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IMDbPro

The Ballad of the Sad Cafe

  • 1991
  • PG-13
  • 1h 41min
CALIFICACIÓN DE IMDb
5.8/10
910
TU CALIFICACIÓN
The Ballad of the Sad Cafe (1991)
Home Video Trailer from Sony Pictures Home Entertainment
Reproducir trailer1:00
1 video
30 fotos
ComedyDramaMystery

Agrega una trama en tu idiomaA tangled triangle. In the rural South of the early 20th century, Miss Amelia is the town eccentric, selling corn liquor and dispensing medicine. She takes in her half-sister's son, a diminu... Leer todoA tangled triangle. In the rural South of the early 20th century, Miss Amelia is the town eccentric, selling corn liquor and dispensing medicine. She takes in her half-sister's son, a diminutive crook-back named Lymon. He suggests they open a café in the downstairs of her large h... Leer todoA tangled triangle. In the rural South of the early 20th century, Miss Amelia is the town eccentric, selling corn liquor and dispensing medicine. She takes in her half-sister's son, a diminutive crook-back named Lymon. He suggests they open a café in the downstairs of her large house. Marvin Macy gets out of prison and returns to town; turns out he was married to Amel... Leer todo

  • Dirección
    • Simon Callow
  • Guionistas
    • Michael Hirst
    • Edward Albee
    • Carson McCullers
  • Elenco
    • Vanessa Redgrave
    • Keith Carradine
    • Cork Hubbert
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.8/10
    910
    TU CALIFICACIÓN
    • Dirección
      • Simon Callow
    • Guionistas
      • Michael Hirst
      • Edward Albee
      • Carson McCullers
    • Elenco
      • Vanessa Redgrave
      • Keith Carradine
      • Cork Hubbert
    • 25Opiniones de los usuarios
    • 12Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 nominación en total

    Videos1

    Ballad of the Sad Cafe
    Trailer 1:00
    Ballad of the Sad Cafe

    Fotos30

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    Elenco principal55

    Editar
    Vanessa Redgrave
    Vanessa Redgrave
    • Miss Amelia
    Keith Carradine
    Keith Carradine
    • Marvin Macy
    Cork Hubbert
    Cork Hubbert
    • Cousin Lymon
    Rod Steiger
    Rod Steiger
    • Rev. Willin
    Austin Pendleton
    Austin Pendleton
    • Lawyer Taylor
    Beth Dixon
    • Mary Hale
    Lanny Flaherty
    Lanny Flaherty
    • Merlie Ryan
    Mert Hatfield
    Mert Hatfield
    • Stumpy McPhail
    Earl Hindman
    Earl Hindman
    • Henry Macy
    Anne Pitoniak
    • Mrs. McPhail
    Frederick Johnson
    • Jeff
    Lauri Raymond
    • Sadie Ricketts
    Joe Stevens
    Joe Stevens
    • Henry Ford Crimp
    • (as Joe Stephens)
    Keith Wommack
    • Tom Rainey
    Kevin Wommack
    • George Rainey
    Laura Burns
    • Molly Kelly
    Megan Bowman
    • Townspeople
    Fred Brumfield
    • Townspeople
    • Dirección
      • Simon Callow
    • Guionistas
      • Michael Hirst
      • Edward Albee
      • Carson McCullers
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios25

    5.8910
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    Opiniones destacadas

    flomert34

    Better on stage

    Having seen the "definitive" stage version of this, featuring Colleen Dewhurst and Michael Dunn, I wasn't hopeful for this film holding a candle to it. I came away feeling that this particular piece does not translate to film. Vanessa Redgrave is a wonderful actress and seeing her beautiful, expressive face with no makeup and her hair cut short is quite startling, but effective. I found myself focusing on her big blue eyes most of the time, as they told the mood of her character throughout. I doubt they could've found anyone better for the role. It's simply that the entire production didn't quite gel. It truly works better in the theatre. I'm still not entirely decided on whether I completely disliked it.
    7loganx-2

    Redgrave: From Huncback To Giantess

    Confirms Vannessa Redgraves status are one of the great actresses, a suspicion I first had watching "The Devils"(which if you haven't seen, you need to see, asap.).

    Miss Amelia is the wealthiest women in a small southern town, she is tall, muscular, lean, and not at all ladylike. She serves as the towns doctor, as well as its chief landlord, and money lender. She brews the towns only supply of alcohol, in a distillery accessible only by a swim through the swamp. She is the town eccentric, but also the pillar of the community, everyone owes her something and without her nothing gets done. She lives a solemn and lonely life(writing stories, keeping up with her business), and is otherwise content, until a dwarf with a hunchback shows up, claiming to be her cousin.

    The photograph he shows her of his mother, half sister of her mother, is too blurry to be unidentifiable, but she accepts him just the same. Cousin Lymon can do magic, tell jokes, and plays the harmonica. He encourages her to turn her general store into a café, where people can drink inside(not just on the porch), where the piano can be played, and company can be had. The café, brings a life to the dismal town, where once there was none.

    The town is shocked by the sudden turnaround in their own lives and Amelias who goes from wearing her usual blue jeans suspenders to dresses(something they cant remember since she was a girl). Amelia dotes on Lymon, buys a car to drive him into the city, and all is well, until Amelia's husband, Marvin Macy returns from prison.

    Marvin Macy, was in love with Amelia years ago, and thought his proposal to her would turn his sordid life around. She agreed to the marriage amicably enough, until the wedding night. Then she threw him down the stairs and insisted he sleep in the barn. Macy then turned over all his property to her to woo, her, but alas, to the barn he was sent. Til he eventually abandoned the town altogether, after one emasculating episode too many.

    When he returns, cousin Lymon is immediately smitten with him, he cant wait to talk to someone whose been on a "chain gang, to Atlanta, and in a real prison." Lymon is something of a child, and Macy is a "man". There's a good deal of ambiguity in the sexuality of both Lymon and Amelia, though.

    Macy abuses Lymon, more and more who follows him like a puppy, while Amelia withers watching and waiting for Lymon, to give up his infatuation, so it can be just the two of them again. A love without the sex(presumably, and implicitly), a companionship which she can accept and return.

    The towns reverend tells Macy's sister in law, "All I know is... that it takes two people to be in love. It takes the... lover... and the beloved. But these two, they come from... diff'rent countries. And sometimes, the... the beloved is the cause for all the, all the stored-up love that's lain in the heart of the lover for such... a long time, and every lover knows that... deep... deep in his soul, he knows that his love is a lonely and solitary thing. That's why I guess most of us, we'd rather be... the lover than to be loved, I mean, because the state of being'... beloved is... is intolerable. See an' then, after a while... the beloved gets to hate the lover, because the lover's always trying to strip, strip, strip bare... the beloved. See, that's because the... the lover... 'e craves that love -- even though he knows that that love can only cause 'im pain.", in the film, and the novella it was based on's defining scene.

    The film climaxes in a fist fight, in the café between Amelia and Macy(thats right a no holds bared, knock down drag out fist fight, which again confirms Redgraves greatness). Literally duking it out for Cousin Lymon who watches gleefully from the sidelines.

    Like "Wise Blood" its a surprisingly faithful adaptation of the southern classic of love and the grotesque. Carson Mcullers novella, of which this was based on is one of my favorite books. Actor Simon Callow does a good job directing the material, there's some particularly beautiful moments which bookend the film, featuring men on a chain gang. The cinematography on the whole is accomplished, and the rustic music, fitting the mood excellently. There is one awkward moment at the end of the fight, see it and you will know what I mean.

    Its a funny, unique, and sad film, film that captures the "blindess" of love, better than any other. On a personal level Mcullers had a horrific marriage, both her and her husband having numerous failed homosexual relationships(and him eventually asking her to commit suicide with him, and her leaving, as he finally went through with it). Its easy to see this as a personal story as much as a universal one, of the right love, in the wrong person. Or culturally as a story of a powerful independent women, compromised by her own emotions, and brought down by the cruelty of the men around her. Though Amelia is as cruel to Macy, as he later is to her, so maybe what goes around comes around too. There's many ways to look at it and they're all true on some level. So basically the book is great and the movie is pretty good. See em both if you can.
    thomandybish

    By far the best movie version of McCullers' work

    This film adaptation of Carson McCullers' novella is the best of all the screen versions of her works. Cinematography is excellent. Vanessa Redgrave turns in a great performance as the stoic Miss Amelia, unlucky in love but yearning to fulfill her thwarted desire to love and be loved. With the arrival of a dwarf claiming to be a relation, Miss Amelia finds herself able to live and love again. But with the arrival of Marvin Macy, her absentee husband, things take a change for the worse.

    The other performances are good, and the scenery and costumes accurately reflect a Depression-era southern backwater. A near-literal transcription from book to screen, without annoying time changes, character elimination, or overacting to distract from it. Good.
    6sam_perera

    Not that great !

    I just purchased this through the Merchant & Ivory DVD collection. I must admit I was unaware of who Carson McCullers was until I realized that she also wrote "A Heart is a Lonely Hunter". True to her style, this is a dark tale with the edge of by-sexuality in the main character (as McCullers was also). The movie it self is less than imaginative with some scenic wonders and yet with placid and flat acting. Simon Callow is not a good director and I definitely love the man as an actor more. Some scenes are memorable and the color red is used beautifully as a dress and a shirt - when you see it you will know how and why. Definitely put in the rent category for a somber afternoon.
    10monevil99

    An impressive work

    This film demonstrates an excellent use of both dialog and cinematography to evoke a mysterious, yet stark atmosphere. Redgrave is especially excellent in her portrayal of a character that defies easy description or explanation. The score, too, works to create a specific place, but never falls to the easy trap of using simple folk-music styles in order to provide a sonic backdrop.

    Overall, The Ballad of the Sad Cafe is a haunting and beautiful exploration of human emotions and inhuman behaviors. I would highly recommend this film to everyone interested in an eerie combination of the real and surreal.

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    Argumento

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    • Trivia
      The original Broadway production of "The Ballad of the Sad Cafe" by Edward Albee opened at the Martin Beck Theater in New York on 30th October 1963 and ran for 123 performances until the play closed on 15th February 1964.
    • Errores
      Several times earlier in the film, we are shown how the only way to arrive at Miss Amelia's secret still is by wading - neck-deep - through a muddy swamp. Yet late in the film when Marvin Macy and Cousin Lymon are shown at Miss Amelia's still, their clothes are clean and dry.
    • Citas

      Mary Hale: Marvin changed himself. That time he loved Miss Amelia. Well, it seemed like he changed completely -- he was -- he was good to me, and to Henry... You remember that, doncha'?

      Rev. Willin: I remember that.

      Mary Hale: Why'd she throw him out? Why'd she marry him and then throw him out? Why?

      Rev. Willin: I don't know. All I know is... that it takes two people to be in love. It takes the... lover... and the beloved. But these two, they come from... diff'rent countries. And sometimes, the... the belove is the cause for all the, all the stored-up love that's lain in the heart of the lover for such... a looong time, and every lover knows that... deep... deep in his soul, he knows that his love is a lonely and solitary thing --

      [sad chuckle]

      Rev. Willin: -- and the funny thing is, the object of that love... can be anybody, and it just don't... matter one whit.

      [shakes head]

      Rev. Willin: That's why I guess most of us, we'd rather be... the lover than to be loved, I mean, because the state of bein'... beloved is... is intolerable. See an' then, after a while... the beloved gets to hate the lover, because the lover's always trying to strip, strip, strip baaare... the beloved. See, that's because the... the lover... 'e craves that love -- even though he knows that that love can only cause 'im pain.

    • Conexiones
      Featured in Siskel & Ebert & the Movies: Backdraft/Truly Madly Deeply/Madonna: Truth or Dare/The Ballad of the Sad Cafe/A Rage in Harlem (1991)

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    Preguntas Frecuentes18

    • How long is The Ballad of the Sad Cafe?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 3 de mayo de 1991 (Reino Unido)
    • Países de origen
      • Reino Unido
      • Estados Unidos
    • Sitio oficial
      • Merchant Ivory Productions (United States)
    • Idioma
      • Inglés
    • También se conoce como
      • The Ballad of the Sad Café
    • Locaciones de filmación
      • Austin, Texas, Estados Unidos
    • Productoras
      • Channel Four Films
      • Merchant Ivory Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 184,890
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 2,343
      • 5 may 1991
    • Total a nivel mundial
      • USD 184,890
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 41 minutos
    • Mezcla de sonido
      • Dolby
    • Relación de aspecto
      • 1.78 : 1

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