La historia del famoso e influyente grupo de rock de los años 60, The Doors, y su cantante y compositor, Jim Morrison. Desde sus días como estudiante de cine del UCLA en Los Ángeles hasta su... Leer todoLa historia del famoso e influyente grupo de rock de los años 60, The Doors, y su cantante y compositor, Jim Morrison. Desde sus días como estudiante de cine del UCLA en Los Ángeles hasta su temprana muerte a sus 27 años en París, Francia, en 1971.La historia del famoso e influyente grupo de rock de los años 60, The Doors, y su cantante y compositor, Jim Morrison. Desde sus días como estudiante de cine del UCLA en Los Ángeles hasta su temprana muerte a sus 27 años en París, Francia, en 1971.
- Premios
- 3 nominaciones en total
- Shaman
- (as Floyd Red Crow Westerman)
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Opiniones destacadas
One thing you can say about Oliver Stones The Doors is that Stone has no intention of forcing the audience to like the main character. Stone spends almost the entire 138 minutes making Jim Morrison into the biggest asshole that he possibly can. Really, when I first rented this film I had no idea what to expect since Oliver Stone is sort of hit-or-miss with me. I can honestly say the film held my attention completely but at the end I was unsatisfied with what I had seen.
The remaining members of The Doors have criticized this film saying that it only portrayed one side of Morrison and that some of the actions in the film were far worse than anything he ever did (throwing the TV in the studio for instance). To be honest, I felt exactly the same way. By the end I was like, "There has to be more to this man than this!!!!"." I know Morrison had drinking and drug problems, and thats on full display. Stone makes clear that we see the flaws of Morrison and pretty much nothing else. If Stone wanted to make a film that showed the dark side of a rock star than he accomplished his goal admirably.
But the film is just too disappointingly shallow. Morrison was supposedly a very shy front-man at first which we actually do see in the beginning when he sings with his back turned toward the audience. It's a shame Stone didn't explore this "shy, intelligent" man that the Doors always talk about instead of the sadistic asshole on display here. If Stone had made Morrison into a more well-rounded character than this could have been a great film.
What cannot be criticized about the film is Val Kilmer's electrifying performance. Forget the small little flaws like Kilmer is six inches taller than Morrison was and that Kilmers face is a little fatter than Morrisons and just watch this magnificent piece of acting. I have never been that impressed with Val Kilmer's acting ability before I saw this film so seeing him in this was a mindblowing experience. He completely inhabits Morrison and its hard to believe he was actually the second choice for the role. This will undoubtedly be a career best for Kilmer and it is a damn shame he didn't at least get an Oscar Nomination.
The supporting cast is also impressive, particularly Meg Ryan. Ryan excels much more in lighter roles but here she dos a very good job as Morrison's girlfriend, Pamela Courson. Kevin Dillon, Kyle MacLachlan, and Frank Whaley do the best they can with limited screen time as the remaining members of The Doors.
Stone's films have always been uneven when it comes to visual styles. In such films as Natural Born Killers, Any Given Sunday, and to some extent, Nixon, they have been exercises of cinematic masturbation with hyper editing and completely unnecessary film stock switches. Fortunately, thats not the case here as the film has a more straightforward look that complements the film well instead of distracting us.
Stone can make a compelling film and The Doors is never boring. It has a lot of good points: a tremendous lead performance, impressive supporting work, effective cinematography, and a great soundtrack. Its a shame that the film is hampered by a shallow script. If the script were better it is quite possible The Doors could have been a great film. As it stands, its a compelling, though definitely disappointing film.
Director Oliver Stone delivers a solid biopic with his cinematic style to depict the drugged out hippie time and the chaotic nature of the band. Val Kilmer delivers his most impressive performance of his career. The movie could probably add some drama but I'm not sure how exactly. The world is burning down and he's a part of the chaos. His end is predictable for fans and newcomers alike. There may be a dramatic story in there somewhere.
Influenced in childhood by American Indians, Morrison grew up fascinated with Indian Shamanism, elements of which he would later infuse into his poetry and music while hanging out in the mid 60s in the hip areas of Los Angeles. Here he would meet musician Ray Manzarek (Kyle MacLachlan). Along with two other band members, the group would form "The Doors", a name Morrison borrowed from the title of Aldous Huxley's book on drug use and enlightenment, called "The Doors Of Perception". During this time Morrison comes across as sensitive, shy, poetic, and an idealistic dreamer. The film's first hour is quite good. We get some insights into Jim's early years, and we get to hear some of that great music, like "Riders On The Storm", and "Light My Fire".
The film's second half is less interesting. Morrison himself has changed, as a result of his celebrity status. His narcissism, his boozing and drug use, have turned his world into chaos, which is evident in a couple of staged concert events, one in New Haven, the other in Miami. The amount of time that Oliver Stone spends on these noisy, chaotic events is excessive. Some of that could have been edited out.
As with most Stone films, the cinematography in "The Doors" is excellent, and includes some early CGI. Val Kilmer is a great choice to play the part of Morrison. And Kathleen Quinlan is good as Patricia, the seductive witch. The film's images at the cemetery in Paris, together with Gothic background music, make for a haunting finale.
Stone's movie is not to be taken in a literal sense. Rather, it is suggestive of the complex mix of personal and cultural forces that interacted to create a pop culture legend. As a byproduct of this cinematic tribute, the viewer gets to see how the late 1960s really were, with the art deco, the hippie lingo, and all that hostility that existed in society. The film thus counters the political revisionism that later decades have assigned to that period. As such, "The Doors" complements and reinforces other films of that era which also "tell it like it really was": "Medium Cool", "Easy Rider", "Alice's Restaurant", and "Zabriskie Point", to name a few.
Despite a noisy, irksome second half, "The Doors" is an intriguing film about an intriguing historical figure. Mr. Mojo Risin's "style" may have died with the times. But Jim Morrison, himself, lives on ... as legend.
Even though the film isn't completely factual, it conveyed really well what the rock and roll was like for most rock stars. Drugs, alcohol, sex. It all happens in this film. Oliver Stone didn't really do wonders with Jim Morrison's story, but his direction style was really good with this movie. The concert scenes were done really great, and for someone who's just getting into the music, they were really great scenes to watch.
The performances in this movie are something else. I'd have to say that from the Val Kilmer movies that I've seen, this is his best performance. He's really a perfect film incarnation of Jim Morrison, even if it's Oliver Stone's version of Jim Morrison. Everybody in the movie does a really good job in their roles, and it was really cool to watch.
So if you want a 100% factual Jim Morrison biography, read a book. If you want an entertaining movie about an awesome rock band in the 60's with awesome music, this is a great movie.
¿Sabías que…?
- TriviaThe surviving members of The Doors claim that Val Kilmer did such a good job playing and singing as Jim Morrison that they could not distinguish his voice from the real Jim Morrison. In a 1991 interview, Robby Krieger said that Kilmer did a good job portraying Morrison and that "it was scary sometimes how much he was like Jim". John Densmore said in a 2015 interview to Forbes that Kilmer should have been nominated for an Oscar for his performance as Morrison, and that Kilmer was so close to Morrison that it gave him the creeps on the set. After Kilmer's death in April 2025, the band issued a statement crediting Kilmer's performance as Morrison for helping introduce the band's story and music to a new generation.
- ErroresWhen Jim Morrison is on a window ledge in 1971, a billboard advertising 48 horas: La segunda vuelta (1990) is visible.
- Citas
Jim Morrison: Some of the worst mistakes of my life have been haircuts.
- Versiones alternativasA special edition of the movie was released in 1997 on laserdisc with additional scenes that were cut from the movie:
- A scene taking place circa 1965 with Jim Morrison (Kilmer) jamming onstage with Ray's band, adding obscene lyrics to the Van Morrison song "Gloria."
- 2 additional scenes of a bearded Jim reciting poetry in the recording studio.
- Additional footage of Jim singing "The Unknown Soldier" at the New Haven concert.
- A scene of Jim getting roughed up and harrassed in jail by police officers after being arrested at the New Haven concert.
- Jim in his hotel room with 2 young women and Pam (Meg Ryan) yelling at him from outside.
- Additional footage in the scene where Jim is on an airplane en route to Miami.
- Additional scene at the end with Jim and Ray (Kyle Machlachlan) walking around Venice and talking before he departs for Paris.
- Jim and Pam talking in the airplane en route to Paris.
Selecciones populares
- How long is The Doors?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 38,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 34,416,893
- Fin de semana de estreno en EE. UU. y Canadá
- USD 9,151,800
- 3 mar 1991
- Total a nivel mundial
- USD 34,515,936