Streets

Forgotten movie which barely got a release. I didn't even know it existed until I saw it while casually browsing at a video store. Homeless teenager hooker Dawn (Christina Applegate) angers psychotic cop Lumley (Eb Lottimer) who wants to kill her. She runs into a nice, normal teenage boy (David Mendenhall) and, together, they try to get away from the cop.

Supposedly factual movie on the lives of homeless kids in Vencie, California. It was obviously made on a VERY low budget and looks appropriately grimy and gritty. It is well directed and Applegate is just fantastic as Dawn. Mendenhall has his moments too and it has an incredibly sad (but realistic) ending. Still, two things really lessen this film.

One is some truly terrible dialogue--the situations are believable but the dialogue isn't. The second is Lottimer as the killer--he's not a bad actor but his character is given NO depth or insight. Also the bursts of VERY graphic violence are jarring. With a little more polish to the script and more depth this might have worked. As it stands it's only worth seeing for Applegate and some nice direction. I can only give it a 7.

Director Katt Shea deserves a lot of credit for "Streets", a gritty, honest, heartfelt little movie that serves as more than mere exploitation, creating a hard hitting portrayal of runaway youth in Venice, California, personalizing the story by focusing on Dawn, played by TV star Christina Applegate in a wonderful, tour-de-force performance. Dawn is a heroin addicted, teenage prostitute attacked by a john, and who forms a friendship with a kid named Sy (David Mendenhall) who distracted the cop long enough for her to get away. The budding relationship between Dawn and Sy forms a solid basis for the rest of the movie, written by Shea and producer Andy Ruben, which devastatingly illustrates the kind of hard scrabble existence led by people like Dawn. Applegate delivers a performance that is alternately tough, feisty, sympathetic, kind, and vulnerable - but, most of all, it's believable. Mendenhall also does well as the nice guy who is new to the life being lived by Dawn and her contemporaries, who can't really identify with them as he is definitely not of their world. Enjoyable contributions are also made by Patrick Richwood as Bob, Aron Eisenberg as Roach, Mel Castelo as "Elf", and Alan Stock as Allen. This coming from Concorde, it's still exploitative enough for those watching who expect a certain degree of trash. Applegate does bare her breasts for a scene, but this particular scene is played for romance rather than just sex. And the ongoing subplot with the deranged john, a motorcycle cop named Lumley (played with convincing intensity by Eb Lottimer), is standard enough stuff, although the viewer may be taken aback by Lumley's home made weapon that metes out brutal punishment. The music score by Aaron Davis is supremely effective, as is the beautiful and haunting composition "Dawn's Theme" sung by Elizabeth "E.G." Daily. The use of the locations is excellent, and in general this is quite well made and stylish. Although mostly played (very) seriously, it's not without its humorous moments. Cameos are made by ladies who'd previously starred for director Shea: Kay Lenz ("Stripped to Kill") and Starr Andreeff ("Dance of the Damned"). This is genuinely potent stuff, right up to its riveting ending, and worth watching, both for Applegate fans interested in seeing her show off her dramatic chops earlier in her career and for exploitation film aficionados. It's too good to miss. Eight out of 10.

A psychotic cop in Southern California is targeting prostitutes for execution; meanwhile, a pretty blonde urchin tries getting her life together. I rented this because I was very impressed with director Katt Shea's work on the underrated "Poison Ivy" and I was not disappointed. The psycho stuff doesn't really jell with the homeless kids angle, but it's a commendable attempt to mix genres, and Christina Applegate gives a superb, surprisingly serious lead performance (her final scene in a bus depot is riveting and heart-rending). Much better than I was expecting, "Streets" is a good, hearty try at both social drama and crime thriller. **1/2 from ****

And that one reason is Applegate's lead performance, of all things. This film is mostly typical late 80's Cali-based dramatic thriller fare, with its requisite abusive cops, rundown underpasses and throwaway dialogue.

Or is it? Christina Applegate sticks out like a sore thumb with her deeply poignant performance as the teenage hooker lead. She has at least one memorable monologue detailing how she grew up in motel bathrooms all over town while her hooker mom conducted biz with her clients next room.

She and her character honestly belong in a better film. Unfortunately, that film never materialized.

A police officer is loose on the streets killing runaway teenagers who were forced into prostitution in Venice, California. His main target is a would be victim (Applegate) who escaped.

Compelling look at homeless teenagers manages to blend in a thrilling suspense story also. Applegate is very good in the lead role, the situations are done realisticly and the direction is terrific. Very well made thriller is highly underrated.

Rated R; Extreme Violence, Lanuage, Brief Nudity, and a Sexual Situation involving teenagers.