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6.0/10
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Ambientada en 1492 en Toledo, España, que muestra las crueles hazañas de un monje llamado Torquemada, Gran Inquisidor de la Inquisición española.Ambientada en 1492 en Toledo, España, que muestra las crueles hazañas de un monje llamado Torquemada, Gran Inquisidor de la Inquisición española.Ambientada en 1492 en Toledo, España, que muestra las crueles hazañas de un monje llamado Torquemada, Gran Inquisidor de la Inquisición española.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 5 nominaciones en total
William Norris
- Dr. Huesos
- (as William J. Norris)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The Pit & The Pendulum (1991) is a movie that I recently rewatched on Tubi. The storyline follows a Spanish lord in the 1400s known for declaring women witches and torturing them. When he kidnaps a wife and plans to cut out her tongue and make a special example of her, her husband tries to save his wife and bring down the lord.
This movie is directed by Stuart Gordon (Fortress) and stars Lance Henriksen (Pumpkinhead), Stephen Lee (The Negotiator), Mark Margolis (Scarface), Carolyn Purdy-Gordon (Re-Animator), Jeffrey Combs (The Frightners) and Frances Bay (Happy Gilmore).
This movie did a solid job with sets, attire and props to create the appropriate look and feel. The cast is a whose who of 90s horror. Henriksen is perfect and the supporting cast is a lot of fun. There's some fun conversations in this starting right off the bat with the bread convo opening and continuing until the final scene. There's full nudity in here and some tremendous torture devices. There's a scene using chains ⛓ that's outstanding. The last 15 minutes of this movie is very entertaining.
Overall, this movie is far from perfect but it's definitely worth a viewing. I would score this a 6.5/10 and strongly recommend it.
This movie is directed by Stuart Gordon (Fortress) and stars Lance Henriksen (Pumpkinhead), Stephen Lee (The Negotiator), Mark Margolis (Scarface), Carolyn Purdy-Gordon (Re-Animator), Jeffrey Combs (The Frightners) and Frances Bay (Happy Gilmore).
This movie did a solid job with sets, attire and props to create the appropriate look and feel. The cast is a whose who of 90s horror. Henriksen is perfect and the supporting cast is a lot of fun. There's some fun conversations in this starting right off the bat with the bread convo opening and continuing until the final scene. There's full nudity in here and some tremendous torture devices. There's a scene using chains ⛓ that's outstanding. The last 15 minutes of this movie is very entertaining.
Overall, this movie is far from perfect but it's definitely worth a viewing. I would score this a 6.5/10 and strongly recommend it.
Director Stuart Gordon updates Edgar Allan Poe's tale to a far more tolerant and demanding audience, 30 years after the Corman/Price classic. Graphic gore and torture, full frontal nudity and very strong language combine with lashings of Gothic horror and plenty of dark humour. Lance Henriksen is superb as the evil Grand Inquisitor, he delivers the standout performance. Sadly Oliver Reed only appears for a few minutes, but he gets to guzzle some wine so I'm sure that he enjoyed his brief time on set! Talking of which, the sets themselves are good. This version is more lavish and far more extreme than the 1961 one and much as I enjoyed it I will always prefer the original classic.
This movie has everything that a growing boy (and girl) needs: Jeffrey Combs as a hilariously anachronistic inquisitor, Lance Henriksen as a wonderfully creepy grand inquisitor, nudity, bloodshed, and an exploding witch.
As far as horror movies go, it is not especially frightening. It does fairly well as a suspense thriller. But its main strength lies in its cast, the art direction, and the behind the scenes footage.
Even if you happen to be expecting a straight Edgar Allen Poe adaptation, this movie won't disappoint. Even though it has a pit and a bladed pendulum, the similarities are few and far between. The ending IS kind of weird, but as they say, getting there is half the fun. Well worth renting or buying. (3.7 out of 5)
As far as horror movies go, it is not especially frightening. It does fairly well as a suspense thriller. But its main strength lies in its cast, the art direction, and the behind the scenes footage.
Even if you happen to be expecting a straight Edgar Allen Poe adaptation, this movie won't disappoint. Even though it has a pit and a bladed pendulum, the similarities are few and far between. The ending IS kind of weird, but as they say, getting there is half the fun. Well worth renting or buying. (3.7 out of 5)
The Roman Catholic Church has begun to turn away from the Inquisition, finding its methods and motives more than just a little bit suspect. But the Grand Inquisitor of Spain (Lance Henriksen) has other plans... he is his own authority, allegedly guided by God Himself. A baker and his wife end up on the wrong side of the law -- his law -- when they protest an execution and she is accused of witchcraft.
Lance Henriksen has a bad habit of appearing in many low budget horror films, so much so that any credibility he gained as Bishop from "Aliens" or Frank Black from "Millenium" is overshadowed by his constant self-degradation. Did we really need so many Pumpkinhead films? But "Pit and the Pendulum" is one of those rare films that is both lower budget and yet still good, today maybe even carrying on well as a timeless classic.
Unlike other Full Moon films, this one has a steady plot and interesting characters -- and a decent cast. Mark Margolis shows up and Jeffrey Combs has a relatively small, but crucial, role to play. (Combs, like Henriksen, has sold out in recent years.... but his very presence makes a film better.) There is excessive -- but not gratuitous -- nudity, bloody torture devices (but not to the point of exploitation like "Saw", just for entertainment). This is a fun film in the vein of, say, the original "Troll" (but not "Troll 2").
Stuart Gordon is best known for "Re-Animator" and "From Beyond", but if there is a third third of his that deserves recognition, this is it. Gordon (and writer Dennis Paoli) found a way to work within the budget of Full Moon and still make things worth watching rather than poor excuses for "movies".
Now out on Blu-ray, the film looks better than ever (as much as it can). There is no audio commentary for some inexplicable reason, but there is a very short making-of featurette. Somehow Tom Towles got his name spelled wrong on the credits (a true disgrace). Blu-ray.com notes that the "transfer isn't masterful, but it's certainly more than capable" and gives the disc 3 of 5 stars. But if the price is right this film is worth getting.
Lance Henriksen has a bad habit of appearing in many low budget horror films, so much so that any credibility he gained as Bishop from "Aliens" or Frank Black from "Millenium" is overshadowed by his constant self-degradation. Did we really need so many Pumpkinhead films? But "Pit and the Pendulum" is one of those rare films that is both lower budget and yet still good, today maybe even carrying on well as a timeless classic.
Unlike other Full Moon films, this one has a steady plot and interesting characters -- and a decent cast. Mark Margolis shows up and Jeffrey Combs has a relatively small, but crucial, role to play. (Combs, like Henriksen, has sold out in recent years.... but his very presence makes a film better.) There is excessive -- but not gratuitous -- nudity, bloody torture devices (but not to the point of exploitation like "Saw", just for entertainment). This is a fun film in the vein of, say, the original "Troll" (but not "Troll 2").
Stuart Gordon is best known for "Re-Animator" and "From Beyond", but if there is a third third of his that deserves recognition, this is it. Gordon (and writer Dennis Paoli) found a way to work within the budget of Full Moon and still make things worth watching rather than poor excuses for "movies".
Now out on Blu-ray, the film looks better than ever (as much as it can). There is no audio commentary for some inexplicable reason, but there is a very short making-of featurette. Somehow Tom Towles got his name spelled wrong on the credits (a true disgrace). Blu-ray.com notes that the "transfer isn't masterful, but it's certainly more than capable" and gives the disc 3 of 5 stars. But if the price is right this film is worth getting.
When his wife Maria (Rona De Ricci) is accused of being a witch by Torquemada, the Grand Inquisitor (Lance Henriksen), distraught Antonio attempts a daring rescue mission, breaking into the Inquisition's headquarters. Soon enough, he too finds himself a prisoner, and faces Torquemada's latest torture device: The Pendulum.
I have a lot of time for director Stuart Gordon, but I do feel like he fumbled the ball slightly with The Pit and the Pendulum. When dealing with weighty historical subjects such as witch trials, torture and the Spanish Inquisition, I feel like gritty realism is the best approach; comedy should not be allowed to dilute the horror (unless, of course, you're Monty Python). Gordon, however, imbues his adaptation of Edgar Allen Poe's short story with a degree of levity that is completely at odds with the horrifying topic at hand. At best, it's mildly distracting; at worst, it's bloody silly (the worst example being when baker Antonio is sat on a metal chair over a fire and makes a quip about 'burning his buns').
It's not all bad news though: the film open with an inspired scene that effectively illustrates the sheer lunacy of the Inquisition, with the posthumous flogging of a crumbling corpse; Henriksen is wonderfully evil throughout, relishing every bonkers moment; Gordon regular Jeffrey Combs has a memorable supporting role as Torquemada's assistant; Ollie Reed knocks back some booze before being walled up alive; and De Ricci is delicious, the lovely lady baring all for her art. There's also one wonderfully OTT scene that is hard not to enjoy, no matter how daft it is: Esmerelda, a real witch, swallows gunpowder on the way to the stake, exploding when she is set alight, her bones impaling those in the crowd.
I have a lot of time for director Stuart Gordon, but I do feel like he fumbled the ball slightly with The Pit and the Pendulum. When dealing with weighty historical subjects such as witch trials, torture and the Spanish Inquisition, I feel like gritty realism is the best approach; comedy should not be allowed to dilute the horror (unless, of course, you're Monty Python). Gordon, however, imbues his adaptation of Edgar Allen Poe's short story with a degree of levity that is completely at odds with the horrifying topic at hand. At best, it's mildly distracting; at worst, it's bloody silly (the worst example being when baker Antonio is sat on a metal chair over a fire and makes a quip about 'burning his buns').
It's not all bad news though: the film open with an inspired scene that effectively illustrates the sheer lunacy of the Inquisition, with the posthumous flogging of a crumbling corpse; Henriksen is wonderfully evil throughout, relishing every bonkers moment; Gordon regular Jeffrey Combs has a memorable supporting role as Torquemada's assistant; Ollie Reed knocks back some booze before being walled up alive; and De Ricci is delicious, the lovely lady baring all for her art. There's also one wonderfully OTT scene that is hard not to enjoy, no matter how daft it is: Esmerelda, a real witch, swallows gunpowder on the way to the stake, exploding when she is set alight, her bones impaling those in the crowd.
¿Sabías que…?
- TriviaIn her autobiography 'Truth and Dare: A Memoir', Rona De Ricci recalled an incident happened to her during the filming of this movie:"In one of the scenes, my character, Maria, who was imprisoned by Torquemada, is being examined nude, true to the Inquisition's handling of women who were accused of being witches and coerced into pleading guilty. At the rehearsal, and clothed at my insistence, the director wanted us to 'improvise' that scene a bit. Circled by the clergy and the guards, I was pulled and pushed and humiliated with barbs authentic to the period and some that were not. When I sensed this was getting out of the artistic realm and was more of a cruel joke, I protested.The director reassured me that it was for the sake of the shot. We tried again, but now the language turned more profane and contemporary, along with more shoving. The director watched with sick satisfaction. Crying in anger, I demanded it stop, citing that the script didn't call for it, nor had I signed for more than what was in this scene originally, and I refused to continue. "
- ErroresThe Pope of the Catholic Church during the majority of the Spanish Inquisition was Pope Innocent VIII, who had originally appointed Torquemada as the Grand Inquisitor of Spain in 1487. Unlike the film, which portrays the Pope as disapproving of Torquemada's actions, Innocent VIII fully supported the endeavor.
- Citas
Torquemada: Surely Rome understands that public executions discourage sin?
Cardinal: The good Lord, you know, padre, he want us to love our neighbor, no roast him, mmm? No roast him ...
- Versiones alternativasAvailable in both R and unrated versions.
- ConexionesEdited into Full Moon Fantasy (1993)
- Bandas sonorasEmendemus in Melius
Composed by Cristobal De Morales
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- How long is The Pit and the Pendulum?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- The Pit and the Pendulum
- Locaciones de filmación
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Taquilla
- Presupuesto
- USD 2,000,000 (estimado)
- Tiempo de ejecución
- 1h 37min(97 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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