Una cazadora de terroristas es contratada por un científico para desactivar a su doble androide, una bomba nuclear andante, parlante y asesina que se ha desbocado en la gran ciudad y está a ... Leer todoUna cazadora de terroristas es contratada por un científico para desactivar a su doble androide, una bomba nuclear andante, parlante y asesina que se ha desbocado en la gran ciudad y está a punto de explotar.Una cazadora de terroristas es contratada por un científico para desactivar a su doble androide, una bomba nuclear andante, parlante y asesina que se ha desbocado en la gran ciudad y está a punto de explotar.
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Opiniones destacadas
When Eve VIII escapes and appears to go on to blood letting of extreme proportions we are treated to some insight into the darker parts of Dr Eve's mind, at first to titillate and then to hunt the errant robot down. And it is not badly done either. Okay some of the dialogue may be a little comical or flawed at times, but the underlying tale is always watchable and that is what films are supposed to be. Tension is ratcheted up nicely throughout, and the ending is almost as good as one would expect from this kind of B movie genre. It certainly puts to shame many much more hyped up pieces of the sci-fi genre around on the circuits these days.
Worth a watch and six out of ten.
Only once you realize the film isn't meant to be taken seriously will it open up its charm to you. Eve has an Uzi with unlimited ammo, for blowing up cars and killing the also Uzi-wielding Marines. She also has "VHS- vision" and lots of goofy flashbacks. It wants to be serious, but mostly you'll be laughing at/be bored by this film. Then again, if you and some friends watch this with your brain off - you'll probably enjoy it. The final 15 minutes especially are a blast of bad-movie goodness.
I guess future guns have huge laser sights.
Intense thesping by Renee Soutendijk in dual roles as "Eve of Destruction" almost lifts this tasteless horror fantasy above the norm. Inconsistent scripting and direction reduce the Orion release to a genre fan special with limited chances at finding a crossover audience.
That's a shame, because there are germs of interesting ideas in the screenplay by helmer Duncan Gibbins and Yale Udoff, latter the scripter of Nicolas Roeg's intriguing "Bad Timing".
Pic's basis is that most durable of sci-fi properties, Mary Shelley's "Frankenstein", which ranks second only to Bram Stoker's "Dracula" for inspiring motion pictures. "Eve" is the third recent pic to hark back to James Whale's classic "Bride of Frankenstein" after last year's satire "Frankenhooker" as well as mad scientist Bruce Davison creating a female cyborg in "Steel & Lace".
Italian bombshell Rosalba Neri played "Lady Frankenstein" in 1971 and created male monsters, but "Eve" goes one logical step further in having Dutch actress Soutendijk as scientist Eve Simmons creating a robot in her own image.
Effective opening scenes show the robot , Eve III, on a test run in San Francisco being damaged by gunfire during a bank holdup. The man monitoring Eve is killed and the beautiful monster becomes a loose cannon.
Gung ho Jim McQuade (Gregory Hines), no relation to Orion's "Lone Wolf McQuade" of eight years ago, is called in from his anti-terrorist activities to find Eve and immobilize her with a shot through the eye. What he isn't told is that Eve was created as a robot/bomb with nuclear capability.
Since Eve is endowed with her creator's memories as well as good looks, the trail to track her down retraces Dr. Eve's childhood traumas and current relationship;s. Film's psuedo-feminist theme is bungled badly: the monster starts living out Simmons' unrealized sexual fantasies only to kill or maim the endless stream of male chauvinist pigs it teses.
Further, the doctor's unresolved problems with her estranged dad (Kevin McCarthy, in a brief uncredited role), who beat her mother and caused her death, leads to a contrived scene of robot revenge.
Aiming at the low-end audience, film's nadir is a tasteless scene of sexy Eve picking up a guy in a bar and then biting off his most prized possession in a hot sheets motel room. The audience is spared the visualization of this "Porky's" level horror motif, but the damage to the film's tone is irreversible.
Running motif of Eve going into her killer molde whenever some guy calls her "bitch!" is the worst sort of pandering to one's assumed target viewer.
Atmospheric climax of Hines chasing Eve (clutching Simmons' son she takes to be her own) through the Manhattan subway tunnels is clumsily directed by Gibbins with several anti-climaxes and a fake James Bond-style countdown as the activated robot is seconds away from a nuclear explosion (film coincidentally is lensed by Bond cinematographer Alan Hume). Much is made of the boy' safety during this sequence, but pic foolishly ignores him completely once the danger is over.
Soutendijk, a versatile thesp who has followed her Dutch triumphs like "Spetters" with several U. S. telefilms and two American features released by Shapiro Glickenhaus, brings utter conviction to both roles to carry the picture.
Hines, no stranger to action roles in "Wolfen" and "Off Limits". Still seems out of place espousing Oliver North-style rhetoric in playing a shoot first, ask questions later hero. Supporting cast is weak in what plays like a 2-1/2 hander.. Makeup effects are satisfying, notably Soutendijk's more than nude scenes as she peels away body tissue to make self-repairs on her robot body. French ace Philippe Sarde contributes an effecitve musical score.
¿Sabías que…?
- TriviaDirector Duncan Gibbins tragically died in a fire in November 1993, aged just 41. This was his second and final feature film.
- ErroresThe steering wheel airbag that deploys in the BMW remains completely inflated after deployment, interfering with the driver's ability to steer. Air bags begin to deflate through built-in openings within 1/10th of a second or less after deployment, as they are designed to cushion an impact by decelerating a head and torso.
- Citas
Colonel Jim McQuade: Well this is quite some toy you have yourselves here gentlemen. I suppose you want me to put it back in its box.
- ConexionesReferenced in Entertainment Tonight: Episode dated 23 January 1991 (1991)
Selecciones populares
- How long is Eve of Destruction?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Terminator Woman
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 13,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 5,451,119
- Fin de semana de estreno en EE. UU. y Canadá
- USD 2,163,024
- 21 ene 1991
- Total a nivel mundial
- USD 5,451,119
- Tiempo de ejecución
- 1h 39min(99 min)
- Color
- Relación de aspecto
- 1.85 : 1