La fosa y el péndulo

I really enjoyed watching this movie and I wish to recommend to as many people as possible. But maybe biased because I'm a huge fan of director Stuart Gordon. I have yet to see a movie of his that doesn't fully lives up to my expectations. From Re-Animator over Dolls to Castle Freak...they all belong to my favorite horror movies. And I do believe Gordon belongs to the most talented directors in the genre because he can handle all sort of horror topics. His debut - the brilliant Re-Animator - was a comedy splatter movie while The Pit and the Pendulum doesn't contain that much violence or gore. This movie contains an intelligent and even educational story and it has great settings and costumes of the 14th century.

The Pit and the Pendulum is an adaptation of the famous short story by Edgar Allen Poe. The master of low budget - Roger Corman - already used this story once to make a great horror classic starring Vincent Price. Stuart Gordon's movie isn't really a remake of that one. They just used the same plot. Pit and the Pendulum takes place during the Spanish Inquisition. Lance Henriksen plays one of the best roles of his entire career as Torquemada. He decides whether "witches" are guilty or not and when they'll be burned for the eyes of God. A young girl, Maria ( played by Ronna De Ricci who never did anything else in her career )who resists against his way of working is being arrested. Torquemada wants to accuse her of witchery but he's fascinated by her looks and her body. Meanwhile, Maria's husband entered the castle and he wants to free his wife.

The atmosphere and the settings impress the most in this movie. The ancient castle and the torture chambers are really intriguing. The costumes are terrific as well. There isn't too much gore and violence to detect in this movie ( especially not compared to previous Gordon movies ) but they're are a few very explicit scenes that show true horror. But it's always shot with a lot of style and class. Even though Lance Henriksen is getting all the attention in this movie, there are a a few other great performances in this movie. I'd like to bring forward Jeffrey Combs...my favorite B-movie actor and frequently cast by Stuart Gordon. His role is pretty limited but very well acted.

The Pit and Pendulum is warmly recommended to fans of atmospheric horror and historical stories. One to watch !!

This movie has everything that a growing boy (and girl) needs: Jeffrey Combs as a hilariously anachronistic inquisitor, Lance Henriksen as a wonderfully creepy grand inquisitor, nudity, bloodshed, and an exploding witch.

As far as horror movies go, it is not especially frightening. It does fairly well as a suspense thriller. But its main strength lies in its cast, the art direction, and the behind the scenes footage.

Even if you happen to be expecting a straight Edgar Allen Poe adaptation, this movie won't disappoint. Even though it has a pit and a bladed pendulum, the similarities are few and far between. The ending IS kind of weird, but as they say, getting there is half the fun. Well worth renting or buying. (3.7 out of 5)

Director Stuart Gordon updates Edgar Allan Poe's tale to a far more tolerant and demanding audience, 30 years after the Corman/Price classic. Graphic gore and torture, full frontal nudity and very strong language combine with lashings of Gothic horror and plenty of dark humour. Lance Henriksen is superb as the evil Grand Inquisitor, he delivers the standout performance. Sadly Oliver Reed only appears for a few minutes, but he gets to guzzle some wine so I'm sure that he enjoyed his brief time on set! Talking of which, the sets themselves are good. This version is more lavish and far more extreme than the 1961 one and much as I enjoyed it I will always prefer the original classic.

Because it's a newer version of a classic horror movie (and it went directly to video), I have been putting off watching Stuart Gordon's take on Edgar Allen Poe's classic story, but after finally catching it; I can honestly say that I don't know why I didn't see it earlier! While the Roger Corman/Vincent Price version of the tale is far better, this update still has a lot in store for the horror fan, most notably it's superb European styled atmosphere, and a fine performance by Lance Henriksen, which may even be the best of his career. While these elements are contributors to the film's success, the main reason why the film works is the story behind it. Of course, it's based (albeit loosely) on Poe's classic tale, so the story is bound to be solid; but it doesn't take all of it's influence from Poe, and so Dennis Paoli can take a lot of credit for the screenplay he wrote for the movie. The idea of 'the pendulum', along with a 'pit' can conjure up many feelings of dread and pain, and this film adequately capitalises on that with it's excellent torture filled finale!

As mentioned, Lance Henriksen gives what is maybe his best performance in this film. He is both powerful and frightening in his role as Torquemada, the head witchfinder of the Spanish Inquisition. When he says "I am the inquisition", it's enough to make your hairs stand on end. Henriksen is a criminally underrated actor and one that certainly deserves more praise...it's just unfortunate that he tends to shine in movies that don't get noticed. Also in the cast is 'Re-Animator' himself, Jeffrey Combs, who shines in a small role as someone in the inquisition. The film isn't wholly serious, and Stuart Gordon has seen fit to add some comic relief to the proceedings, which is OK but I feel that the movie would be better off without any 'relief'. Certain elements from other Poe stories appear, such as a man being bricked in behind a wall, and this film seems to treat it's subject material with respect. The European horror style is a major plus factor in my opinion, and should please fans of movies from the sixties and seventies. On the whole; surprisingly good!

When his wife Maria (Rona De Ricci) is accused of being a witch by Torquemada, the Grand Inquisitor (Lance Henriksen), distraught Antonio attempts a daring rescue mission, breaking into the Inquisition's headquarters. Soon enough, he too finds himself a prisoner, and faces Torquemada's latest torture device: The Pendulum.

I have a lot of time for director Stuart Gordon, but I do feel like he fumbled the ball slightly with The Pit and the Pendulum. When dealing with weighty historical subjects such as witch trials, torture and the Spanish Inquisition, I feel like gritty realism is the best approach; comedy should not be allowed to dilute the horror (unless, of course, you're Monty Python). Gordon, however, imbues his adaptation of Edgar Allen Poe's short story with a degree of levity that is completely at odds with the horrifying topic at hand. At best, it's mildly distracting; at worst, it's bloody silly (the worst example being when baker Antonio is sat on a metal chair over a fire and makes a quip about 'burning his buns').

It's not all bad news though: the film open with an inspired scene that effectively illustrates the sheer lunacy of the Inquisition, with the posthumous flogging of a crumbling corpse; Henriksen is wonderfully evil throughout, relishing every bonkers moment; Gordon regular Jeffrey Combs has a memorable supporting role as Torquemada's assistant; Ollie Reed knocks back some booze before being walled up alive; and De Ricci is delicious, the lovely lady baring all for her art. There's also one wonderfully OTT scene that is hard not to enjoy, no matter how daft it is: Esmerelda, a real witch, swallows gunpowder on the way to the stake, exploding when she is set alight, her bones impaling those in the crowd.