CALIFICACIÓN DE IMDb
6.1/10
2.1 k
TU CALIFICACIÓN
Nueva Orleans, 1951: Un estudiante de derecho que trabaja en la radio WXBU se enamora de su atractiva tía, quien busca su tercer marido. Pedro comienza a escribir series de radio en WXBU, co... Leer todoNueva Orleans, 1951: Un estudiante de derecho que trabaja en la radio WXBU se enamora de su atractiva tía, quien busca su tercer marido. Pedro comienza a escribir series de radio en WXBU, complicando la situación.Nueva Orleans, 1951: Un estudiante de derecho que trabaja en la radio WXBU se enamora de su atractiva tía, quien busca su tercer marido. Pedro comienza a escribir series de radio en WXBU, complicando la situación.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados en total
Anna Thomson
- Faith Hope
- (as Anna Levine Thomson)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
From some of the other comments (especially the one complaining about the Southern accents), it's clear that people are judging this film at face value. This movie is not meant to be realistic! It's a whimsical, highly stylized fable, right in line with director Jon Amiel's best work -- and it's a delight from start to finish. Everybody in the cast is clearly having a great time -- particularly Peter Falk -- and if you have an open mind, and are willing to surrender to the film's atmosphere, you'll have a great time too.
Hilarious, smart, sexy, surprising -- in other words, not your typical Hollywood comedy. Give it a chance!
Hilarious, smart, sexy, surprising -- in other words, not your typical Hollywood comedy. Give it a chance!
I love this movie. I love everything about it.
It's a screwball comedy and first-rate farce. It kids soap operas, white-bread 1950's suburbia, and even points up the absurdity of racism, while still being joyous, fun, and affectionately good-natured. The acting is superb all around with delightful chemistry between the three main characters played by Barbara Hershey, Keanu Reeves, and Peter Falk. I'm amazed that anyone could fault Reeves' performance in this film. He is perfect - sweet, hopeful, naive and romantic. The May-late autumn romance between Reeves and Barbara Hershey is completely believable. You want these two to make it.
The secondary plot involves a playing-out of the radio soap opera as Peter Falk's character writes it. The acting is deliciously over-the-top as befits the absurd storyline. Extra kudos to Elizabeth McGovern. Who knew she could be so funny?
Peter Falk is the glue that holds the whole thing together. He wickedly manipulates everyone who comes within his sphere of influence - but all in the name of art and love.
As an added bonus, the music is wonderful, both as atmosphere and in and of itself. Wynton Marsalis wrote the score and his band plays the music. If you like jazz or even if you don't, the way it weaves in and out of and becomes part of the plot is a delight to the soul.
It's a screwball comedy and first-rate farce. It kids soap operas, white-bread 1950's suburbia, and even points up the absurdity of racism, while still being joyous, fun, and affectionately good-natured. The acting is superb all around with delightful chemistry between the three main characters played by Barbara Hershey, Keanu Reeves, and Peter Falk. I'm amazed that anyone could fault Reeves' performance in this film. He is perfect - sweet, hopeful, naive and romantic. The May-late autumn romance between Reeves and Barbara Hershey is completely believable. You want these two to make it.
The secondary plot involves a playing-out of the radio soap opera as Peter Falk's character writes it. The acting is deliciously over-the-top as befits the absurd storyline. Extra kudos to Elizabeth McGovern. Who knew she could be so funny?
Peter Falk is the glue that holds the whole thing together. He wickedly manipulates everyone who comes within his sphere of influence - but all in the name of art and love.
As an added bonus, the music is wonderful, both as atmosphere and in and of itself. Wynton Marsalis wrote the score and his band plays the music. If you like jazz or even if you don't, the way it weaves in and out of and becomes part of the plot is a delight to the soul.
This was my first Peter Falk movie and I certainly hope it won't be my last. I saw "Tune in Tomorrow" to see Barbara Hershey (a favorite actress of mine) but was completely taken with this funny, eccentric middle-aged man looking like either a French maid or a Jewish rabbi. The plotline was charming and the characters were cute...Simply that. Don't expect a whole lot out of "Tune in Tomorrow" because when you see it, it'll then blow you away. Keanu looked so young! Besides that, it was a very VERY funny movie with a lot of "Paris When it Sizzles" type fluff added to it. Very sweet. 9/10
I thoroughly enjoyed this movie. The jokes about Albanians were hilarious and Peter Falk's character was the most ridiculous. Just one person creating so many multi dimensional characters. Especially the fire scene. Very dramatic.
Keanu Reeves and Barbara Hershey play very good characters with romantic interests in each other. Well you end up rooting for Keanu's character since he has such an endearing innocence. The backdrop, scenery and the costumes are very colorful and convincing.
The movie is a great joy to watch. It brings light to a entertainment medium that is hard to imagine in this digital age.
"Tune In Tomorrow" is a near miss. It's a movie that is funny in moments but unfortunately these moments are few and far between. Peter Falk is enjoyable as is the story of the effects of a radio serial on those involved with its' creation. The movie just never clicks. Much of the blame has to go to Keanu Reeves. It is almost worth watching the movie to see how bad an actor can be. I don't know if he's just horribly miscast or maybe it was just a bad day at the office for him but he is awful. The funniest portions of the film have to do with the fictional radio serial Peter Falk's character has created. The insults against the Albanians are laugh-out-loud funny. With a little more work this could have been a very funny movie.
¿Sabías que…?
- Citas
Pedro Carmichael: Life is a shitstorm, and when it's raining shit the best umbrella is art.
- Créditos curiososThe opening credits are read over the radio instead of being shown.
- ConexionesFeatured in Siskel & Ebert & the Movies: Silent Classics (1990)
- Bandas sonorasChewin' Fat
Written by Wynton Marsalis
Performed by Wynton Marsalis and His Band
Featuring Johnny Adams
Selecciones populares
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- How long is Tune in Tomorrow...?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 11,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 1,794,001
- Fin de semana de estreno en EE. UU. y Canadá
- USD 62,747
- 28 oct 1990
- Total a nivel mundial
- USD 1,794,001
- Tiempo de ejecución
- 1h 47min(107 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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