Agrega una trama en tu idiomaJack Bauer, a workaholic businessman, accidentally gets involved in a case of child kidnapping when he returns a doll found in the subway.Jack Bauer, a workaholic businessman, accidentally gets involved in a case of child kidnapping when he returns a doll found in the subway.Jack Bauer, a workaholic businessman, accidentally gets involved in a case of child kidnapping when he returns a doll found in the subway.
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Although it's an excellent thriller mounting up to some awesome complications and thrilling finale, it is not without flaws. The charitable business kidnaps fatherless children to bring them out of the slum and possible prostitution, to send them on to better families like this one in England, for a better future, but while she is detained waiting for transport the little girl is entrusted with a prostitute for relieving her of her mother, a real injecting drug addict, which doesn't quite fit into the charity scheme. In the end the director makes a speech for his defence, which although reasonable is impossible to accept, which he realises himself and takes the consequences. Robert Urich makes a great performance as the regular business man who gets mixed up in this, pulling him deeper into trouble for every confrontation, but the greatness of his performance consists entirely of understatements. After the drama is over he goes back to business, leaving us wondering about what he will do next about his two relationships, both more complicated than any of his business. Megan Gallagher also makes a great performance, and every inch of her desperate actions is perfectly convincing and credible: any mother would act in the same way. It's a great film on a small scale, but the drama does in fact reach Hitchcockian proportions, considering especially how well it is built up, from a mere trifle of a baby doll getting our poor business man constantly knocked about, to the revelation of very advanced business in the field of human trafficking.
Contrived unbelievable nonsense about a busy chap caught up in the search for a missing child.
Busy man agrees to go on holiday with his girlfriend, but cancels because of work and he doesn't have a clue why she's angry with him.
He becomes obsessed by a doll and this provides a lot of cringe moments.
Robert Ulrich was a competent actor but he's awful in this nonsense.
Even Lifetime would have trouble greenlighting this baffling, illogical tripe!
Busy man agrees to go on holiday with his girlfriend, but cancels because of work and he doesn't have a clue why she's angry with him.
He becomes obsessed by a doll and this provides a lot of cringe moments.
Robert Ulrich was a competent actor but he's awful in this nonsense.
Even Lifetime would have trouble greenlighting this baffling, illogical tripe!
I saw this recently on Lifetime cable. I looked at it to start simply because Robert Urich was in it, and had just passed away. I figured I wouldn't stay with it for more than a few minutes but ended up seeing the whole thing. I was surprised at how much tension and suspense this Tv movie had packed into it, even with the distraction of commercial interuptions! It also features an ending that is somewhat open to interpretation which is a nice change from the usual TV movie storybook ending. There were some logic holes ie like why didn't a character call the police ( but that would have watered down the climax) however this is a good film.
I did not think this was a good movie. The overly loud musical score is poured over it like cheap gravy and I suspect that the dramatization of this true event was anything but subtle probably they thought they had to spice it up.
And yet, there is something deeply irritating about the whole affair that made it worth the watching time invested. The main character is oddly believable as a living doormat. I have to agree with other commentators that Robert Urich delivers a stunning performance. The man plays a big, intelligent fellow, a former football pro and a successful businessman, but people don't hesitate a second to walk right over him. The man seems to be outright plagued by an unhealthy kindness and, above all, an over developed sense of responsibility.
When a business partner sets an important meeting at a date when he is supposed to go on a long promised trip with his girlfriend he cancels the trip. When he wants to pass a found doll to a traffic cop who does not accept it, he takes it with him. When he tells his secretary she should send the doll to its owner by mail, the secretary refuses flat out and virtually orders him (her boss) to deliver it personally and he does it. The result: he gets nearly lynched as a supposed kidnapper and then beaten up time and time again. This becomes all the more grotesque as the guy's wardrobe seems to consist only of two ill fitting business suits which become more and more tattered and dirty as the story moves along. He never even removes his tie! It is very odd and slightly surreal.
The man is coerced into helping to find a girl who disappeared by the girl's single mother, a waitress. She transfers part of her guilt and responsibility over to that stranger she had never met before and who has nothing to do at all with the kidnapping. And he accepts the transfer. This is beautifully shown in the scene where he stays in the woman's apartment because she can't sleep. She leans against him and falls asleep at last. In the morning they both awake, the woman refreshed the man (unshaven, in creased business suit and limp tie) with a numb side against which the woman had leaned. But the masochistic climax is definitely the moment when the woman storms into a restaurant where the afore mentioned important business meeting takes place and tells the guy to go with him. He tells her he will, when the meeting is over. But for her it cannot be in a few minutes, it has to be RIGHT NOW. The urgency is clearly irrational but he dithers and dithers and then obeys. Oh, it was hard to bear.
The bottom line: This movie shows that different genders have different agendas and priorities and how not to deal with that issue. The rather downbeat ending is very telling in that aspect.
And yet, there is something deeply irritating about the whole affair that made it worth the watching time invested. The main character is oddly believable as a living doormat. I have to agree with other commentators that Robert Urich delivers a stunning performance. The man plays a big, intelligent fellow, a former football pro and a successful businessman, but people don't hesitate a second to walk right over him. The man seems to be outright plagued by an unhealthy kindness and, above all, an over developed sense of responsibility.
When a business partner sets an important meeting at a date when he is supposed to go on a long promised trip with his girlfriend he cancels the trip. When he wants to pass a found doll to a traffic cop who does not accept it, he takes it with him. When he tells his secretary she should send the doll to its owner by mail, the secretary refuses flat out and virtually orders him (her boss) to deliver it personally and he does it. The result: he gets nearly lynched as a supposed kidnapper and then beaten up time and time again. This becomes all the more grotesque as the guy's wardrobe seems to consist only of two ill fitting business suits which become more and more tattered and dirty as the story moves along. He never even removes his tie! It is very odd and slightly surreal.
The man is coerced into helping to find a girl who disappeared by the girl's single mother, a waitress. She transfers part of her guilt and responsibility over to that stranger she had never met before and who has nothing to do at all with the kidnapping. And he accepts the transfer. This is beautifully shown in the scene where he stays in the woman's apartment because she can't sleep. She leans against him and falls asleep at last. In the morning they both awake, the woman refreshed the man (unshaven, in creased business suit and limp tie) with a numb side against which the woman had leaned. But the masochistic climax is definitely the moment when the woman storms into a restaurant where the afore mentioned important business meeting takes place and tells the guy to go with him. He tells her he will, when the meeting is over. But for her it cannot be in a few minutes, it has to be RIGHT NOW. The urgency is clearly irrational but he dithers and dithers and then obeys. Oh, it was hard to bear.
The bottom line: This movie shows that different genders have different agendas and priorities and how not to deal with that issue. The rather downbeat ending is very telling in that aspect.
I watched In a Stranger's Hand before Shakma on Christmas eve and enjoyed it. I remember when I first watched this on Lifetime and Shakma on either Showtime, HBO, or Cinamax after I graduated from highschool. This was the first movie that I became familiar with Brett Cullen and then was Prehysteria, Complex of Fear, and Apollo 13. Plus, I like watching Megan Gallagher and others too. The music in this movie is suspenseful and so are certain scenes. Robert Urich plays a partner in a software expert business who becomes unexpectantly involved in a search for a missing girl. The deeper involved he becomes in the search, the more truth involving the girls disappearance is explained. Overall, this is a excellent movie for those who love suspense.
¿Sabías que…?
- ErroresThe character played by [[Maria O'Brien]] is credited as Mary, but more than once, Jack Bauer seems to call her Paula. There is another Mary amongst the characters, this one played by [[Janel Moloney]], and there is no reason one cannot have two characters with the same first name, as this occurs in real life, but perhaps both Marys were confused with each other, and the one played by Maria O'Brien was referred to as Mary, because of the similarity of her real name to this character name.
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By what name was ...And Then She Was Gone (1991) officially released in Canada in English?
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