Se presume inocente

From Scott Turow's successful novel came this tense drama about a man accused of the rape and murder of a legal colleague with whom he had previously had an affair.

Alan J. Pakula's direction, along with strong performances by Harrison Ford, Raul Julia, Bonnie Bedelia, Brian Dennehy and all the other supporting cast, contribute strongly to a film that keeps you guessing until the very end; which by the way, will shock the sox off ya.

This is a thriller that never gets out of hand, or goes over the top. All credit to Alan J. Pakula and Frank Pierson's adaptation. Great down to earth stuff.

Sunday, June 16, 1991 - Video

Since it's Harrison Ford on trial for the murder of his coworker/mistress, and most everyone loves Harrison Ford, you want to believe he's innocent. But that belief is never a sure thing in "Presumed Innocent": a gripping, suspenseful whodunit that keeps you guessing mercilessly. All the leads here are right on target, especially Ford as the mumbling, elusive murder defendant. Most importantly, all the main players are ambiguous in one way or another, and while I certainly will not give away the ending (which is a beauty, I promise you) keep that in mind as you watch. Can you trust anyone??

The final scene was shocking and thought-provoking. And I couldn't help but think of the title, "Presumed Innocent." Naturally.

Presumed Innocent is directed by Alan J. Pakula, who also co-adapts for the screen with Frank Pierson from the Scott Turow novel. It stars Harrison Ford, Brian Dennehy, Bonnie Bedelia, Raúl Juliá, Paul Winfield, John Spencer and Greta Scacchi. Music is scored by John Williams and Richard Wolf, and cinematography is by Gordon Willis.

Prosecuting attorney Rusty Sabich (Ford) suddenly finds himself a murder suspect after his one time lover, Carolyn Polhemus (Scacchi), is found raped and murdered in her home. As the evidence piles up against him, and his marriage comes under further strain, Rusty hires top lawyer Sandy Stern (Juliá) to represent him when the case goes to trial. Battling the system that he knows inside out, Rusty finds that there's a big can of worms about to be opened.

A tip top court room mystery drama that we could do with seeing more of these days. Expertly strung together by the director of All the Presidents Men and Sophie's Choice, Presumed Innocent isn't just a by the numbers legal who done it? The makers get in deep with the political machinations of a district attorney's office, the intricate steps of a police investigation, and of course the legal eagle operations of a court room. In to the mix is an horrendous crime, of which a lawyer himself is charged with committing, he may or may not be guilty of the crime, but wonderfully we are never sure until the astonishing finale plays out. The air of mystery hangs heavy throughout, nagging away like an itch you can't scratch, with Pakula neatly unfolding the drama in a collage of flashbacks, side-plots and present time intricacies. Mood is heightened by the photography of Gordon Willis, who along with Pakula's looming camera work, manages to convey a claustrophobic feel in keeping with an unstable marriage and a court room itself.

A great cast is assembled for the picture. Ford expertly plays it low key, brooding intently, he makes us unsure as to his guilt or innocence, and that's a testament to how good his performance is. Bedelia is excellent as the stoic wife, holding it together as the marital cracks begin to appear, and Juliá dominates the second half of the picture as we shift to the court room. Dennehy does a nice line in morally compromised smarm, and Scacchi wonderfully exudes a femme fatale sexuality. Winfield is a mighty presence as the judge presiding over such a tricky case, and Spencer is as reliable as ever. Only disappointments come with the performances of Joe Grifasi and Tom Mardirosian, who as the prosecutors come across as wimpy and hardly brick tight lawyers trying a high profile murder case.

An intense and intellectual adult drama, Presumed Innocent is one of the best of its type from the modern era. 8.5/10

When Carolyn Polhemus, a young prosecutor employed by the District Attorney of an American city, is found murdered, the job of investigating her murder is given to Rusty Sabich, one of her colleagues and her former lover. The DA, who is shortly coming up for re-election, wants quick results, but Sabich seems to be making slow progress. The DA is defeated in the election, and Sabich finds himself arrested by his successor and charged with the murder. The evidence against him initially seems strong, but more questions emerge during his trial. Is he really guilty? Is someone trying to frame him? If so, who? Was the murder connected to an investigation which Carolyn was pursuing into judicial corruption? Or was it connected to her complex sex life? We learn, through flashbacks, the story of her affair with Sabich and that she was promiscuous, sleeping with a number of influential men who could help her career, including not only Sabich but also the DA himself.

Besides being a legal thriller, "Presumed Innocent" is also a study in contrasts in character- either contrasts between two different persons or between the inner and outer person. Harrison Ford is often good at playing rather stolid individuals who have difficulty in showing their feelings but whose impassive exterior can hide powerful emotions. Norman Spencer in "What Lies Beneath" was one such individual; Sabich is another. Both are men whose life spins out of control after they become involved in extramarital affairs. Fortunately for Sabich, he has someone to take control on his behalf, his smooth and fluent defence lawyer Sandy Stern. Ford and Raul Julia, who plays Stern, form a double act in the second half of the film, both playing their parts very well. Sabich and Stern are both lawyers, but with very different characters and different approaches to the law. Sabich is determined to tell the truth as he sees it; the wily Stern sees the law as a game to be won on behalf of his client rather than a search for truth. If winning involves preventing the truth from emerging, so be it.

There is also a contrast between Sabich and his former lover Carolyn. While he is undemonstrative but inwardly emotional, she is outwardly seductive and flirtatious but inwardly cold-hearted. Both Sabich's wife Barbara, seemingly noble and forgiving, and the judge who tries his case, may have hidden secrets. Raymond Horgan, the DA, initially seems to be a friend of Sabich, but later turns against him when his self-interest dictates.

This concentration on character pays off, raising the film above the run-of-the-mill legal thriller. Contrasts between the various characters, and their inner conflicts, give rise to a gripping courtroom drama, one of the best in recent years. The pace of the film never flagged, and it held my attention throughout. The ending (which I will not reveal) has been criticised as either predictable or implausible. In my view it was perhaps unlikely, but neither completely unbelievable nor inconsistent with what has gone before. I certainly did not predict it. This is a tense and watchable drama. 7/10

Harrison Ford plays a district attourney who is still obsessed with a co-worker with whom he had an affair, which she broke off. She then is found murdered, and all the evidence points back at Ford. We don't want to think he committed this brutal murder, but do we know for sure?

There is a strong moral to this film, which should be obvious to anyone watching. Sometimes our actions have consequences that we never would have believed or intended, but does that make us any less guilty?

If you liked this film, you might want to watch Tightrope.