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A bizarre item, a war film, an 80s shoot-em-up action film, and a biker film all rolled into one, graham baker made one of my favorites of 2022, impulse, and both of these films operate under that same level of precise, stripped down filmmaking that i tend to love, and here it is in all of its purest forms, with no level of schmaltz or care for over-the-top emotional moments, just a film focused on its task at hand, a 87 minute film that is just focused on structure and design, baker's direction is fantastic, he formulates what is obviously an early 1990s film, but uses the excellent wide screen photography of the war films from the 1960s, the blocking on display is wonderful, along with his excellent care for the editing, and the precision involved, included with that is his use of music, the score is surprisingly great, but it is about how he doesn't utilize music in the war sequences and in the emotional, dramatic moments, most of this film plays with a great care for atmosphere, the film puts out a certain feeling that is easily transferrable, with impulse, baker also added a certain level of atmosphere but also a weird balance in that film and this where the romance almost seems to act upon the exteriors of the structure of the film, the romance isn't the goal for both main characters in these two films, it is about the goal of the story and how that story will effect the character, so structurally similar to top gun: maverick except it has all the fat trimmed out, a young hotshot has to face a superior who looks down at him, but grows his superior's respect, has a romance with a woman nearby, and has to teach a group of hotshots, and eventually gets involved in the mission himself, it is great stuff, the screenplay is structured with profficiency, and what it is great is that baker cares about the drama at hand, but he never overplays it, relentless and yet still slow and observational, exactly the opposite to equalizer 3, and a great film to watch after that for comparison's sake, also john stamos is great, he's got great charisma, with none of that swarmy irritation that his full house character provided, and teri polo is also a true movie star here, beautiful, but with a great sense of care for drama that was always, unfortunately underplayed in the meet the parents franchise, like i've said before, 'failures' from the past will always be more interesting in the future, and graham baker here proves to me that he's one of the precise, assignment directors who adds a touch to his films, precisely designs it through efficient blocking and editing, and finds a great film all the same.

I guess I'm the only American who never watched "Full House", and thus I have no impression of John Stamos from that show. Here, he's a little bit overly aloof/cocky, but really, is this supposed to be a hard-hitting war documentary? No, it's supposed to be a little bit historical with some war/action scenes but mostly just light fun. It manages to do all of that pretty well. As other reviewers here have pointed out, it never drags. It isn't always realistic, but the implausibilities aren't severe enough to ruin the fun, and there is a decent sense of real danger during the war part.

One thing I liked was the overall feeling of the 1940s; they did a good job with that for a casual comedic movie, IMO. Also there are some genuinely witty bits of dialog here and there.

I give it 5/10; it's nothing special but it's a pleasant way to kill 90 minutes.

This is a great movie. In the same genre of the "Memphis Belle". Seen it about 10 years ago. And would like to see it again. There is a link with the history of the hells angels!! How the pilot crew fight the Germans in WO2. And most Changes form pilots to Harley motor cycle rs. The movie is in a way really happened. See the movie! And reed the history of the hells angels at hells at hells angels.com Regards Frederik.

Cast & Crew: John Stamos, John Stockwell, Teri Polo, Kris Kamm, directed by Graham Baker more » Synopsis: The story of a rowdy backwoods rebel biker who joins the Army to avoid a stiff prison sentence after a minor brush with the law. Though he chafes at Army discipline, he soon proves himself under fire as a daring and charismatic leader of men in a Motorcycle Scout Troop in pr-World War II Spain. more » MPAA Rating: PG Runtime: 88 minutes

After watching this movie you will know the reason John Stamos never did a movie again. The only role he can play is as Uncle Jessie. Now I've got nothing against John Stamos, but he is just too 2D. I've never seen a movie on WWII in which it looks, feels and acts like a sitcom. This isn't a Delta Force movie, where the incidents are in most part fiction. This was just like a primetime show, but with out a laughtrack. Had it been based on something else other than war it might have worked. Now I belive that most film critics try to go on weather the film will win an oscar. I don't belive this. All films aren't ment to be oscar winners. You have to rate films on what they were set out to do and did they make it to their goal. I belive this film did not make the goal, unless the goal was to lure Full House viewers to the movies to see Uncle Jessie(not John Stamos) star in a film.

Abel_II

John Stamos hasn't really shown any differences between his character on the TV series "Full House" and his equally loud and arrogant character in this film. The weak story has to do with unruly biker boy Stamos being busted by cops and choosing army service over a prison term. He's just as bad in the army but his arrogance may soon learn to pay off when he recruits for a motorcycle cavalry brigade squad. Stamos' character here is a bit of a smart aleck but the film itself is like an episode of "Full House" without the laughs.