CALIFICACIÓN DE IMDb
5.8/10
10 k
TU CALIFICACIÓN
Un escritor de telenovelas recibe un golpe en la cabeza y se despierta como personaje de su propio programa.Un escritor de telenovelas recibe un golpe en la cabeza y se despierta como personaje de su propio programa.Un escritor de telenovelas recibe un golpe en la cabeza y se despierta como personaje de su propio programa.
- Dirección
- Guionistas
- Elenco
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I can watch this movie over and over and never get tired (then again, I haven't ever tried watching it 10 times in a row in the same day)... Candy does his own sort of persona with his trademark charm without getting annoying, and the way the film turns constantly as he tries to solve his dilemma is great (particularly when he starts to write while drunk). Not a masterpiece by any standard, but a fun flick...
This is a really good movie to watch if you like silly/fun movies, parody movies, or john candy. It has a great blend of comedy, wit, action and all sorts of other things. I am pretty surprised by the low rating. Its not the best movie by any means, but greatly above standard and really enjoyable. The actors/actresses were funny and did their parts nicely. Its not exactly original though, and it doesn't look like it had the best budget, but it does what its suppose to.. make us laugh. Definitely worth checking to see if your video store rental has it. I rate it 7/10. Rated PG for sensuality, crude humor, language and comic violence.
"Delirious" is an amiable comedy starring John Candy. I liked it but also must admit that the story is slight and the concept, though interesting, seems difficult to maintain for 96 minutes.
Jack (John Candy) is the writer and producer for a daytime soap opera. However, when he's in an accident, he awakens to find himself living in the soap...and everything is very real. However, he also learns after a while that when he writes on his typewriter, things in this world change. So, he soon manages to become a 'Wolf of Wallstreet'...a rich playboy who is catnip for women and with almost god-like powers! What's next? Well, you can pretty much predict it from the clumsily written meet cute with Janet early in the story.
I enjoyed this one but just felt it had difficulty maintaining its momentum. It also was incredibly easy to predict much of what happens as a result of this weird experience...so much so that the finale seemed like a foregone conclusion. A good time-passer but not among Candy's best.
Jack (John Candy) is the writer and producer for a daytime soap opera. However, when he's in an accident, he awakens to find himself living in the soap...and everything is very real. However, he also learns after a while that when he writes on his typewriter, things in this world change. So, he soon manages to become a 'Wolf of Wallstreet'...a rich playboy who is catnip for women and with almost god-like powers! What's next? Well, you can pretty much predict it from the clumsily written meet cute with Janet early in the story.
I enjoyed this one but just felt it had difficulty maintaining its momentum. It also was incredibly easy to predict much of what happens as a result of this weird experience...so much so that the finale seemed like a foregone conclusion. A good time-passer but not among Candy's best.
That's John Candy's dilemma in Delirious. Candy's a writer for a popular television day time soap which seems to bear more resemblance to the night time big budget soaps so popular in the Eighties. Anyway after some creative differences with fellow writers Jerry Orbach and Renee Taylor, Candy gets into a nasty car wreck and when he wakes up finds himself in the hospital of his own show being treated by a couple of the characters of same, doctor David Rasche and nurse Andrea Thompson.
After seeing this, I see where the creators of Pleasantville got their idea. Pleasantville of course was a bit more serious in its subject matter. Delirious was a good idea that didn't quite come off although the players do give it a good try.
Part of the problem is that even in the fantasy Candy's thinking with his hormones. He's got it bad for his show's star Emma Sammes who is doing a nice Joan Collins impersonation. There's good girl Mariel Hemingway who is auditioning in real life for a part on Candy's soap opera and she shows up in the fantasy as well.
I have to give special kudos to Raymond Burr who plays the family patriarch of this soap opera with tongue firmly in cheek. Burr's occasionally flashes a twinkle which you have to be sure to catch just to let you know how much he's enjoying this. Nice he took time off from Perry Mason here.
Sammes and Burr are the real treats of Delirious. It could have been a lot funnier, but I think someone like Mel Brooks should have directed it.
After seeing this, I see where the creators of Pleasantville got their idea. Pleasantville of course was a bit more serious in its subject matter. Delirious was a good idea that didn't quite come off although the players do give it a good try.
Part of the problem is that even in the fantasy Candy's thinking with his hormones. He's got it bad for his show's star Emma Sammes who is doing a nice Joan Collins impersonation. There's good girl Mariel Hemingway who is auditioning in real life for a part on Candy's soap opera and she shows up in the fantasy as well.
I have to give special kudos to Raymond Burr who plays the family patriarch of this soap opera with tongue firmly in cheek. Burr's occasionally flashes a twinkle which you have to be sure to catch just to let you know how much he's enjoying this. Nice he took time off from Perry Mason here.
Sammes and Burr are the real treats of Delirious. It could have been a lot funnier, but I think someone like Mel Brooks should have directed it.
The all time best line in the movie -- John Candy rescuing Emma Samms on horseback -- "This stranger knows no danger!"
A bit spotty -- can't maintain a high comedy level throughout but nonetheless is enjoyable and a vehicle for John Candy to demonstrate comic range. Excited he will get to spend a romantic weekend tryst with Emma Samms (and misunderstanding her feminine wiles), he finds himself lugging umpteen of her suitcases to the taxi cab, then knocks himself out with the trunk door as he tries to load the suitcases. Wakes up in the pleasant little village where she reappears as new character, daughter of Raymund Burr, along with others in town, Mariel Hemingway et al. Plenty of lines for Candy in trying to write the new soap opera about family conspiracies with a stolen formula, and the rapid disintegration of Emma's brother while none in the family seem to notice or care. Again the highlight to me was the rescue chase by Candy when Emma's horse took her on a wild ride and Candy rides up and self congratulates later as modern day Zorro or Lone Ranger. All in all, enjoyable.
A bit spotty -- can't maintain a high comedy level throughout but nonetheless is enjoyable and a vehicle for John Candy to demonstrate comic range. Excited he will get to spend a romantic weekend tryst with Emma Samms (and misunderstanding her feminine wiles), he finds himself lugging umpteen of her suitcases to the taxi cab, then knocks himself out with the trunk door as he tries to load the suitcases. Wakes up in the pleasant little village where she reappears as new character, daughter of Raymund Burr, along with others in town, Mariel Hemingway et al. Plenty of lines for Candy in trying to write the new soap opera about family conspiracies with a stolen formula, and the rapid disintegration of Emma's brother while none in the family seem to notice or care. Again the highlight to me was the rescue chase by Candy when Emma's horse took her on a wild ride and Candy rides up and self congratulates later as modern day Zorro or Lone Ranger. All in all, enjoyable.
¿Sabías que…?
- TriviaIn the scene at the party, where the characters of "Jack Gable" and "Rachel Hedison" are dancing, John Candy and Emma Samms did the scene without doubles, although it was difficult to tell because of the distance from which it was shot. Samms commented how graceful and talented a dancer Candy was, despite his size.
- ErroresIn the beginning of the scene where they run down before the dancing to the song "It's a Man's, Man's, Man's World", in the shot of the orchestra that's playing, the timpani player (who's supposed to be doing a roll on the drum during the intro of the song) appears to have no mallets, and the head of the drum is covered.
- Citas
Jack Gable: I am dead! I'm in Hell! And my punishment, is to spend eternity on my own show!
- Créditos curiososThe opening credits appear as if they are being typed on a typewriter, including some mistakes (cross-outs, use of white out, etc.).
- ConexionesFeatured in Biography: To John with Love: A Tribute to John Candy (1995)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Delirious?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 18,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 5,546,827
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,803,059
- 11 ago 1991
- Total a nivel mundial
- USD 5,546,827
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta