Brides of Christ

This is my first on-line comment and this work is right for the effort. I originally read about the series because it popped up under Russell Crowe's work. The description intriqued me, but the quality of the characters and performers is what brings me to write. I grew up in the 60's and the issues, music and philosophical questions were especially poignant. My women friends and even my Mom have agreed that the work is excellent and definitely worth seeing.

I was very young when the ABC presented the ‘critically acclaimed Australian mini-series, Brides of Christ' on Australian TV, back in 1991. All I knew is that I wanted to see it one day. Now that day has come. It tells the story of Roman Catholic nuns and life at their boarding school during the 1960s, showing the struggles for freedom, choice and tradition to be upheld at such a prestigious institution. With a great cast, and wonderful story, this is great entertainment for Catholics and any other religious denomination that might be fascinated as to what it means to be the ‘Brides of Christ'.

Behind the high convent walls, their lives are circumscribed by centuries old tradition, rites and disciplines. But in times of radical change and upheaval, the Brides of Christ are forced to reconcile the conflict between the ancient ways and the new. They are bound by vows, which set them apart, yet they must become part of the changing world. For many their faith will be sufficient to carry them through their personal crises. But some are tormented by questions that they cannot answer, disciplines they cannot follow and love they dare not feel. In their care are spirited teenagers, schooled in the old creed, yet eager to taste the new freedom.

The strongest aspect to the ‘BOC' series has to be its story, brilliantly written by screenwriters John Alsop and Sue Smith. The story was very creative, confronting, emotional, fascinating and interesting to learn what it is like to live life not only as nun, but a Catholic as well. The content to the stories were also very deep and meaningful, covering such issues as the ways of the church, the convent's feelings on ideologies, divorce/marriage, friendships, defiance, sex and birth control. Also, having each show named after one main character of the series, then making them the main focus of that particular show, was very effective and something I liked. My favourite episodes in the series are titled ‘Rosemary' and ‘Catherine', as I found both too be brilliant.

‘BOC' was well directed by Ken Cameron, giving us a very in-depth look at what is like to be part of a convent. He also showed us many things onscreen that even I had thought were not possible to see. The series was produced by Sue Masters famous for other ABC programs such as G.P. I feel that a lot of the success for ‘BOC' has to be attributed to Masters and her skills as a producer.

The series main stars include nuns such as Sister Agnes (Academy Award winner Brenda Fricker) and Mother Ambrose (Sandy Gore). Fricker shows here why she was chosen as a lead character for the program. While Gore shows a very strong presence onscreen, which suits the role she undertook as the mother of the convent.

You then have the younger nuns like Diane/Sister Catherine (Josephine Byrnes) and Sister Paul (Lisa Hensley). The transformation that takes place over both characters is fascinating to see. Catherine is a very liberal minded nun, as she takes a different point of view on many issues that are usually thought about in a very conservative manner by the nuns and the church. Paul is a funny character to watch, as she is very immature and naïve about life and its many experiences. However when she becomes a highly respected nun, she also turns out to be a very good school teacher at the same time.

The younger cast of BOC was also very good. Three best friends are Frances Heffernan (Naomi Watts), Rosemary Fitzgerald (Kym Wilson) and Bridget Maloney (Melissa Thomas), who show many times throughout BOC, that good friends are very hard to find. These girls are very big within the school, causing quite a commotion many times. Rosemary was my favourite character in BOC, as I found her stubbornness and defiance most noteworthy. Kym Wilson's performance as this character was terrific.

There was also some fine acting talent in very minor roles in BOC. The biggest has to be Bridget's brother, Dominic Maloney (Hollywood star Russel Crowe), who has a big effect on Rosemary. There was a teacher, Ian McGregor (Phillip Quast), who creates quite an impression at the convent, and a priest, Jack (Simon Burke), who Sister Paul is very keen on at one stage. However, Jack's views on life and the church are very weird to workout. Other characters include the Bishop (Michael Craig), Rosemary's mother, Judith Fitzgerald (the dish's Genevieve Mooy) and another of Bridget's siblings, Brendan Maloney (Brian Rooney).

The TV theme was subtly effective in the ‘Brides of Christ'. I like how it made me feel at the start and end of each episode, as it was just what the show needed. The music was composed by Mario Millo. The costumes designed for BOC were excellent, especially showing both the traditional and newer style of uniform for the nuns. This aspect of the series was done by Annie Marshall.

‘Brides of Christ', is a mini-series not just showing religious themes as such, but is also open to show what it means to defy the church and experience all of life's other wonders. It is my opinion that this show while being quite controversial was also very brave at the same time. My church has recently handed down a decision that I believe will separate the church, very much like some of the issues presented on ‘BOC'. The only reservation I had about watching a series such as this, were the feelings I had towards the Roman Catholic Church, which are very strong. While everyone is entitled to follow any religion they feel suits them, the Catholic's viewpoint on many issues is hard for me to accept and understand. While I am not a member of the Catholic Church, boy I am glad I was finally able to experience the great wonders of the ‘Brides of Christ'.

CMRS gives ‘Brides of Christ': 5 (Brilliant Mini-Series)

This mini series was shown in the U.S. on the A&E Television network and it was landmark miniseries that correctly showed the turmoil effecting the catholic church after Vatican II. The story is a very Australian one in terms of how the changes going on in the church effected Catholics in Australia in the 1960s. This miniseries launched the careers of many young actors such as Naomi Watts and Russell Crowe. There is a huge amount of acting talent in Australia and they shine in this production. BOC was the performance of Brenda Flicker's career and is the one actress that stands out in the miniseries. The irony is almost half a century after Vatican II real reform seems to elude so much of the catholic church but it has reversed it's positions on so many issues since the 1960s.

Incredible account of the sweeping changes that occurred during the Vatican-inspired mini-revolution during the 1960s, focusing on one convent of nuns in Australia. I must admit, not being Christian myself, I was a little skeptical before seeing this series; as it happens, I was so hooked, I watched all six episodes back-to-back (I had it on video), and woke up tired the next morning!! Like the brilliant CHANGI a decade later, each episode revolves around one particular character; unlike CHANGI, each episode is primarily concerned with keeping the plot moving, rather than going back and looking at the character's past, although this comes into it. What we see is a group of women who, for whatever reason, have all chosen to live a celibate life following the teachings of Christ (from the Catholic viewpoint) and of the various religious philosophers of the past millenium. Like any group of people, there are, of course, differences: many of the older women are happy to let the church guide their decision processes, and accept whatever their superiors say. The more educated among the group tend to question the values of the church and, in the opinion of the seniors, threaten to undermine the very substance of what the religious is all about. It was an interesting time for the Catholic church: still regarded as one of the more stringent Christian sects, the western world was undergoing a major cultural revolution, as scientific developments, introductions to new cultures, and different ways of thinking were being encouraged by youth leaders. In an attempt to remain relevant, the Vatican, led by the Pope of the time, recognised that change was inevitable and thus tried to instigate it themselves. A wide number of issues are dealt with here: birth control, abortion, divorce, sex before marriage, interchurch marriages, etc...: many of these issues are, of course, distinct NON-issues among non-Catholics and non-Christians today - birth control, via pills, condoms and surgery, is seen as necessary and, indeed, healthy practice; 50% of marriages in the USA and Australia now end in divorce or separation; most people have sex before marriage. But to Catholics of the time these things were mortal sins, and led to eternal damnation (I can hear non-believers either chuckle or, indeed, gasp with horror, as I did, that all these people were and are wasting their lives, living in fear of something that wouldn't - couldn't ever happen...but it made sense to them, and that's the main thing, it gave their lives purpose...). Every single performance within this miniseries - even down to Russell Crowe's small role as a young man destined to become a conchie - is first-rate, and, when the 330-minute production came to an end, I felt like I had really gotten to know the characters - and indeed that I had seen longer movies with 80 minute runtimes! This is an absolutely top-quality miniseries, comparable with CHANGI, and everyone should see it. 9/10.

I loved this series although I'm not a Catholic, not Australian, not a woman. Extremely good exploration of conservative institution beset by a plateful of changes in turbulent times. Depicts how different woman struggle to find the path forward using their different talents and faculties to arrive at their own approach to challenges.

In my opinion, very well cast. I found the characters for the most part very involving. This mini series is a good example of how the Australian movie- and television-making industry outperformed the entire rest of the English-speaking world on any kind of per capita measure in producing wonderful projects in the last two decades of the 20th century.