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IMDbPro

¡Átame!

Título original: Átame!
  • 1989
  • R
  • 1h 41min
CALIFICACIÓN DE IMDb
7.0/10
34 k
TU CALIFICACIÓN
¡Átame! (1989)
Ver Tráiler [OV]
Reproducir trailer2:25
1 video
99+ fotos
ComediaComedia oscuraCrimenDramaRomance

Un hombre con problemas de salud mental secuestra a una actriz con la esperanza de convencerla de que se case con él.Un hombre con problemas de salud mental secuestra a una actriz con la esperanza de convencerla de que se case con él.Un hombre con problemas de salud mental secuestra a una actriz con la esperanza de convencerla de que se case con él.

  • Dirección
    • Pedro Almodóvar
  • Guionista
    • Pedro Almodóvar
  • Elenco
    • Victoria Abril
    • Antonio Banderas
    • Loles León
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.0/10
    34 k
    TU CALIFICACIÓN
    • Dirección
      • Pedro Almodóvar
    • Guionista
      • Pedro Almodóvar
    • Elenco
      • Victoria Abril
      • Antonio Banderas
      • Loles León
    • 85Opiniones de los usuarios
    • 60Opiniones de los críticos
    • 55Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 8 premios ganados y 19 nominaciones en total

    Videos1

    Tráiler [OV]
    Trailer 2:25
    Tráiler [OV]

    Fotos125

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    Elenco principal29

    Editar
    Victoria Abril
    Victoria Abril
    • Marina Osorio
    Antonio Banderas
    Antonio Banderas
    • Ricky
    Loles León
    Loles León
    • Lola
    • (as Loles Leon)
    Julieta Serrano
    Julieta Serrano
    • Alma
    María Barranco
    María Barranco
    • Berta
    • (as Maria Barranco)
    Rossy de Palma
    Rossy de Palma
    • Traficante de drogas en Vespa
    Francisco Rabal
    Francisco Rabal
    • Máximo Espejo
    Lola Cardona
    Lola Cardona
    • Directora Psiquiátrico
    Montse García Romeu
    • Montse
    • (as Montse G. Romeu)
    Emiliano Redondo
    Emiliano Redondo
    • Decorador
    Oswaldo Delgado
    • Fantasma
    Concha Rabal
    • Farmacéutica
    Alberto Fernández
    • Productor
    • (as Alberto Fernandez)
    José María Tasso
    José María Tasso
    • Anciano Psiquiátrico
    • (as Jose Maria Tasso)
    Angelina Llongueras
    Angelina Llongueras
    • Montadora
    Manuel Bandera
    Manuel Bandera
    • Bailarín Tango
    Virginia Díez
    • Bailarín Tango
    • (as Virginia Diez)
    Juana Cordero
    • Dependiente Bombonería
    • Dirección
      • Pedro Almodóvar
    • Guionista
      • Pedro Almodóvar
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios85

    7.033.6K
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    Opiniones destacadas

    bargross

    A gripping movie, and often misunderstood

    After all I heard and read about this movie, I think this one of the most commonly misunderstood movies ever. It is not a comedy (although sometimes bizarre). It is NOT a glorification of violence. It is not about S/M or Bondage (which occurs between consenting parties). It's message is NOT that if you tie up and beat a woman, she will love you in return.

    This is a movie about two people who are unable to master life on their own. This has led Ricky to the mental ward and Marina to being a drug-addicted porn star, who just happens to have a streak of luck because a movie director is completely obsessed with her. In the end, the two have found each other and it looks as if together, they can find the happiness and home they always were looking for. Beautiful...

    Yes, Ricky's method of convincing Marina to love him is horrible and unacceptable. His attitude toward women and life in general is seriously twisted, and he just cannot think of any other way to get what he needs to fulfill his desire of living what he considers an ordinary life. Why does Marina fall for it? Probably because he's the first person who ever seemed to care about her. He fights to get her, he fights to help her. Even if his interest in her is ruthless and possessive, it is a genuine, deep interest and that is what she has been missing all her life.

    I found Atame to be a fascinating and remarkable movie. Watch it open-minded and try to look beneath the pure surface of the plot, and you will be moved and captivated by its beauty.
    7SnoopyStyle

    Pedro Almodóvar film

    Ricky (Antonio Banderas) is released from a mental hospital. He is obsessed with former porn actress Marina Osorio (Victoria Abril) who he slept with once before. She's trying to go straight and working for a lascivious director. Ricky breaks into her home and takes her prisoner. He wants to make her fall in love with him but she doesn't remember him.

    Filmmaker Pedro Almodóvar delivers another sexually daring movie. The most memorable scene is probably Marina in the bathtub with a scuba diver toy. Both Banderas and Abril are compelling leads. If anything, I would like for them to spend the entire time in the apartment as a two person play. It would be intriguing to see Almodóvar push his writing skills and let his two stars play with the material.
    7claudio_carvalho

    A Bizarre Love Story `À La Almodòvar'

    Marina Osorio (Victoria Abril) is a soft-porno star kidnapped in her own apartment by Ricky (Antonio Banderas), a guy who has just left a mental institution. He wants to get married with her. The storyline in this weird love story recalls `The Collector', i.e., a man kidnaps a woman because he is in love with her. But on the contrary of the William Wyler's drama in a cold and isolate farm in an English countryside, the situations in Almodóvar's colorful movie in the center of Madrid are very erotic and funny. For example, the scene when Marina is having a bath in her bathtub is hilarious. This cult movie is certainly not one of the best in Almodóvar´s filmography, but it is mandatory for those who are his fan. My vote is seven.
    8reelreviewsandrecommendations

    A Colorful & Crazy Love Story

    Ricky is a charismatic 23-year-old who has just been released from a mental asylum. He has no goal in life but to settle down with Marina Osorio, a famed porn actress whom he once had a one-night stand with. The first step in his seduction technique is to force his way into Marina's flat and tie her to the bed. From there, as time marches on, Ricky is sure she will have no choice but to fall in love with him. In his mind, it's a fool-proof plan, though the realities of the situation prove to be a lot more complicated, as we see in Pedro Almodóvar's brilliant 'Tie Me Up! Tie Me Down!'

    A darkly comic love story, 'Tie Me Up! Tie Me Down!' is funny, unpredictable and thoroughly enjoyable. Written by Almodóvar, Ricky and Marina's story is off-beat and surprisingly heartfelt. His dialogue is quick and sharp, and while his characters are all humorous creations to be sure, they are also multifaceted ones of depth and intelligence. They leave an impression on the viewer, and watching the narrative unfold around them is a delight. The film's examination of relationship structures is one most percipient, and Almodóvar's subversion of the traditional courting routines is wickedly clever. The themes involved therein are explored maturely, and- all in all- it's a great, dark little tale that'll keep you entertained throughout.

    'Tie Me Up! Tie Me Down!' is a visually stunning watch, boasting stylish cinematography from José Luis Alcaine. Under Almodóvar's direction, he makes terrific use of space, texture and especially colour. His second collaboration with the director, Alcaine's utilisation of primary colours in the film is arresting, particularly of the reds and oranges; which linger in the mind long after the credits have rolled. It's a highly stylized film, with some extremely artistic shots that captivate the eye. Credit for the overall look of the film must also go to art director Ferran Sánchez and production designer Esther García, whose efforts have helped form the multicoloured spectacle that the finished flick is.

    The film features a score from the late, great Ennio Morricone, arguably the king of the motion picture soundtrack. His work for 'Tie Me Up! Tie Me Down!' is delicate and beautiful, adding no small amount of majesty to the proceedings; with the track 'If You Knew How Many Nights' being particularly haunting. Also of note is José Salcedo's editing, which is swift and flawless; with scenes cut together seamlessly. Additionally, José María de Cossío's costume design is intricate and detailed, and his costumes for Marina are especially rich.

    'Tie Me Up! Tie Me Down!' finds Victoria Abril and Antonio Banderas starring as Marina and Ricky, respectively. Abril is terrific, and gives a spirited performance of tenacity and wit. An incredibly likable and talented performer, she gives the role her all and holds nothing back. She is matched by Banderas, who brings boundless charm and intensity to Ricky, making him a most lovable madman. Together, they work wonderfully, sharing an electric chemistry that seems genuine. From the supporting cast, Loles León and Francisco Rabal stand out, giving hilarious performances that are highlights in both of their filmographies.

    Original, funny and heartfelt, Pedro Almodóvar's 'Tie Me Up! Tie Me Down!' is a marvellous black comedy that impresses on every level. Featuring an assured visual style and terrific cinematography from José Luis Alcaine, as well as an emotive Ennio Morricone score, the movie has a lot to offer viewers. Strongly acted and cleverly written, the film is a colourful and crazy love story that is sure to entertain and amuse any who watch it.
    8gavin6942

    Gloriously Beautiful

    An unbalanced but alluring former mental patient (Antonio Banderas) takes a porn star (Victoria Abril) prisoner in the hopes of convincing her to marry him.

    How can anyone deny the beautiful, almost dreamlike use of color in this film? Trying to find anything comparable is a challenge. The musicals of Jacques Demy? No, not even those.

    "Tie Me Up! Tie Me Down!" comes from a strong pedigree, as it follows in the myth of Beauty and the Beast and the notion that the savagery of the Beast is, in the presence of Beauty, tamed by gentler feelings. This has been a recurrent theme in films like "King Kong", "Frankenstein" and "Tarzan the Ape Man". Some have even drawn parallels to "Seven Brides For Seven Brothers" in that kidnapping can lead to romance.

    The soundtrack was composed by Ennio Morricone in the style of a thriller and is reminiscent of Bernard Herrmann's score for Alfred Hitchcock's "Psycho". This music changes the whole tone. Some consider the film a "dark romantic comedy" and others even say there is a hint of horror in there. Much of the mood relies on the music -- with a lighter tone, this could just be an "offbeat" romantic comedy and not a "dark" one -- there is very little about the film that is dark besides the music.

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    Argumento

    Editar

    ¿Sabías que…?

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    • Trivia
      One of the films (along with Henry: Portrait of a Serial Killer (1986) and El cocinero, el ladrón, su esposa y su amante (1989)) that was instrumental in bringing about the introduction of the NC-17 rating in the U.S., as the film's distributor, Miramax, took the MPAA to court over the X certification it had initially been designated. According to Pedro Almodóvar, the MPAA did not believe an R rating was appropriate, even after cuts, because they were afraid that the film would inspire young men to kidnap young women out of lust. Miramax argued that an X rating implicated pornography and would diminish the film's audience, but they lost the lawsuit and it was released unrated. In September 1990, the MPAA replaced the X rating with the then-newly created NC-17 rating in response to numerous appeals by other filmmakers who had released their films under similar circumstances in the past. Eventually, the film was re-rated NC-17 for its first two (of three) U.S. home video releases (it was re-released unrated the third time; see below), the reason being the explicit scene of a naked Marina taking a bath in her apartment and masturbating in the bathtub under the water with an activated swimming scuba diver wind-up toy.
    • Errores
      When Ricky accepts the offer to take Marina out to search for painkillers for her toothache, she puts on a tiny white dress that only goes down to the tops of her thighs and only just barely conceals her crotch and buttocks in order to cover her completely naked body underneath it. When they both return to Marina's apartment, she takes off the dress, but now she is naked except for a pair of white panties that were not there before.
    • Citas

      Marina Osorio: I'm taking my panties off. They show.

      Lola: What's worse, showing your panties or your pussy?

    • Conexiones
      Featured in Siskel & Ebert & the Movies: Short Time/Tie Me Up! Tie Me Down!/Wild Orchid/Without You I'm Nothing/Santa Sangre (1990)
    • Bandas sonoras
      Canción del alma
      Written by Rafael Hernández

      Performed by Loles León

    Selecciones populares

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    Preguntas Frecuentes

    • How long is Tie Me Up! Tie Me Down!?Con tecnología de Alexa
    • Is "¡Átame!" based on a book?
    • Why does Marina seem upset at the end?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 5 de abril de 1991 (México)
    • País de origen
      • España
    • Idioma
      • Español
    • También se conoce como
      • Tie Me Up! Tie Me Down!
    • Locaciones de filmación
      • Zarza de Granadilla, Cáceres, Extremadura, España
    • Productora
      • El Deseo
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 4,087,361
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 65,299
      • 6 may 1990
    • Total a nivel mundial
      • USD 4,089,145
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 41 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Stereo
    • Relación de aspecto
      • 1.85 : 1

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