Un hombre en un negocio legal pero dañino necesita una acompañante para asistir a eventos sociales, y contrata a una hermosa prostituta... de la que se enamora.Un hombre en un negocio legal pero dañino necesita una acompañante para asistir a eventos sociales, y contrata a una hermosa prostituta... de la que se enamora.Un hombre en un negocio legal pero dañino necesita una acompañante para asistir a eventos sociales, y contrata a una hermosa prostituta... de la que se enamora.
- Dirección
- Guionista
- Elenco
- Nominado a 1 premio Óscar
- 8 premios ganados y 11 nominaciones en total
Billy Gallo
- Carlos
- (as William Gallo)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Obviously similar to Shaw's "Pygmalion", but updated, more modern.
A lovely dream, one very old: rescuing a prostitute from the street. (Not in Woody Allen's sickish-moody way.)
However, if you wish to dream this one, be sure you do NOT start to think very logically . . . She is healthy, not on drugs, not on alcohol, not even a smoker; no syphilis, no gonorrhea, no AIDS wounds on her legs, nothing, she is just perfectly absolutely healthy. Body and mind. She is not a criminal, not inclined to steal anything, she even values love and dignity more than money. Oh, she has no pimp, who would be the other man (other than Richard Gere) in her life; nobody to protect her from smart types who walk off without paying; the pimp would explode the whole romance instantly. (Instead, a girl friend.)
She has a golden soul, full of goodness, and loves art, and feels for art. High-society types around them appear silly, artificial, stuffy. (Different forks.) She is natural. She even was a good student (!) and . . . might be again? She loves to bathe, and half the time we see her happy in the bath tub (which is a powerful signal and symbol for CLEAN, CLEAN; she even sings so super-ultra-charmingly in the bath; she wants to wash off the foolishness of her previous few months of street. And she can do it.
But with all those qualities, WHY would she ever become a prostitute in the first place? Don't think, don't think. Just dream, it is lovely.
A lovely dream, one very old: rescuing a prostitute from the street. (Not in Woody Allen's sickish-moody way.)
However, if you wish to dream this one, be sure you do NOT start to think very logically . . . She is healthy, not on drugs, not on alcohol, not even a smoker; no syphilis, no gonorrhea, no AIDS wounds on her legs, nothing, she is just perfectly absolutely healthy. Body and mind. She is not a criminal, not inclined to steal anything, she even values love and dignity more than money. Oh, she has no pimp, who would be the other man (other than Richard Gere) in her life; nobody to protect her from smart types who walk off without paying; the pimp would explode the whole romance instantly. (Instead, a girl friend.)
She has a golden soul, full of goodness, and loves art, and feels for art. High-society types around them appear silly, artificial, stuffy. (Different forks.) She is natural. She even was a good student (!) and . . . might be again? She loves to bathe, and half the time we see her happy in the bath tub (which is a powerful signal and symbol for CLEAN, CLEAN; she even sings so super-ultra-charmingly in the bath; she wants to wash off the foolishness of her previous few months of street. And she can do it.
But with all those qualities, WHY would she ever become a prostitute in the first place? Don't think, don't think. Just dream, it is lovely.
Pretty Woman is a very entertaining film indeed. However, for me, it isn't completely perfect, there were times when the script could have been developed a LITTLE more, and the film itself is a bit on the long side. But overall, you have a charming and entertaining movie. Richard Gere is a charming lead, and I do find him charming in everything he's in. Julia Roberts is wonderful also as Vivienne Ward, a beautiful but down on her luck sort of woman. I will confess I am not a Julia Roberts fan, but she put a lot into this film, and it showed. I was also really impressed with the supporting performances from Jason Alexander, Ralph Bellamy and Hector Elizondo. The film also has some excellent camera-work and well-intentioned direction, with a very lovely scene in the opera house, showing La Traviata, one of the world's saddest operas. The script, while a little frothy and contrived at times, still had a lot of humour and heart. Overall, I really liked this film, it made me feel good, like it promised. 8/10 Bethany Cox
The combination of appealing leads, killer chemistry, and a banging soundtrack makes Pretty Woman a highly enjoyable film. The story is obviously a bit far-fetched, but who cares? It's a movie. I watch movies to be entertained and to enjoy well-told stories, and Pretty Woman certainly works on both fronts.
What is it about this movie that made it such an instant mega smash when it was released? I'm not sure if it's The incredible chemistry between Gear and Roberts, the smart dialog, the storyline-combination of all of the above-etc etc. But I do think These days, so few GREAT romantic comedies get made. Pretty woman is great. I enjoyed every moment of this and have seen it many times.
I haven't read any IMDb reviews of this yet, I wanted to comment first. This is a lovely story of hope and the true purity of falling madly in love-there are so many movies that try to be romantic and inevitably come across looking forced and contrived. The story and acting in Pretty woman, while very obviously being "Hollywood" to a tee, are so natural and free flowing, that it's just a joy to watch this. It's also great to see(in what's not usually the case) a romantic comedy that gets it right, in every area from casting to dialog to pretty much everything from start to finish. Great movie!
I haven't read any IMDb reviews of this yet, I wanted to comment first. This is a lovely story of hope and the true purity of falling madly in love-there are so many movies that try to be romantic and inevitably come across looking forced and contrived. The story and acting in Pretty woman, while very obviously being "Hollywood" to a tee, are so natural and free flowing, that it's just a joy to watch this. It's also great to see(in what's not usually the case) a romantic comedy that gets it right, in every area from casting to dialog to pretty much everything from start to finish. Great movie!
Romantic film, nice music, interesting plot, fine beautiful actress, (Mrs. Roberts) and handsome actor, (Mr. Gere) in prime roles, a success story from the very beginning. But, although I am enjoying movies like that, I would never rate this one as 9. The difference (and the extra points) is made by the secondary role actor Mr. Elizondo! I saw him, for the first time, in a rather extreme and rather stupid drama/comedy "Young doctors in love" (1982) and I was impressed by his acting performance. In "Pretty woman" he is the absolute star. The script supported his role, of course, but the talent is indisputable.
Julia Roberts Through the Years
Julia Roberts Through the Years
Take a look back at Julia Roberts' movie career in photos.
¿Sabías que…?
- TriviaRichard Gere and Julia Roberts had obvious chemistry upon their first meeting; however, Gere was not planning on taking the role. He was on the phone ready to turn down the part when Roberts slid him a Post-it note with the words "please say yes" written on it. He accepted the role right then.
- ErroresWhen Vivian finds Edward sleeping, she wears a long white nightgown when she comes in the room. She kisses him and they begin to make love. When Edward pulls her nightgown over her head, it is now a camisole. Actually the mid-length nightgown has spaghetti straps and she removes it herself, with him on top of her, making it hard to see what she removes but it looked like the same garment.
- Citas
[after negotiating three thousand dollars]
Vivian: I would have stayed for two thousand.
Edward Lewis: I would have paid four.
- Versiones alternativasThe Director's Cut of "Pretty Woman" features additional dialogue during the first encounter of Edward and Vivian; additonal scenes featuring Carlos the pimp chasing after Vivian for the money Kit owes him; a longer restaurant sequence, and a longer montage of scenes when Edward takes the day off from work to spend more time with Vivian on their last day together.
- ConexionesEdited into Pasión a 24 cuadros por segundo (2003)
- Bandas sonorasFive for Louie
Written by Karen Hernandez
Performed by Karen Hernandez, Eugene Wright, and Earl Palmer
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Detalles
Taquilla
- Presupuesto
- USD 14,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 178,406,268
- Fin de semana de estreno en EE. UU. y Canadá
- USD 11,280,591
- 25 mar 1990
- Total a nivel mundial
- USD 463,406,268
- Tiempo de ejecución
- 1h 59min(119 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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