Suban el volumen

I'm 28 now, but this film is still very important to me. PUTV is the best teen drama out there (though there aren't many to compete with it), it really grasps how so alone some teenagers can feel and how rejectedby the system they so often are. The film has dated some what, but if there ever was an early warning sign of the problems that face American schools today (columbine esque) this is it. You can only push teenagers so far before they lose the plot, end up killing themselves or other people, PUTV is about those feelings. Slater is the bomb in this film, he is truly awesome and Mathis plays a great sidekick. The fact she shows a bit of flesh makes the movie highly genuine, yes girls do get naked with boys whilst at high school. PUTV does now suffer with its meaning to the modern era, but modern kids still do get dejected and rejected and this film is a great message in saying.... You Are Not Alone! 10/10 Then.... 8/10 Now.

For me, it's one of the movies I saw once nearly 30 years ago and yet I well remember heaps of scenes and details and even facial expressions of minor characters.

It's a good movie and the soundtrack is extremely good.

Not much happens here, so there's little to spoil. Which completely fits the theme of the movie. Full throttle Gen X angst, apathy, boredom. Few non Gen X'ers will get much out of this movie. And if asked by Boomers or Millenials, Gen X will try for 30 seconds to explain it, realize it's impossible and give up. Oh well, whatever, never mind.

There is one significant flaw (IMHO) and that's Slater's father and one of the school personnel look extremely similar, making some of the scenes confusing.

Pump up the Volume (1990) is perhaps one of the most inspiring films that ever found their way to the celluloid forum. Upon viewing the film for the first time as a ten-years-old kid back when it was released in cinemas, I remember feeling profoundly moved by the main lead and the events his character sets in motion. This genuine masterpiece doesn't only teach us about leadership and the ability of one individual to make a difference in the world; it is also a triumph of the human spirit in general and of the youth over decadent grown-up ideas specifically.

The story presents us Mark Hunter (a then young and extremely talented Christian Slater), a teenage high school student that moves with his parents from the big city to the suburbs, when his father gets a new job as an educational consultant for a middle-America region. The days are the early nineties, when internet was probably considered radical science fiction at best, and Mark finds himself all of a sudden pretty lonely in the new school. Luckily, his parents buy him a ham radio in order to keep connected with his friends back east, and Mark finds a unique way of passing time by transmitting his thoughts about the suburbs and the lousy life of 1990 teenagers, using his ham radio as a local broadcast device. Upon gaining fame and listeners, Hunter adopts a pseudonym, one "Happy Harry Hard On" which brings messages of freedom of speech and thought to his fellow classmates at school. When stumbling upon information concerning illegal steps his school has taken regarding problematic students, things start to get out of control. As Mark, he tries to keep a low profile and doesn't blend in with the ongoing events, but as Harry he feels he must take a stand and speak up his thoughts and ideas. But can a voice be heard without its owner taking responsibility to its actions?

The notions and ideas which arise upon viewing Pump up the Volume are intriguing and fresh until this very day, 16 years after its initial release. For the younger ones, it teaches how to stand up for what you believe in and try to right society's wrongs. For grown-ups, it serves an interesting conflict about the bounders of democracy and the part the media plays in each and every one of our lives. Look out for Samantha Mathis's powerful role as Nora DeNiro, Hunter's female admirer, and one of the only people around him that know he's behind the controversial broadcasts. Also look out for a very very young Seth Green (Austin Powers, Without a Paddle) as one of the students that helps spread Harry's tapes across the school.

On a personal note, I have to say that I hold credit to this movie for a lot of who I am in my grown-up life. The film taught me I could use my words to make a difference, and for the past ten years I've been doing just that as a journalist and newspaper editor here in central Israel. For that I will always be thankful to the makers of Pump up the Volume, and I suspect it'll stay my all-time favorite for years and years to come! Naturally, I rank this one a must-see film, with a 10 out of 10 rating.

I first saw this film around 1996, when I was 13 and just going into that 'I hate the world and everything about it' phase that most teenagers go through. I fell in love with it there and then and over the years I've owned 5 separate copies.

Not just because of the unbelievably brilliant soundtrack, not just because of the real and relate-able characters, not just because of the engaging and original plot, but because I still feel now, what I first felt when I saw the film. Sometimes everyone feels that they're alone and it takes another voice, one coming from a someone you might not even ever have met reminding you that everyone feels that crushing loneliness and only you can change that.

Even now that I'm nearing my mid-twenties and every time I watch this film I want to 'Rise up in the cafeteria' and 'stab my teachers with a plastic fork.' Being a teenager sucks, its probably the most free time of your life, but everything from parents, to homework, to hormones prevents most from truly enjoying the experience.

I want every teenager to watch this film, I want every person who looks back on their teen years with regret to watch this film, I want every person who's forgotten what its like to be a teenager to watch this film. I think there's room in just about everyone's heart for it.

Christian Slater plays Mark Hunter, a disaffected teen that secretly runs a pirate radio station, which in the early nineties was a big deal. He does this for mostly therapeutic reasons, but soon gains a rabid fan base among his fellow high school students. Soon he begins to realize that his words are having an impact and when one student calls in for help and finding none takes their own life, things become very real for Mark. Nora Diniro, played by the underrated Samantha Mathis, figures out Mark is the voice behind the radio persona, and helps Mark as he tries to elude the FCC and get a final message out.

This movie came out my senior year in high school, and I connected with it. A lot of the themes this film touched upon were very close to me, so it has long been a favorite of mine. For any teen going through the growing pains associated with that age, I urge them to watch this movie.