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Un conserje herido en una explosión en un laboratorio comienza a hacerse más joven.Un conserje herido en una explosión en un laboratorio comienza a hacerse más joven.Un conserje herido en una explosión en un laboratorio comienza a hacerse más joven.
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"Golden Years" is a 1991 series, based on Steven King's idea, for which most of the scenario he wrote personally. The first season consisted of 7 episodes in a total duration of about 6 hours and ended with cliffhanger. Unfortunately, from episode to episode series had weaker and weaker ratings, so it was canceled. For the purpose of DVD release it was turned into a film. It was shortened to 4 hours and an alternate ending was filmed, so it doesn't stay unfinished.
The idea is great, story and characters are developing well and it had the potential to be one of the better King's accomplishments. Unfortunately, it's not. The first hour is so slow and boring that I was on the verge of giving up. Later, the story becomes more and more exciting, and once you get yourself attached to the characters, 4 hours just fly by. Nevertheless, there is an omnipresent feeling that something is wrong. As much as they skillfully turned the six-hour season into a four-hour film, although I did not watch the original version, I always felt that something was missing. But all of this would not have a major impact on the overall impression if there wasn't for a catastrophically bad ending, which so obviously does not belong to this film-series that it's simply painful to see. The story develops for 4 hours in its slow but atmospheric natural pace, and then suddenly ends, as a knife cut, with the end that is forcefully sewn to where it doesn't fit.
However, I recommend King's fans to watch it anyway, as well as fans of the series "X-Files", because the film has an atmosphere very similar to this series, as well as a couple of joint actors that enhance this impression. All in all, I enjoyed it, but I would not watch it again.
6/10
The idea is great, story and characters are developing well and it had the potential to be one of the better King's accomplishments. Unfortunately, it's not. The first hour is so slow and boring that I was on the verge of giving up. Later, the story becomes more and more exciting, and once you get yourself attached to the characters, 4 hours just fly by. Nevertheless, there is an omnipresent feeling that something is wrong. As much as they skillfully turned the six-hour season into a four-hour film, although I did not watch the original version, I always felt that something was missing. But all of this would not have a major impact on the overall impression if there wasn't for a catastrophically bad ending, which so obviously does not belong to this film-series that it's simply painful to see. The story develops for 4 hours in its slow but atmospheric natural pace, and then suddenly ends, as a knife cut, with the end that is forcefully sewn to where it doesn't fit.
However, I recommend King's fans to watch it anyway, as well as fans of the series "X-Files", because the film has an atmosphere very similar to this series, as well as a couple of joint actors that enhance this impression. All in all, I enjoyed it, but I would not watch it again.
6/10
As "Fredichi29" has said in his review, the ending is hilariously bad, but almost so bad that it's good, like in an Ed Wood way. Huffman is cool in the second half, but in the first half she seems to be playing an entirely different gal. Weird. Also, they try to sex her up, but it's mostly awkward. Near the end, though, she gets kinda hot, not gonna lie lol.
What was Stephen King thinking writing this dull, derivative yawnfest? A really un-interesting four hours was made out of the simple story of a man caught in an explosion at a factory who starts to get younger, and the various agents of the government who chase him wanting to know what happened. The whole thing could have fitted into an hour, but no , we have to witness every long winded chase and escape plan, plus endlessly tedious scenes of no relevance concerning a completely over the top mad doctor, and un-funny comedy relief provided by an irritating general dogsbody character. To top it all, the thing doesn't even end-just sort of peters out to nothing-no payoff-zilch. Derivative and not worthy of Stephen King's normal high quality-avoid this like the plague. You'll be bored senseless if you watch it, and at 4 hours it is a criminal waste of time.
In a secret research center of the USA, the lunatic, but also genius, Dr. Richard X. Toddhunter (Bill Raymond) ignores the warning signal in the control panel and proceeds with his experiment with a particle accelerator. The laboratory blows-up and his assistant dies and the seventy-year-old janitor Harlan Williams (Keith Szarabajka) is exposed to a green radiation that rejuvenates. However the scientist omits the truth about the accident in the preliminary hearing.
The national security agent Terry Spann (Felicity Huffman) and her lover, General Louis Crewes (Ed Lauter), find the truth about what had happened in the laboratory and unsuccessfully try to shut down the experiment. But the CIA assassin Jude Andrews (R.D. Call) kills whoever tries to conduct a further investigation that may compromise the experiment. Now Terry and Louis decide to protect Harlan and his wife Gina (Frances Sternhagen) from Andrews that wants to bring the janitor to become the guinea pig of Dr. Toddhunter.
Yesterday I lost more than four hours of my life watching the dull "Golden Years" on a double DVD. The lame story is absurd and most of the characters are ridiculous or annoying. There are shootings and executions everywhere without press or politicians taking any action. The acting is below average and the story has no conclusion.
The gangster Jude Andrews kills whoever he wants without any consequence. General Louis Crewes and Terry Spann are military and agent from the security agency without any connection with any superior what seems to be impossible. Major Moreland is an unfunny clown while Dr. Richard X. Toddhunter is the stereotype of a mad scientist. Gina Williams is annoying and unfortunately does not die and stays until the very end. My vote is two.
Title (Brazil): "Jovem Outra Vez" ("Young Again")
The national security agent Terry Spann (Felicity Huffman) and her lover, General Louis Crewes (Ed Lauter), find the truth about what had happened in the laboratory and unsuccessfully try to shut down the experiment. But the CIA assassin Jude Andrews (R.D. Call) kills whoever tries to conduct a further investigation that may compromise the experiment. Now Terry and Louis decide to protect Harlan and his wife Gina (Frances Sternhagen) from Andrews that wants to bring the janitor to become the guinea pig of Dr. Toddhunter.
Yesterday I lost more than four hours of my life watching the dull "Golden Years" on a double DVD. The lame story is absurd and most of the characters are ridiculous or annoying. There are shootings and executions everywhere without press or politicians taking any action. The acting is below average and the story has no conclusion.
The gangster Jude Andrews kills whoever he wants without any consequence. General Louis Crewes and Terry Spann are military and agent from the security agency without any connection with any superior what seems to be impossible. Major Moreland is an unfunny clown while Dr. Richard X. Toddhunter is the stereotype of a mad scientist. Gina Williams is annoying and unfortunately does not die and stays until the very end. My vote is two.
Title (Brazil): "Jovem Outra Vez" ("Young Again")
Stephen King is no stranger to television, both with adaptations of his work (from "Tales From The Darkside"'s version of 'Word Processor of the Gods' to the miniseries "The Stand") and original scripts (witness "Storm of the Century" and that episode of "The X-Files"). "Golden Years" was his first venture into television originals, and it certainly avoids the depths of "The Shining" (the Kubrick version, not the one with Rebecca DeMornay), but neither is it as effective as "The Dead Zone."
An elderly janitor (Keith Szarabajka in old-age makeup) is caught in an explosion at the plant where he works; he survives, but he soon starts to grow younger, and with his wife (Frances Sternhagen) he goes on the run from the people behind the plant... this blend of "Cocoon" and "The Fugitive" worked for the most part, with Szarabajka's rejuvenation a slow process instead of an overnight thing (by the end of the series he was still pretty old), and his pursuers (Ed Lauter, Felicity Huffman) weren't out-and-out villains. But the series blew it in the final episode, never producing a real finale - it just seemed to stop, leaving a distinct "That was IT?" impression.
Proof that it's never a good idea to rest on your Laurels.
An elderly janitor (Keith Szarabajka in old-age makeup) is caught in an explosion at the plant where he works; he survives, but he soon starts to grow younger, and with his wife (Frances Sternhagen) he goes on the run from the people behind the plant... this blend of "Cocoon" and "The Fugitive" worked for the most part, with Szarabajka's rejuvenation a slow process instead of an overnight thing (by the end of the series he was still pretty old), and his pursuers (Ed Lauter, Felicity Huffman) weren't out-and-out villains. But the series blew it in the final episode, never producing a real finale - it just seemed to stop, leaving a distinct "That was IT?" impression.
Proof that it's never a good idea to rest on your Laurels.
¿Sabías que…?
- TriviaStephen King often appears as a cameo in his own movies/series. Here he plays the Greyhound bus driver that picks up Gina and Terry.
- Citas
[Williams throws the newly passed eye-exam papers on Morelands desk]
Major Moreland: Welcome back.
Harlan Williams: Thank you.
Major Moreland: You think you're smarter than me, old man. You're not. That piece of paper doesn't change a thing.
Harlan Williams: I guess you're right. I'm still working here, and you're still a jerk.
- Versiones alternativasThe U.S. video version includes a few scenes not shown on the television broadcast.
- ConexionesFeatured in The Secrets of Dick Smith (1991)
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