I'll Fly Away
- Serie de TV
- 1991–1993
- 1h
CALIFICACIÓN DE IMDb
8.6/10
1.1 k
TU CALIFICACIÓN
Forrest Bedford es un abogado sureño de fines de la década de 1950, generalmente satisfecho con su vida privilegiada.Forrest Bedford es un abogado sureño de fines de la década de 1950, generalmente satisfecho con su vida privilegiada.Forrest Bedford es un abogado sureño de fines de la década de 1950, generalmente satisfecho con su vida privilegiada.
- Ganó 3 premios Primetime Emmy
- 33 premios ganados y 38 nominaciones en total
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Opiniones destacadas
Respectfully, I disagree with the one comment posted so far.
My wife and I discovered this series when it was on PBS. As stated, we are amazed that something this good was originally on commercial TV. Is it totally unrealistic that a maid would ultimately be that outspoken, and that a Southern white lawyer could slowly have his eyes opened? Maybe. But I think the key is that everything developed slowly, over time. There were no unrealistically sudden conversions.
Among the other things that impressed us: There were no easy answers; every episode, it seems, almost painfully explored issues with complexity. If you want easy answers, this is not the series for you.
"To Kill a Mockingbird" was certainly a classic (although, as my 85 year-old father has observed, Gregory Peck played the same essential character in virtually every movie.) And it may be true that its characterization was true of the vast majority of even well-meaning southern whites. But I accept the possibility that, even in that time, at least one person of color "pushed the envelope". And that at least one Southern white of good heart found himself or herself slowly transformed.
If you can accept this, admire this series for its excellent performances and refusal to take the easy way out in any episode.
My wife and I discovered this series when it was on PBS. As stated, we are amazed that something this good was originally on commercial TV. Is it totally unrealistic that a maid would ultimately be that outspoken, and that a Southern white lawyer could slowly have his eyes opened? Maybe. But I think the key is that everything developed slowly, over time. There were no unrealistically sudden conversions.
Among the other things that impressed us: There were no easy answers; every episode, it seems, almost painfully explored issues with complexity. If you want easy answers, this is not the series for you.
"To Kill a Mockingbird" was certainly a classic (although, as my 85 year-old father has observed, Gregory Peck played the same essential character in virtually every movie.) And it may be true that its characterization was true of the vast majority of even well-meaning southern whites. But I accept the possibility that, even in that time, at least one person of color "pushed the envelope". And that at least one Southern white of good heart found himself or herself slowly transformed.
If you can accept this, admire this series for its excellent performances and refusal to take the easy way out in any episode.
Every week I check the new DVD releases with hopes of seeing "I'll Fly Away." It's amazing what's available while "I'll Fly Away" sits on a shelf. The above comment describes it perfectly. It's history and entertainment. It could be used in schools when discussing the civil rights movement. In my opinion it's the best TV ever. PLEASE release this on DVD and market it so people watch it. This is an important series that should be seen. I almost bought this on line but something didn't seem right since I knew it not to be available. I called the company selling it and a person on the phone actually told me the quality is not too good and that it was recorded from T.V. Well, I did the same thing on VHS. I want high quality, complete set on DVD.
"I'll Fly Away" was and always will be my favorite show. Intelligent, well written, and beautifully acted, the show was much more than prime time entertainment and I was absolutely heartbroken when it was cancelled. I was ten when the series premiered, and my mother and I would watch it (and cry) every week. Though it has been years since I have seen an episode, I still never fail to feel a huge lump in the back of my throat at the thoughts of Lily registering to vote, or John Morgan telling his friends that his mother is a famous cowgirl. Each episode was like a small Horton Foote play, and to watch its characters grow over a long period of time was the show's greatest asset.
Though an enormous critical success, I find it tragic that the show has become such a forgotten treasure. In today's cynical world of post-O.J. Simpson, I will always remember "I'll Fly Away" for its shear hope, optimism, and unabashed honesty.
It is high time for this show to be brought back for reruns!!!
Forrest Bedford is an extremely flawed and conflicted character, and his relationship with Lily is deeply strained. Morally, he understands that segregation is wrong and that integration is inevitable, however he worries about the changes Civil Rights will bring as he is bound up with tradition. He beautifully illustrates the mindset of several white southerners as his dilemma is representative of the struggle of tradition vs. change that STILL plagues the modern south.
Though an enormous critical success, I find it tragic that the show has become such a forgotten treasure. In today's cynical world of post-O.J. Simpson, I will always remember "I'll Fly Away" for its shear hope, optimism, and unabashed honesty.
It is high time for this show to be brought back for reruns!!!
Forrest Bedford is an extremely flawed and conflicted character, and his relationship with Lily is deeply strained. Morally, he understands that segregation is wrong and that integration is inevitable, however he worries about the changes Civil Rights will bring as he is bound up with tradition. He beautifully illustrates the mindset of several white southerners as his dilemma is representative of the struggle of tradition vs. change that STILL plagues the modern south.
10mcdooley
My comment is simple. My favorite TV show ever (and I go back to about 1962 or 63 for television) is "Homicide: Life on the Street." Number two is "I'll Fly Away." It's just a masterpiece. I believe this is the first "10" I've ever given anything.
It's been awhile, so I'll forget some characters' names, and I'm too lazy to hit the back button and open a new window here. The youngest son was one those exceedingly rare little-kid characters in television or movies who acts precisely his age, as opposed to an obnoxious seven-going-on-seventeen. Francie was adorable and winning as his older sister and, again, absolutely believable as being her correct age, and in going through the crises of her particular age.
The actress who played Lily (I've got to hit that back button), their "colored" maid and the center of the cast, was the gem of the show. As so often happens, though, she never seemed to get anywhere after "I'll Fly Away." I thought for sure we had a real up-and-comer there. (And as I recall, so did many critics).
And oh yes, Sam Waterston had a life before "Law & Order" for you kiddies out there. To a degree I still think of Jack McCoy as the guy from "I'll Fly Away." Nowadays on television, his character's relationship with Lily, the maid, would be riddled with politically correct sensibilities, which is to say it would be pandering, one-dimensional and cloying. But no, Waterston is not some cartoonishly "evolved" white good guy; he's a convincingly complex southern liberal in the 1950s. At any rate, the relationship between Lily and Waterston's character is rich to watch unfold.
Is it out there somewhere on DVD or video? If so, rent it and get caught up in it like you would an HBO series. The story lines are continuous for the most part. The ratings for "I'll Fly Away" were just about zero for the first of its two season, on ABC, but it was one of those occasional noble instances by a network where they renew a losing show purely on the basis of its unanimous critical acclaim.
It's been awhile, so I'll forget some characters' names, and I'm too lazy to hit the back button and open a new window here. The youngest son was one those exceedingly rare little-kid characters in television or movies who acts precisely his age, as opposed to an obnoxious seven-going-on-seventeen. Francie was adorable and winning as his older sister and, again, absolutely believable as being her correct age, and in going through the crises of her particular age.
The actress who played Lily (I've got to hit that back button), their "colored" maid and the center of the cast, was the gem of the show. As so often happens, though, she never seemed to get anywhere after "I'll Fly Away." I thought for sure we had a real up-and-comer there. (And as I recall, so did many critics).
And oh yes, Sam Waterston had a life before "Law & Order" for you kiddies out there. To a degree I still think of Jack McCoy as the guy from "I'll Fly Away." Nowadays on television, his character's relationship with Lily, the maid, would be riddled with politically correct sensibilities, which is to say it would be pandering, one-dimensional and cloying. But no, Waterston is not some cartoonishly "evolved" white good guy; he's a convincingly complex southern liberal in the 1950s. At any rate, the relationship between Lily and Waterston's character is rich to watch unfold.
Is it out there somewhere on DVD or video? If so, rent it and get caught up in it like you would an HBO series. The story lines are continuous for the most part. The ratings for "I'll Fly Away" were just about zero for the first of its two season, on ABC, but it was one of those occasional noble instances by a network where they renew a losing show purely on the basis of its unanimous critical acclaim.
Television is often considered a medium that suffices to showcase actors and actresses who can not make it on the big screen and/or after they have seen their hey-day! Not so with the cast of I'll Fly Away, whose brilliant characterizations brought to life a time when change was coming for the better, but with it a whirlwind of emotions that swept up its populace in a way in which no other time has done since. The beautifully painted portraits were a study the human condition, from Forrest to Lily, and down thru the ranks of the Bedford children. To the great discredit of television, this series was cancelled when there was so much that was important left to say! This was a landmark series that should be brought to viewers on DVD if for no other reason than to afford it another opportunity to speak its solid values to those who have never seen it, and speak them again to those of us anxious to re-hear!~
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- TriviaIn the 2013 book "Difficult Men: Behind the Scenes of a Creative Revolution: From The Sopranos and The Wire to Mad Men and Breaking Bad", David Chase (a writer and Executive Producer on this show before creating The Sopranos (1999)) recalled his impatience with some of the network's strategies for marketing the show, especially NBC airing commercials featuring Louis Armstrong's "What a Wonderful World". "If I'd had a gun, I would have killed somebody. What fucking wonderful world? Ku Klux Klan, Mississippi civil rights workers being murdered, housewives from Detroit being gunned down in their cars, black kids being lynched? They were trying to sell a series about human pain as a cute story about some cute little boy and his nanny. And it fucking made me want to puke."
- Citas
[Francie and John Morgan are fighting in the back seat]
D.A. Forrest Bedford: If I have to stop this car somebody's going to regret it!
- ConexionesFeatured in The 44th Annual Primetime Emmy Awards (1992)
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By what name was I'll Fly Away (1991) officially released in India in English?
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