CALIFICACIÓN DE IMDb
7.0/10
5.1 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaThe story of construction-worker Stevie and his unemployed pop-singer girlfriend shows the living conditions of the British poor class.The story of construction-worker Stevie and his unemployed pop-singer girlfriend shows the living conditions of the British poor class.The story of construction-worker Stevie and his unemployed pop-singer girlfriend shows the living conditions of the British poor class.
- Dirección
- Guionista
- Elenco
- Premios
- 5 premios ganados y 6 nominaciones en total
Jim R. Coleman
- Shem
- (as Jimmy Coleman)
Gary Lammin
- Mick
- (as Garrie J. Lammin)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Riff-Raff is so realistic in its depiction of British working class conditions in the building industry of the time. Hard working lads living hard lives making poor money and working for shifty cost cutting employers. More than that though, Loach has filled the story with believable characters and has them speaking realistically with real local accents and absolutely zero political correctness.
Hats off to whoever was in charge of the casting. Standout performances from Robert Carlyle and Ricky Tomlinson but to be fair the entire cast were believable in their roles. There's very authentic feel to the film, almost like watching a documentary instead. Criminally Underrated.
Hats off to whoever was in charge of the casting. Standout performances from Robert Carlyle and Ricky Tomlinson but to be fair the entire cast were believable in their roles. There's very authentic feel to the film, almost like watching a documentary instead. Criminally Underrated.
This unpretentious British indie film is a rough diamond in the rough. It chronicles the lives of a handful of blue collar workers trying to survive in early 90's London. It's almost documentary in style and narrative, which lends a feeling of authenticity, which is helped also by fine performances all around. Shows the humor, frustration and dashed dreams in an unforgiving society, and it has heart. It is at times funny, heart wrenching, and touching. The accents are thick, so you may appreciate the subtitles that are on some versions. I found them distracting, so I put some tape over the bottom of the screen. I had to strain a few times to understand, but I don't think the subtitles were necessary. Well worth a watch.
Well what can I say? this film is appalling, the acting is putrid(particularly the Irish character who appears to forget her characters role mid way through the film) apart from Robert Carlyle as the Scottish character is quite good among other smaller big name roles who then made a name for themselves either prior or afterwards otherwise this movie is terrible with major plot-points not being revealed, unnecessary scenes, bad gags and bad script-writing as if they just improvised. Besides to that it was wrote in memory of some one if this was made in tribute of me, I must have really been hated or a terrible script- writer if this was the fruit of my labour! All in all I think my review is suitable for a film of this caliber Q.E.D
(1990) Riff- Raff
DRAMA
The film, the Queen of England does not want people to see!! Like some of Mike Leigh's films with it's subtle messages about the low class, this is a no holds barred social commentary film about society with a nice story in the middle. And is also one of the most important British films in movie history about unsafe practices amongst it's citizens. I have no idea how this kind of society is like right now in 2010 but at the time of when this film was made about it's citizens rises a lot of questions about not what should be done BUT what has to be done along time ago!!! This is also one of Robert Carlyle's early film gems before hitting it big with "Trainspotting".
The film, the Queen of England does not want people to see!! Like some of Mike Leigh's films with it's subtle messages about the low class, this is a no holds barred social commentary film about society with a nice story in the middle. And is also one of the most important British films in movie history about unsafe practices amongst it's citizens. I have no idea how this kind of society is like right now in 2010 but at the time of when this film was made about it's citizens rises a lot of questions about not what should be done BUT what has to be done along time ago!!! This is also one of Robert Carlyle's early film gems before hitting it big with "Trainspotting".
It is rare that a drama is anything about your life or any part of it. I apologise is your job is searching for serial killers or on your way to becoming a world sporting champion after overcoming cancer, but what we have here is a little bit of (UK) working class reality. Trust me I was there and so was the late writer Bill Jess.
(Jess died shortly before this film came out.)
I worked on a building sites at weekends as a 15 year old and although I have no pictures or film to remind - at least I have this and the buildings that I helped construct.
I have met all of the people under the loop here (not always on building sites though) and, to be quite frank, it is all a bit frightening. However I lived in a predominantly white district so I had no experience of on-the-job multiculturalism, and that is the only part I cannot really comment upon or relate to.
Robert Carlyle is a genius at portraying the British working-class. Maybe he is the real thing, in part, but he seems able to transform himself physically as well as mentally. I have never seen him overact in anything and he has had plenty of opportunities. He even takes on impossible parts like Hitler!
Here he is a Glasgow jailbird, squatting in London and hoping to make a few quid on the black economy. He hooks up with a girl that claims to be a singer and poet, but is actually only in to hard drugs. He deals with the situation the best he can using the only language he can.
London is the 1980's was one of the cheapest places in the world to live. You wanted a flat? - get a crowbar - here's your flat! Well for a short while before the heavy mob show up. That is how the rock group The Police first got to live in our capital city!
(Today building sites are full of foreign workers - some legal, some not - that don't squat but live in the back of vans parked on or near the site.)
Strangely, Ricky Tomlinson became a actor after being banned from building sites due to his political activities. In 1973 he sent to jail (see his IMDb bio) in an episode that shows British justice at its worst: Charging someone with a serious offence and then trying to get a guilty plea in return for a lesser charge. Ricky - being a man not a mouse - didn't fall for it. Others did, making it look extra bad for him.
He later went to be a popular man on TV and British film and will earn over a million dollars from his autobiography "Ricky"!
What makes this film even more frightening is the dramatic conclusion. Something similar (although not quite as serious) happened where I worked - although not while I was there.
In a coincidence that would make a TV script writer blush I was with the boss of the said firm in a van and we passed the subject in the street. "He got very lucky," said Mr Boss-man waving from the van, "he landed on his head and that is what saved him." It was pure Ken Loach moment, so I hope he is reading this.
(Jess died shortly before this film came out.)
I worked on a building sites at weekends as a 15 year old and although I have no pictures or film to remind - at least I have this and the buildings that I helped construct.
I have met all of the people under the loop here (not always on building sites though) and, to be quite frank, it is all a bit frightening. However I lived in a predominantly white district so I had no experience of on-the-job multiculturalism, and that is the only part I cannot really comment upon or relate to.
Robert Carlyle is a genius at portraying the British working-class. Maybe he is the real thing, in part, but he seems able to transform himself physically as well as mentally. I have never seen him overact in anything and he has had plenty of opportunities. He even takes on impossible parts like Hitler!
Here he is a Glasgow jailbird, squatting in London and hoping to make a few quid on the black economy. He hooks up with a girl that claims to be a singer and poet, but is actually only in to hard drugs. He deals with the situation the best he can using the only language he can.
London is the 1980's was one of the cheapest places in the world to live. You wanted a flat? - get a crowbar - here's your flat! Well for a short while before the heavy mob show up. That is how the rock group The Police first got to live in our capital city!
(Today building sites are full of foreign workers - some legal, some not - that don't squat but live in the back of vans parked on or near the site.)
Strangely, Ricky Tomlinson became a actor after being banned from building sites due to his political activities. In 1973 he sent to jail (see his IMDb bio) in an episode that shows British justice at its worst: Charging someone with a serious offence and then trying to get a guilty plea in return for a lesser charge. Ricky - being a man not a mouse - didn't fall for it. Others did, making it look extra bad for him.
He later went to be a popular man on TV and British film and will earn over a million dollars from his autobiography "Ricky"!
What makes this film even more frightening is the dramatic conclusion. Something similar (although not quite as serious) happened where I worked - although not while I was there.
In a coincidence that would make a TV script writer blush I was with the boss of the said firm in a van and we passed the subject in the street. "He got very lucky," said Mr Boss-man waving from the van, "he landed on his head and that is what saved him." It was pure Ken Loach moment, so I hope he is reading this.
¿Sabías que…?
- TriviaThe characters' local regional and Cockney accents were so heavy that the film provided subtitles, even for British audiences.
- ErroresBetween 7:56 and 8:00 minutes in, as Robert Carlyle enters his squat for the first time, the boom is clearly visible under the ceiling and the boom operator on the left as Robert walks by.
- Bandas sonorasAlways On My Mind
Composed by Johnny Christopher (as J. Christopher), Francis Zambon (as M. Jones) and Wayne Carson Thompson (as W. Thompson)
Performed by Emer McCourt
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- How long is Riff-Raff?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 295,444
- Total a nivel mundial
- USD 295,444
- Tiempo de ejecución1 hora 35 minutos
- Color
- Relación de aspecto
- 1.33 : 1
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By what name was Riff-Raff (1991) officially released in India in English?
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