Sien lui yau wan II: Yan gaan dou

Although a little shorter on plot than the first movie, this one might be a bit funnier. With the welcome additions of Jackie Cheung as a wandering ghost fighting Monk and the lovely Michelle Reis to the cast, the movie has even more Hong Kong star power than the last. Of course the chemistry between Leslie Cheung and Joey Wang is still there, and the film is funny and fast paced. If you liked the first movie, then put this on your must see list.

"Chinese Ghost Story 2" is almost as amazing as the first "Chinese Ghost Story"(1987).Again the film is incredibly energetic,atmospheric and filled with incredibly well-choreographed fight scenes.Of course the special effects may be a little bit cheesy at times(especially the monster is funny looking!),but the film is extremely entertaining for horror,fantasy and even comedy fans.So don't wait any longer-check it out now.Highly recommended.10 out of 10.

I'm torn between admiring A Chinese Ghost Story II for its sheer craziness and disliking it for being such an incoherent mess of a sequel to one of my favourite HK movies.

The original A Chinese Ghost Story was the film that showed me there was more to Hong Kong cinema than Jackie Chan, director Siu-Tung Ching brilliantly blending romance, fantasy, comedy and horror; part 2, also directed by Siu-Tung Ching, is non-stop insanity that never achieves the lyrical beauty of its predecessor, but does deliver a giant, toothy monster and a demonic high monk who can transform into a massive golden Buddha and a giant centipede.

Leslie Cheung reprises his role of timid debt collector Ling Choi San, who escapes from jail (having been wrongly arrested as a bandit after escaping from cannibals!); mistakenly stealing the horse of Taoist Chi Chau (Jacky Cheung), the young man seeks shelter in an abandoned villa in the woods. Chi Chau catches up with Ling Choi San, and the pair sort out the misunderstanding. During the night, the men are attacked by rebels posing as ghosts, who mistake Ling Choi San for renowned scholar Elder Chukot Ngo Long (Feng Ku), with whom he shared a cell. Amazingly, one of the rebels, Ching Fung (Joey Wong), is the exact double of ghost Siu Sihn (also Wong) from the first film; Ling Choi San is unsurprisingly smitten and agrees to help rescue her father, who is prisoner of the Imperialists.

Despite the title, there are no real ghosts in this movie, but there's plenty of supernatural silliness as Ling Choi San and his new found friends do battle with evil forces. The film is a smorgasbord of over-the-top special effects filled sequences, most of which make very little sense, but which are undeniably visually impressive. Even the less effective effects - such as the silly demonic monster that continues to menace our heroes despite being cut in half - are entertaining, and there's surely something for everyone to enjoy (I particularly liked the 'sword surfing' scene).

So, not the sequel I was hoping for, but still worth checking out if you like your HK movies to be completely bonkers.

Although I hadn't seen the first movie, the recap at the beginning brings you up to speed very quickly. The movie itself while not hilarious, cheered me up and made me laugh in a few parts, mainly when the monk, Autumn, was on screen.

There's a lot of likable things about the movie, namely: love interests, thieves that appear out of nowhere (in the plot, not out of thin air), fight scenes with demons and a funny "freezing" spell, redemption of the "bad" guy, and most importantly (since more recent Asian movies seem to forget about them) a happy ending.

Overall, if you want a funny movie that you can just relax while watching it (no serious people), give it a go.

Not entirely sane mixture of martial arts, supernatural tomfoolery, adventure epic, picaresque, Eastern philosophy and religion, and monster movie; featuring cowardly, yet devilishly handsome scholar-heroes, potty priests with magical nous, fearsome, yet cute, highkicking heroines, fat evil fake Buddhas, mendacious high priests, lumbering trolls, hairy gurus and noble warriors. You can choose either THE PHANTOM MENACE and George Lucas, who stole many of these elements to create an enervating sticky gloop that goes on way too long; or this, directed at a breathless pace, full of fun, joy, energy, terror, invention and wonder (and socio-historical critique) which ends far too soon.