The Return of Superfly

This is one of the worst movies ever made!! I was so dissapointed when I saw this, I almost walked out! I was thinking that this would pick up where the original "SuperFly" left of. The plot, if it was one, was lost at the beginning. The actor who played "Priest", I don't even remember this guys name, but he couldn't act to save his life. Margaret Avery, ("Color Purple", "Which Way Is Up?") who is a pretty good actress, was totally lost in this horrible movie. This movie was just plain terrible. Bad writing, bad directing, bad acting, it was just plain BAD!!! You couldn't even pay me to see this again, that's how bad it was!! No wonder Ron O'Neal didn't reprise his role as Priest, it was BAD!! This movie is a total waste of time.

The original "SUPERFLY" has always been one of my favorite films, and is undoubtedly an important milestone in urban filmmaking. So, what is there to say about this lame sequel? For one, it is an attempt to get back to the original, with a somewhat interesting plot, bringing the character of Priest back to the drug scene he managed to stray away from so many years ago, unlike "SUPERFLY T.N.T.", which went an entirely different, yet plausible route.

The biggest problem, and perhaps this is the factor that's really holding it back, is the miscasting of Youngblood Priest, this time played by Nathan Purdee. Purdee is a sore choice to fill Ron O'Neal's shoes. You can't make a SuperFly movie without Ron O'Neal, plain and simple. Just as the original tag-line read: "Never a dude like this one!" Precisely. Purdee ain't SuperFly, which keeps this one grounded, throughout.

The best thing this film has going for it is Curtis Mayfield, who is back to score. Here he does a fine job of balancing the roots of his original music with a contemporary spirit, that suits the film well.

In my opinion, between the two sequels, "SUPERFLY T.N.T." is far superior, yet it sorely lacks the input of Mayfield and Gordon Parks, Jr. But, on the other hand, we at least have Ron O'Neal reprising his role. With "THE RETURN OF SUPERFLY", we unfortunately, don't have that option, yet we do have a new score by Mayfield. Go figure.

Now, if only these two sequels could have met somewhere and shared a cup of coffee, we might be on to something... the melding of a perfect sequel.

This POS is a disgrace to the original 1972 SuperFly. The only reason why I gave it 2 stars is because an actor going by the name of Sam Jackson (Samuel L. Jackson) has a small part in this schlockfest of a film. Other than that, this is a movie to miss.

I avoided this movie for 30 plus years. No other reason: Tico Wells and Leonard L Thomas is worth watching this movie. One of the best supporting cast assemble, which is a problem as I more interested in Tico and Leonard than the lead. Second problem: The clock was never set. I paused the movie with 20 minutes remaining to see the end, it could have went on FOREVER. The ending: The ending is to clever for its own good.

This 2nd sequel to the original "Superfly" (1971) has another face portraying the super-smooth Priest, who has since been living as a legitimate businessman in Paris. The plot is a straight-up revenge story (Priest's former dealer buddy Eddie has been slain), it's just one that doesn't hold your interest at all. We've seen this done many times before, and much better. Nathan Purdee has the pretty-boy look (don't know where the hell he came from), but lacks the acting ability or charisma of Ron O'Neal. You don't give a hoot about him at all. (Whereas you wanted to see Ron O'Neal come out on top, in spite what he did for a living). Actually, Tico Wells (as Priest's back up man, Willy Green) and Samuel L. Jackson (as a buddy named Nate) steal this slow moving film with a highly implausible plot. Lot of shootings, plus a wasted Margret Avery in a quasi-love interest throwaway role (although she still looks great these days), and Carlos Carrasco as Hector ('Gigantor Ortiz' in "Speed") is the best thing this mediocre film has going for it. There is one other henchman named 'Joey' played by Leonard L. Jackson (not related to Sammy) who has the most annoying tee-hee laugh I've ever heard. Sig Shore is one lousy director. No style, some shots linger way too long, zero tension build, pace only picked up at the end. The cops were both stupid and annoying. The locales are true gritty NYC/Harlem all right, but this film is dry as a two-day old piece of toast you forgot to eat. I also see Nathan Pardee hasn't done much of anything else (other than one other film) since this came out in 1990. That tells me a LOT. Curtis Mayfield tries hard to recreate his killer original score (with a Hip-Hop twist) but ya just can't go back I suppose. This should've never been made.