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Barton Fink

  • 1991
  • C
  • 1h 56min
CALIFICACIÓN DE IMDb
7.6/10
133 k
TU CALIFICACIÓN
POPULARIDAD
3,259
133
John Turturro in Barton Fink (1991)
Home Video Trailer from 20th Century Fox Home Entertainment
Reproducir trailer2:14
2 videos
99+ fotos
Dark ComedyFarcePeriod DramaPsychological DramaPsychological ThrillerSatireShowbiz DramaComedyDramaThriller

Un famoso dramaturgo neoyorquino se ve tentado a trasladarse a California para escribir guiones de películas y allí descubre la realidad infernal de Hollywood.Un famoso dramaturgo neoyorquino se ve tentado a trasladarse a California para escribir guiones de películas y allí descubre la realidad infernal de Hollywood.Un famoso dramaturgo neoyorquino se ve tentado a trasladarse a California para escribir guiones de películas y allí descubre la realidad infernal de Hollywood.

  • Dirección
    • Joel Coen
    • Ethan Coen
  • Guionistas
    • Joel Coen
    • Ethan Coen
  • Elenco
    • John Turturro
    • John Goodman
    • Judy Davis
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.6/10
    133 k
    TU CALIFICACIÓN
    POPULARIDAD
    3,259
    133
    • Dirección
      • Joel Coen
      • Ethan Coen
    • Guionistas
      • Joel Coen
      • Ethan Coen
    • Elenco
      • John Turturro
      • John Goodman
      • Judy Davis
    • 291Opiniones de los usuarios
    • 128Opiniones de los críticos
    • 69Metascore
  • Ver la información de producción en IMDbPro
    • Nominado a 3 premios Óscar
      • 19 premios ganados y 29 nominaciones en total

    Videos2

    Barton Fink
    Trailer 2:14
    Barton Fink
    A Guide to the Films of the Coen Brothers
    Clip 1:56
    A Guide to the Films of the Coen Brothers
    A Guide to the Films of the Coen Brothers
    Clip 1:56
    A Guide to the Films of the Coen Brothers

    Fotos130

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    Elenco principal34

    Editar
    John Turturro
    John Turturro
    • Barton Fink
    John Goodman
    John Goodman
    • Charlie Meadows
    Judy Davis
    Judy Davis
    • Audrey Taylor
    Michael Lerner
    Michael Lerner
    • Jack Lipnick
    John Mahoney
    John Mahoney
    • W.P. Mayhew
    Tony Shalhoub
    Tony Shalhoub
    • Ben Geisler
    Jon Polito
    Jon Polito
    • Lou Breeze
    Steve Buscemi
    Steve Buscemi
    • Chet
    David Warrilow
    • Garland Stanford
    Richard Portnow
    Richard Portnow
    • Detective Mastrionotti
    Christopher Murney
    Christopher Murney
    • Detective Deutsch
    I.M. Hobson
    • Derek
    Meagen Fay
    Meagen Fay
    • Poppy Carnahan
    • (as Megan Faye)
    Lance Davis
    • Richard St. Claire
    Harry Bugin
    • Pete
    Anthony Gordon
    • Maitre D'
    Jack Denbo
    • Stagehand
    Max Grodénchik
    Max Grodénchik
    • Clapper Boy
    • Dirección
      • Joel Coen
      • Ethan Coen
    • Guionistas
      • Joel Coen
      • Ethan Coen
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios291

    7.6132.8K
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    Opiniones destacadas

    8AlsExGal

    The Coen Brothers' strangest film

    You are either going to love or hate this one, and I doubt you'll know which until it's over. Maybe you won't know even then.

    In 1941, Barton Fink (John Turturro) is a successful Broadway playwright. Now that he's got some success under his belt, he says he wants to write plays for "the common man". But his agent has a tempting offer. A movie studio wants him to come to LA and write screenplays for 1000 dollars a week. The agent convinces him to go. Barton checks into the Hotel Earle, which has ornate decorations in the common areas, but is a dump from the standpoint of Barton's room. The heat has the wallpaper peeling off the walls. The sole decoration in Barton's room is the picture of a woman sitting on the beach, her arm raised to block the sun. Remember this picture - it's important.

    Barton's first assignment is to write a "wrestling picture" starring Wally Beery. But Barton has writer's block for assorted reasons, one of them being that he knows nothing about this subject. So he stares at his typewriter with the dread an insomniac might stare at his bed. But then what seemed to start out being a film about how the studio system can beat the creativity and the confidence out of a successful writer changes course and becomes something that is completely surreal and even nightmarish by the end. I can really say nothing more specific than that without giving things away.

    The Coens wrote Barton Fink when they were having writer's block trying to write Miller's Crossing because of the complexity of the plot. So did they manage to pack lots of symbolism into a tight, coherent package, or did they simply let their imagination run wild and undisciplined in an attempt to get back on track on the other film? I have no idea. I just know that I like it and - for me - it's great for repeat viewings.

    One more thing - How can it be so hot in LA, and then suddenly WWII has started, which would make it December? Why is it Barton doesn't seem to notice WWII has started without being told and then really has no reaction. He really isn't plugged into "the common man" is he?
    8gavin6942

    Lesser-Viewed Coen Brothers Film Really Hits Hard

    While many of us know "Fargo" and "Big Lebowski", many fans still haven't heard of "Barton Fink", which is too bad. This is probably John Turturro's best role (and his least weird). Tony Shalhoub also gives an outstanding performance (at least as good as he was in "The Siege").

    John Goodman? Heck, even he is pretty good here and I'm not a big fan of his (though the Coen Brothers do him justice like no others can). His portrayal of the questionable neighbor just really suits him.

    There is supposed to be deep symbolism in this film -- some say it's an allegory for the rise of Nazism (and I can see that), while others say it's just a critique of Hollywood. I don't know. But, you know what? No matter what it's about, it's beautiful in a nihilistic way... and you will want to know: what's in the box? And I'm not going to tell you.
    8mymeister

    rewatching

    Re-watching this after I guess decades?

    I enjoyed it but not overwhelmingly so. I think less than when i originally watched.

    However I am reading, with amusement, the other reviews on here. They go on and on about how the movie skewers Hollywood and New York elites. No it doesn't. Instead this movie is dead simple: a playwright who says he is for the common man (and I mean man) is not really so. He is more interested in being seen as the great artist.

    How do we see this?

    He comes out to Hollywood and goes on and on in front of John Goodman about how he is for he common man while ignoring what Goodman had to say. Goodman repeated three times how he had stories to tell and Fink just ignored him.

    Fink is more interested in himself as the great writer than actually focusing on the ask: write a wrestling movie, don't overthink it, write something similar to what others have done.

    How do we see this? He insists on staying in a fleabag hotel as a sort of hairshirt to goose his artistic suffering and therefore creativity. But he doesn't need that creativity as he has been asked to write a straightforward wrestling movie in the style of past movies.

    He could have stayed in a fancy hotel, enjoyed the lifestyle and written the wrestling movie.

    Oh and those Hollywood elites? What the same ones who want to put out a wrestling movie that the public loves. Some elites huh!
    7titusbiwot

    Hmmm....

    Watched the film, understood 60% of it. Went to read its reviews after, understood 75% of it. Now i have to watch it again from another angle to completely get it. This is what the Coen brothers make you do.
    9lastliberal

    Look upon me! I'll show you the life of the mind!

    The Coen brothers have come a long way from their start with an 8mm camera. They have written and produced some great homages to the film noir era of Hollywood, and this film is no exception.

    First, is the great dialog written by the brothers. Great dialog is a feature of their films, and this one has some of the most memorable I have heard. You can almost turn off the visual and just listen and be enchanted and know you are listening to a Coen brothers film.

    But turning off the visual would deprive you of the great cinematography of Roger Deakins. His can frame a scene to the point that you could pause the film and just soak in the texture and color and realism. It is almost as if every frame is a painting.

    The Coen brothers also seem to get the best performances out of an actor that I have seen. John Goodman is brilliant in this film and he seems to do his best work for the Coens. John Turturro is captivating as the hack writer who talks about his love for the common man, but just really doesn't know the common man and really doesn't care about them. Michael Lerner was brilliant as the requisite man behind the desk that is the feature of 40's noir.

    One doesn't always know what is in the Coen brothers minds. Is this a foretelling of the rise of Nazism, of intellectuals who really didn't understand the appeal of fascism to the common man, or a surreal portrait of someone who sells out. No matter what their intention, they make you think and return to see their films again and again.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      The first film to win all three major awards (Palme D'or, Best Director, and Best Actor) at the Cannes Film Festival. Also, it was unanimously chosen for the Palme D'or.
    • Errores
      Briefly visible at the top of the screen when Detective Mastrionotti introduces himself to Barton.
    • Citas

      Charlie Meadows: Look upon me! I'll show you the life of the mind!

    • Créditos curiosos
      The 20th Century Fox logo appears over silence; the "fanfare" is not played.
    • Conexiones
      Edited into The Clock (2010)
    • Bandas sonoras
      For Sentimental Reasons
      by Edward Heyman, Al Sherman and Abner Silver

      Licenced with Permission the Successors of Marlo Music Corporation (ASCAP)

    Selecciones populares

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    Preguntas Frecuentes21

    • How long is Barton Fink?Con tecnología de Alexa
    • What was that sticky substance that ran down the hotel walls?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 21 de agosto de 1991 (Estados Unidos)
    • Países de origen
      • Reino Unido
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Бартон Фінк
    • Locaciones de filmación
      • Mount Hollywood Dr Tunnel, Los Ángeles, California, Estados Unidos(picnic)
    • Productoras
      • Circle Films
      • Working Title Films
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 9,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 6,153,939
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 268,561
      • 25 ago 1991
    • Total a nivel mundial
      • USD 6,154,231
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 56 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Stereo
    • Relación de aspecto
      • 1.85 : 1

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