Mountains of the Moon

"Mountains of the Moon" is the kind of epic that seems to need a director like Bob Rafelson. I hoped this would be his "Lawrence of Arabia," but something goes amiss in the construction of the drama which Rafelson coauthored. For instance, we learn more about the two protagonists in two single lines than the 40 minutes that begin the film: Speke: (asking permission to organize some specific details of setting up an expedition in to the interior of Africa) responds, "I already have"; and for Burton: (a voice over) "Dear Isabelle…." The meandering, surprisingly cruel, first 40 minutes of the film become irrelevant.

Speke and Burton's search to find the source of the Nile is great material for a film. The scenery alone would lead any director to jump at the chance, but as so often occurs with films about Africa, the Continent overpowers the human drama. Rafelson is a master of human intimacy, and this story of two men's friendship which turns to rivalry is badly mangled by the screenplay. Burton's life alone is a huge trove for the subject of a film, and Rafelson seems to never grip the nature of these men, the essence of the story nor how to tell it.

Yet, the film is worth spending time with only to lavish in the effort of these two men and perhaps the last time when "discovery" meant a places on a map.

The British Empire owed a lot to opportunistic soldiers of fortune as well as to explorers: men who risked their lives (and the lives of others) for profit, fame and the recognition from their peers for their accomplishments. In the last category one could think of men like Livingstone, Stanley, Scott and Burton. Captain Richard Francis Burton (whose life we follow in this film) risked a lot for the sake of discovery (to find the source of the Nile) but at the same time he was also a man with a genuine interest and outmost respect for the indigenous peoples and cultures found deep in Africa.

In the film we see Burton joining forces with a young and ambitious Lieutenant (Lt. Speke) to travel again to his beloved Africa to locate the source of Nile with an expedition funded by the Royal Geographical Society. The film is an account of this trip but shows also events before and after this. Watching this movie we can grasp the differences between the two men, their strong ties and friendship during their common effort in the expedition and also later how each one coped with their success at home (London).

The Mountains of the Moon is a fascinating film. It tells a great story without romanticizing the situations during and after the trip to Africa. Burton, Speke and their comrades endured too much to find the source of Nile, and all of them for their own reasons. The novel by William Harrison (that this movie is based on) does not fall into the trap of trying to imitate Conrad's 'Heart of Darkness' but gives us a different perspective altogether. Do not miss this film.

When this film came out in 1990, it disappeared from the theaters as quickly as it came. Which is a shame really, because MOUNTAINS OF THE MOON is an excellent historical drama about the search for source of the Nile. The film is beautifully photographed on real African locations. I hate to call this film an epic, because that word has bad connotations today, and the film does not suffer from "epicitis" like so many films dubbed "epics". But MOUNTAINS OF THE MOON is an epic in the positive sense of the word.

The cast is uniformally good. A lot has already been written in this forum by others about the leads so I won't say anymore. Supporting player Delroy Lindo sometimes steals the show with his excellent role as the expeditions African guide.

I recommend you rent this along with STANLEY AND LIVINGSTONE for a night of good viewing.

Till next time...Your pal Jim.

Every time I watch "Mountains of the Moon," I grow more and more fascinated by it. An epic drama and adventure, an exploration of what makes a hero and the value of friendship... this movie is a marvel.

I barely know where to begin. The acting is exceptional, of course. Patrick Bergin really makes Captain Richard Francis Burton come alive, so much so that I started reading up on Burton on my own after seeing the movie. His Burton is a man of great courage and insatiable curiosity, but also of great pride (the film only hints at Burton's infamous sexual escapades). Iain Glen brings great depth to John Hanning Speke, a man who desires greatness but cannot escape his fundamental weakness. It would have been so easy to make these two characters into square-jawed cartoons or place them in the easy Great Hero / Cowardly Villain mold, but director Bob Rafaelson, the script, and the actors wisely give us three-dimensional real people.

While I was watching this movie, I felt like I was actually transported to Africa in the 1850s, when the first explorers ventured into what was truly the Dark Continent. You see Burton and Speke's expedition endure weather, illness, injury, and attacks by hostile tribesmen, bringing home the reality of how dangerous these expeditions really were. By the time the film ended, I felt I had been to Africa itself.

If you want to see a real epic and a fine, exciting film, this is the one to see.

This is an excellent film, and it's unfortunate that it wasn't more widely seen. I wish I would've caught it in the theater, as I'm sure it would be magnificent there.

In it, you're going to see some of the most painfully memorable scenes in cinema (that I refuse to give away), and an epic story that is most remarkably, wholly true.

I loved Raiders of the Lost Ark, and before "meeting" Sir Richard Francis Burton, thought characters of Indy's ilk were simply figments of Steven Spielberg's imagination. However, with study you will find that Burton's experience (and that well beyond this expedition) makes him one of the most enigmatic, interesting people to have ever walked the face of the earth. As they say, truth is stranger than fiction.

Slow, smart, challenging, beautiful. And highly recommended viewing.