El último misionero

This film made major concessions to political correctness in its portrayal of the Indians, who are depicted in a considerably more flattering light here than they are in Brian Moore's novel. This could also be considered the romanticizing "Dances With Wolves" effect. The novel drew some (unjust) criticism here in Canada for its uncompromising approach.

The actual history is fairly readily available. "The Jesuits in North America in the 17th Century" by the great American historian Francis Parkman is the standard 19th c. work on the proselytizing efforts of the French Récollet and Jesuit fathers.

Still, if you are not very familiar with the subject, this film is a strong, and quite gruesome, introduction. I'm not aware of a lot of films about the colonial period which are as tough. Not "Last of the Mohicans", or the adult westerns from the '50's, in my opinion. "Little Big Man", perhaps. Or possibly "A Man Called Horse", which I haven't seen. The priest in the story is a composite of actual missionaries, and the impact of this historical adventure thriller is heightened for me knowing that everything in this film happened, and often a whole lot worse.

The rights and wrongs, the pros and cons, of the cultural collision of Europeans with the autochthonous peoples are still too contentious, so I would rather not get into them. There is a lot here to brood about afterwards, and chances are good that you'll seek out a copy of the novel -- it's not very long, and a lot easier to read than James Fenimore Cooper. If you're American or Canadian, this is an important part of our shared past.

"Black Robe" is one of the very best Canadian feature films, with a solid cast led by Lothaire Bluteau with August Schellenberg and Tantoo Cardinal in support. The presence of an Australian director, Bruce Beresford, perhaps kept the film from turning into a well-meaning but dry Canadian history lesson.

Released in 1991 and based on Brian Moore's researched novel, "Black Robe" relays the story of a young Jesuit priest in 1634 visiting the French settlement that later became Quebec City. Father LaForgue is assigned to a distant Huron mission accompanied by a young quasi-believing assistant and a family of Algonquin Indians. The group faces challenges beyond the harsh realities of the river trek itself, including an attack by hostile Iroquois. Of course the Indians question the "strange ways" of the priest and his dark attire and wonder whether he is a demon. Instead of addressing him as "Father" they simply call him "Black Robe."

I've viewed "Black Robe" three times now and it never fails to capture my attention from beginning to end (the film runs 101 minutes), which is why I don't get the criticism that it's somehow unabsorbing. What strikes me most is the raw realism. Viewing "Black Robe" is the next best thing to going back in time and viewing the events firsthand.

Other highlights include: Lothaire Bluteau's solid performance as the missionary priest; LaForgue's assistant, well played by Aden Young, and his developing love for the daughter of the Algonquin leader, played by the beautiful Sandrine Holt; the Algonquins themselves, particular the patriarch; the freaky midget shaman of a band of Montagnais natives; the harrowing events at an Iroquois fort; the subtext on the truth or falsity of spiritual beliefs, both of the Jesuits and the Indians; and the spectacular cinematography of the Quebec wilderness (mostly the Saint Lawrence River, filmed on location). The film successfully shows the desolate, untamed nature of the NE before the mass encroachment of Europeans.

Some may wonder: How does it compare to "Last of the Mohicans" or "Dances with Wolves," two contemporary films also featuring realistic portrayals of AmerIndians? Of the two, "Black Robe" is closer to "Last of the Mohicans" since the story takes place in the East and there aren't any cowboys & Indians, although the story takes place well over a century earlier. The film differs from both in that there aren't really any Hollywood contrivances, including conventional movie plotting. As great and generally believable as those other films are, "Black Robe" shows the harsher, bleaker reality, which some may translate as boring.

However, as raw and realistic as "Black Robe" is, it could've been more so, considering that it fails to show one disturbing reality of Eastern AmerIndian culture, as detailed in Moore's book (pointed out by another reviewer): The film avoids depicting the native practice of ritual cannibalism on a dead infant, a custom that was common among the tribes of the Eastern woodlands. To consume an enemy's flesh was to absorb his power. The heart of an especially courageous foe (such as Jesuit martyr St. Jean Brebeuf) would be eaten by tribal leaders. But, don't get me wrong here, I'm kind of glad the movie left this aspect out.

"Black Robe" has the same vibe as 2007's "Mongol: The Rise of Genghis Khan," so if you appreciate that style of raw-realism you'll likely value "Black Robe." Needless to say, if you have ADHD or require constant explosions to maintain your attention, stay far away.

GRADE: A

I'm a history student of second grade of a french canadian university. So, in a history point of view, I can assure you that this movie is simply amazing. The story is about a jesuite priest who wants to bring catholic faith to the Indians of the french colony Nouvelle-France (New France, the future Quebec of Canada) in the seventeen century. In fact, there was a lot of jesuite doing that by that time. The priest and his young translator ask the Algonquins natives to guide them to the Hurons natives. That is also exactly correct! But in their quest,they had some problems with the Iroquois natives. And that is exactly right! At the end, the priest reach the Hurons. The chief of the tribe tells that if they accept the god of the priest, they will become weak and their ennemies will kill them. And that's what's gonna happen! In fact, the Hurons were the first Indians of New France to accept catholic religion. I saw the movie with the french dubbing. The Indians of that time didn't knew how to prononce R. So, in the movie, they say : obe noie, instead of Robe Noire (Black Robe). I don't know if they said black obe in the English version. In one scence, the priest tells the Indian sorcerer that he is reading a breviaire (book of prayers). And the sorcerer said: beviaire, witout the R. The way the natives are dressed and wears their hairs is also very exact in an historical view. This is not only a great movie, but an amazing reconstitution. Natives actors are great, with August Schlleberg, the always good Tantoo Cardinal and the charming young Sandrine Holt. Lothaire Blutheau is one of the best french canadian actor (see him in Jesus of Montreal). This is absolutely a superb piece of work ! And some kind of perfect history book.

This film is the best attempt I have seen to make a true-to-life, culturally unbiased depiction of an early encounter between the white man and American Indian, in Eastern North America. In keeping with this aim, it unflinchingly depicts several incidents of what seem to European eyes to be shocking cruelty and 'barbarism' of the Indian.

Although the Indians appear from the point of view of the visiting priest, the white man's beliefs, appearance and customs are also shown from a startling, alien perspective.

All the same, it is a story of a heroic quest, that leaves you with a sense of the awesomeness of human courage and the mystery of the commonality of human nature across gigantic cultural boundaries. And, yes, the photography and the aboriginal landscapes are breathtakingly beautiful.

Movie depiction of Eastern Indians, and of this era in North American history, are so rare, that I have to give it extra credit for illuminating a culturally formative time.

This film is brilliant, because it defies conventional stereotypes of European settlers and American Indians. This movie strives and succeeds in its portrayal of Indians and whites as human beings, rather than as villains or saints. Those who feel this movie would show the Indians as noble savages will be gravelly disappointed. The Indians in "Black Robe" can be cruel, and have sexual mores that would disgust the more prudish viewers. The affect of the Jesuit missionaries among the Indians of Quebec is not romanticized or glossed over, nor are the Jesuits shown as evil white devils. All humans in this movie have their flaws and weaknesses and all act "morally" according to their own cultures' expectations. Beresford has crafted a marvelous film that ought to be required viewing in college history courses across the country.

The cinematography is beautiful, whether we are watching the gilded altars of the cathedrals of Renaissance France, the iridescent glow of a fire at an Indian village, the cramped quarters of an Indian longhouse, or the awesome and heavenly magnificence of the Canadian woodlands and what appears to be the St. Lawrance River. This movie does feature explicit sexual acts and gruesome violence, so I would not recommend this movie at all for very young children. I think most teenagers can handle this film. I suppose this film is very hard to find at your local video rental store, but do yourselves a favor and find it. Your efforts will be amply rewarded.