Edward II

Edward II makes a brilliant hodge-podge of history by vaulting a sixteenth century play about a fourteenth century English king onto a dark, abstract twentieth century stage. Iconoclastic, yes; anachronistic, yes; imbecilic, no. While on the page Marlowe's poetry speaks for itself, in director Derek Jarman's hands it provides a counterpoint to the film's daring, elegant, eloquent visuals. King Edward and his lover, Piers Gaveston, are attacked by the raving heteronormative toffs for their homosexuality and Gaveston's less-than-aristocratic background. Great moments include a cameo by Annie Lennox and a bull's-eye by Tilda Swinton.

This beautifully filmed, strangely erotic minor masterwork is Derek Jarman at his best. Dark and brooding, Jarman draws the viewer into the world of medieval England while still being his unusual, original self. Homoerotic without being blatant about its pro-gay leanings, Jarman tells a story of doomed love in a time where certain loves were life threatening.

A history / political science major, I usually enjoy seeing "period" films of historical significance. This film would not qualify as a "period" film. However, it definitely drew my interest.

Both Steven Waddington and Tilda Swinton performed beautifully as Edward and Isabelle.

Although Derek Jarman is sadly no longer with us, I LQQK forward in viewing other films made by those directors who approximate his vision.

I've watched this movie at least half a dozen times while adapting and directing my own stage version of this brilliant, but somewhat long-winded and un-focused Marlowe play. That said (and my bias revealed), I have to admit that I don't care much for this film- though I do admit it has some strengths- namely the visual elements, which reflect the director's background as a painter (he knows how to frame and arrange a shot, and he picks beautiful lines and colors to illustrate his story). Tilda Swenton's performance is amazing (has she ever been bad?) and provides the emotional thrust of the movie- we believe she wants Edward so badly that she's willing to kill him so no one else will have him. Unfortuneately, Gaveston just comes off as a twisted psychotic and Waddington's performance as Edward renders the king weaker than Marlowe writes him, and yet devoid of the inner vulnerability that ultimately makes the King sympathetic- I never once believe they really love each other, let alone madly enough to topple a whole nation. But plot and character don't seem to be a priority of the film as much as statements about gay rights and strange, arty and really heavy-handed intrusions. Too bad, really. There's so much to be dug out of the script- and some of those gems DO appear in this film... but so many seem not only undiscovered, but lost in a lot of camp, confusion, violence and raw, un-erotic sex. Don't get me wrong- the film is worth seeing... I just hope that one day, I get to make a new interpretation.

I love Elizabethan drama. I had been on a Kenneth Branagh and William Shakespeare kick(and I guess I still am)when on a whim I bought this film based on the play of the same name by Shakespeare-contemporary Christopher Marlowe. I am very glad I did. Edward II(Steven Waddington of SLEEPY HOLLOW) ditches one icey, repressed Queen Isabella(Tilda Swinton) for another hot and uninhibited queen, gay lover Gaveston. But the romance is doomed when the nobility rises up with Isabella to end the affair. Director Derek Jarman's adaptation is one of those rare films that succeeds set in a time other than in its original setting. He moves the setting and action of the movie to the modern era, and this serves as a more timely backdrop for the movie's pro-gay stance, which seems to me to be its central theme. I really liked Steven Waddington, who was very, very good. And an unexpected surprise came from Tilda Swinton, an actress with whom I am not familiar but whose other work I'd like to see, based on the quality of her performance here. Strongly recommended!!!