank Redemption" in its vision of the triumph of the human spirit, and the elements of fantasy are absolutely breathtaking, especially the scene in Grand Central Station. Definitely one of Robin Williams' most moving performances.