Un hombre en un negocio legal pero dañino necesita una acompañante para asistir a eventos sociales, y contrata a una hermosa prostituta... de la que se enamora.Un hombre en un negocio legal pero dañino necesita una acompañante para asistir a eventos sociales, y contrata a una hermosa prostituta... de la que se enamora.Un hombre en un negocio legal pero dañino necesita una acompañante para asistir a eventos sociales, y contrata a una hermosa prostituta... de la que se enamora.
- Dirección
- Guionista
- Elenco
- Nominado a 1 premio Óscar
- 8 premios ganados y 11 nominaciones en total
Billy Gallo
- Carlos
- (as William Gallo)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Obviously similar to Shaw's "Pygmalion", but updated, more modern.
A lovely dream, one very old: rescuing a prostitute from the street. (Not in Woody Allen's sickish-moody way.)
However, if you wish to dream this one, be sure you do NOT start to think very logically . . . She is healthy, not on drugs, not on alcohol, not even a smoker; no syphilis, no gonorrhea, no AIDS wounds on her legs, nothing, she is just perfectly absolutely healthy. Body and mind. She is not a criminal, not inclined to steal anything, she even values love and dignity more than money. Oh, she has no pimp, who would be the other man (other than Richard Gere) in her life; nobody to protect her from smart types who walk off without paying; the pimp would explode the whole romance instantly. (Instead, a girl friend.)
She has a golden soul, full of goodness, and loves art, and feels for art. High-society types around them appear silly, artificial, stuffy. (Different forks.) She is natural. She even was a good student (!) and . . . might be again? She loves to bathe, and half the time we see her happy in the bath tub (which is a powerful signal and symbol for CLEAN, CLEAN; she even sings so super-ultra-charmingly in the bath; she wants to wash off the foolishness of her previous few months of street. And she can do it.
But with all those qualities, WHY would she ever become a prostitute in the first place? Don't think, don't think. Just dream, it is lovely.
A lovely dream, one very old: rescuing a prostitute from the street. (Not in Woody Allen's sickish-moody way.)
However, if you wish to dream this one, be sure you do NOT start to think very logically . . . She is healthy, not on drugs, not on alcohol, not even a smoker; no syphilis, no gonorrhea, no AIDS wounds on her legs, nothing, she is just perfectly absolutely healthy. Body and mind. She is not a criminal, not inclined to steal anything, she even values love and dignity more than money. Oh, she has no pimp, who would be the other man (other than Richard Gere) in her life; nobody to protect her from smart types who walk off without paying; the pimp would explode the whole romance instantly. (Instead, a girl friend.)
She has a golden soul, full of goodness, and loves art, and feels for art. High-society types around them appear silly, artificial, stuffy. (Different forks.) She is natural. She even was a good student (!) and . . . might be again? She loves to bathe, and half the time we see her happy in the bath tub (which is a powerful signal and symbol for CLEAN, CLEAN; she even sings so super-ultra-charmingly in the bath; she wants to wash off the foolishness of her previous few months of street. And she can do it.
But with all those qualities, WHY would she ever become a prostitute in the first place? Don't think, don't think. Just dream, it is lovely.
The combination of appealing leads, killer chemistry, and a banging soundtrack makes Pretty Woman a highly enjoyable film. The story is obviously a bit far-fetched, but who cares? It's a movie. I watch movies to be entertained and to enjoy well-told stories, and Pretty Woman certainly works on both fronts.
This movie is all good and fun things. You can eat popcorn, candy, butterscotch, and cake. That is how good this movie feels.
Julia Roberts and Richard Gere have perfect chemistry. They light up the screen and fully entertain us for 2 hours.
The director, the late Garry Marshall, shined like a diamond when he created this gem. Oscar worthy.
The screenplay was excellent and felt like a Nora Ephron or Rob Reiner film. In other words, cozy and perfect.
Classic Hollywood romantic comedy. Felt like an old school Frank Capra or Billy Wilder film.
Julia Roberts and Richard Gere hit the jackpot. All credit goes to the screenplay by J. F. Lawton and superb directing by the late Garry Marshall.
Best supporting actor award goes to Hector Elizondo for playing the hotel manager who adores Julia Roberts.
Julia Roberts becomes a household name. She steals the show as a v charismatic and witty natural beauty. That red, ruby necklace is perfect for her.
If you want to create a blockbuster, feel good movie, this is your template.
Julia Roberts and Richard Gere have perfect chemistry. They light up the screen and fully entertain us for 2 hours.
The director, the late Garry Marshall, shined like a diamond when he created this gem. Oscar worthy.
The screenplay was excellent and felt like a Nora Ephron or Rob Reiner film. In other words, cozy and perfect.
Classic Hollywood romantic comedy. Felt like an old school Frank Capra or Billy Wilder film.
Julia Roberts and Richard Gere hit the jackpot. All credit goes to the screenplay by J. F. Lawton and superb directing by the late Garry Marshall.
Best supporting actor award goes to Hector Elizondo for playing the hotel manager who adores Julia Roberts.
Julia Roberts becomes a household name. She steals the show as a v charismatic and witty natural beauty. That red, ruby necklace is perfect for her.
If you want to create a blockbuster, feel good movie, this is your template.
"the bad stuff is easier to believe. you ever notice that?" - vivian
ok, so pretty woman is a romantic movie, its cliched, its corny, its sappy. but hey, beyond all that is a special movie with some very special performances. julia roberts as vivian ward is absolutely adorable, one of the most lovable characters of alltime. and those long legs help - like she says - " 88" of therapy for the bargain price of $3000"
the movie has many memorable lines and if you fall in love with the movie you will go back to it again and again. this is easily the best romantic comedy movie of the 90s. though many movies have hence tried to recreate its charm, nothing has quite succeeded to replace this movie as the pinnacle of the genre.
and this ofcourse is high praise from someone who hates the genre. the story ofcourse is very predictable and cinderella like. however this is beautifully told and the on-screen chemistry between the very dashing richard gere and julia roberts is simply sensational. an absolute must for fans of romance, comedy, any kind of light hearted movies or for those who are big fans of julia or richard. watch this movie.
an enjoyable 8!
ok, so pretty woman is a romantic movie, its cliched, its corny, its sappy. but hey, beyond all that is a special movie with some very special performances. julia roberts as vivian ward is absolutely adorable, one of the most lovable characters of alltime. and those long legs help - like she says - " 88" of therapy for the bargain price of $3000"
the movie has many memorable lines and if you fall in love with the movie you will go back to it again and again. this is easily the best romantic comedy movie of the 90s. though many movies have hence tried to recreate its charm, nothing has quite succeeded to replace this movie as the pinnacle of the genre.
and this ofcourse is high praise from someone who hates the genre. the story ofcourse is very predictable and cinderella like. however this is beautifully told and the on-screen chemistry between the very dashing richard gere and julia roberts is simply sensational. an absolute must for fans of romance, comedy, any kind of light hearted movies or for those who are big fans of julia or richard. watch this movie.
an enjoyable 8!
Pretty Woman is a very entertaining film indeed. However, for me, it isn't completely perfect, there were times when the script could have been developed a LITTLE more, and the film itself is a bit on the long side. But overall, you have a charming and entertaining movie. Richard Gere is a charming lead, and I do find him charming in everything he's in. Julia Roberts is wonderful also as Vivienne Ward, a beautiful but down on her luck sort of woman. I will confess I am not a Julia Roberts fan, but she put a lot into this film, and it showed. I was also really impressed with the supporting performances from Jason Alexander, Ralph Bellamy and Hector Elizondo. The film also has some excellent camera-work and well-intentioned direction, with a very lovely scene in the opera house, showing La Traviata, one of the world's saddest operas. The script, while a little frothy and contrived at times, still had a lot of humour and heart. Overall, I really liked this film, it made me feel good, like it promised. 8/10 Bethany Cox
Julia Roberts Through the Years
Julia Roberts Through the Years
Take a look back at Julia Roberts' movie career in photos.
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- TriviaRichard Gere and Julia Roberts had obvious chemistry upon their first meeting; however, Gere was not planning on taking the role. He was on the phone ready to turn down the part when Roberts slid him a Post-it note with the words "please say yes" written on it. He accepted the role right then.
- ErroresWhen Vivian finds Edward sleeping, she wears a long white nightgown when she comes in the room. She kisses him and they begin to make love. When Edward pulls her nightgown over her head, it is now a camisole. Actually the mid-length nightgown has spaghetti straps and she removes it herself, with him on top of her, making it hard to see what she removes but it looked like the same garment.
- Citas
[after negotiating three thousand dollars]
Vivian: I would have stayed for two thousand.
Edward Lewis: I would have paid four.
- Versiones alternativasThe Director's Cut of "Pretty Woman" features additional dialogue during the first encounter of Edward and Vivian; additonal scenes featuring Carlos the pimp chasing after Vivian for the money Kit owes him; a longer restaurant sequence, and a longer montage of scenes when Edward takes the day off from work to spend more time with Vivian on their last day together.
- ConexionesEdited into Pasión a 24 cuadros por segundo (2003)
- Bandas sonorasFive for Louie
Written by Karen Hernandez
Performed by Karen Hernandez, Eugene Wright, and Earl Palmer
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Detalles
Taquilla
- Presupuesto
- USD 14,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 178,406,268
- Fin de semana de estreno en EE. UU. y Canadá
- USD 11,280,591
- 25 mar 1990
- Total a nivel mundial
- USD 463,406,268
- Tiempo de ejecución1 hora 59 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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