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IMDbPro

Metropolitan

  • 1990
  • PG-13
  • 1h 38min
CALIFICACIÓN DE IMDb
7.3/10
13 k
TU CALIFICACIÓN
Metropolitan (1990)
Trailer for Metropolitan: 25th Anniversary
Reproducir trailer2:09
3 videos
53 fotos
ComediaComedia oscuraComedia románticaDramaRomance

Un grupo de jóvenes habitantes de Manhattan de clase alta están disfrutando de la temporada de gala de debutantes, cuando un extraño desconocido se une a ellos y los altera.Un grupo de jóvenes habitantes de Manhattan de clase alta están disfrutando de la temporada de gala de debutantes, cuando un extraño desconocido se une a ellos y los altera.Un grupo de jóvenes habitantes de Manhattan de clase alta están disfrutando de la temporada de gala de debutantes, cuando un extraño desconocido se une a ellos y los altera.

  • Dirección
    • Whit Stillman
  • Guionista
    • Whit Stillman
  • Elenco
    • Carolyn Farina
    • Edward Clements
    • Chris Eigeman
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.3/10
    13 k
    TU CALIFICACIÓN
    • Dirección
      • Whit Stillman
    • Guionista
      • Whit Stillman
    • Elenco
      • Carolyn Farina
      • Edward Clements
      • Chris Eigeman
    • 79Opiniones de los usuarios
    • 63Opiniones de los críticos
    • 77Metascore
  • Ver la información de producción en IMDbPro
    • Nominado a 1 premio Óscar
      • 6 premios ganados y 11 nominaciones en total

    Videos3

    Metropolitan: 25th Anniversary
    Trailer 2:09
    Metropolitan: 25th Anniversary
    Metropolitan - Trailer
    Trailer 2:08
    Metropolitan - Trailer
    Metropolitan - Trailer
    Trailer 2:08
    Metropolitan - Trailer
    Metropolitan: The Cha-Cha
    Clip 0:44
    Metropolitan: The Cha-Cha

    Fotos53

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    Elenco principal28

    Editar
    Carolyn Farina
    Carolyn Farina
    • Audrey Rouget
    Edward Clements
    • Tom Townsend
    Chris Eigeman
    Chris Eigeman
    • Nick Smith
    • (as Christopher Eigeman)
    Taylor Nichols
    Taylor Nichols
    • Charlie Black
    Allison Parisi
    • Jane Clarke
    Dylan Hundley
    Dylan Hundley
    • Sally Fowler
    Isabel Gillies
    Isabel Gillies
    • Cynthia McLean
    Bryan Leder
    • Fred Neff
    Will Kempe
    Will Kempe
    • Rick Von Sloneker
    Ellia Thompson
    • Serena Slocum
    • (as Elizabeth Thompson)
    Stephen Uys
    • Victor Lemley
    Roger W. Kirby
    • Man at Bar
    Alice Connorton
    • Mrs. Townsend
    Linda Gillies
    • Mrs. Rouget
    John Lynch
    • Allen Green
    • (as John Lynch)
    Donal Lardner Ward
    Donal Lardner Ward
    • North Greenwich Preppie
    Thomas R. Voth
    • Cab Driver
    • (as Tom Voth)
    Caroline Bennett
    • Sabina - Texas Deb
    • Dirección
      • Whit Stillman
    • Guionista
      • Whit Stillman
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios79

    7.313.2K
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    Opiniones destacadas

    JessicaBrandy

    Metropolitan? I'm for it!

    What a very different way to look at people...or, what a different group of characters to focus a movie on would be putting it better. Stillman took the snobby 'debutants' of upper Manhattan and made a movie about what they talk about. I personally found 2 kinds of humor in this movie...I laughed with the characters, and laughed at them. Can a group be this funny and be serious? It was very intelligent the way this movie had me listening, listening, laughing...quick cut to another scene and start over again. I have to admit that the acting was something of a humor in itself, as was the frayed ending, but all in all a very enjoyable movie.

    I wish I could say more about it, but for some reason watching this, 'Barcelona', and 'Last Days of Disco' has left me a little wordless...I wouldn't be surprised to find that every word in the Webster's Dictionary was used between the three. But kudos to Stillman for doing it right.
    pooch-8

    Of Austen, debs, Fourier, games, and the allure of Serena Slocum

    Centering on the lives of wealthy, well-educated young women "coming out" as debutantes and on the equally wealthy, well-educated young men who attend deb parties as the girls' escorts, Whit Stillman's feature directing debut sparkles with incredible dialogue that always wavers between savage wit and heartfelt poignancy. Few who have seen the picture will forget its hilarious dissections of New York social classes, its elegant sense of vocabulary, or its caustic self-awareness. The thing I enjoy the most about Metropolitan (and the two subsequent films Stillman has made), however, is the verisimilitude with which the characters are rendered. I grew up far from the money and privilege of Metropolitan's inhabitants, but I could so easily relate to their fears, desires, and insecurities -- because Stillman never forgets to keep these kids human.
    madonna8888

    Other Era Tales from New York's Upper Class

    "Metropolitan" is a film that hearkens back to an era of old money and tradition, reminiscent of the Gilded Age of the late 19th Century in America. It was a time when men in white bows and tales led girls in pristine, white dresses to their cotillions in ballrooms in gilded hotels like the Plaza in New York where some of this film's scenes take place. The film is a sociological examination of what happens in Park Avenue grand pied-à terres, with after hours parties frequented by the American royalty or upper class. The characters are somewhat hollow, but intellectual in their discussions of 19th century novels and literary critics. These are the children of the very rich, the haute bourgeoisie who attended such hallowed institutions as the Chapin School and Miss Porter's School (Farmington). The characters are fairly well played by unknown actors and actually, I found them to be one dimensional but quite convincing.

    Carolyn Farina who plays the demure Audrey Rouget is very sweet and you care about her, at least I did. She is self-deprecating and cute and plays this part to the hilt. Her "Rat Pack" of pals like her, though often she fades into the woodwork, as she is very quiet and somewhat shy. Chris Eigeman, who plays the "tiresome" and overbearing Nick Smith is at times, quite entertaining with his hilarious hyper critical attitude and cynicism about those who surround him. Eigeman plays this role quite well and though you don't really like him, he is so obnoxious which makes him fun to watch. His talk of how "detachable collars" on tuxedos and his pretentious wearing of top hats look quite out of place in this early 1990's film. I like the Jane character and the Sally Fowler character played by Dylan Hundley. These two characters exemplify upper class attitudes by their tastes and speech and are in keeping with how preppy, privileged, upper class American girls behave, at least on the East Coast.

    Not much happens plotwise in the film. You are almost left wondering whether something of any importance is going to unfold, this film doesn't really go anywhere. One wonders if the director had some message in mind, for those who always look for such things in a movie. I think rather than being a great drama film, it is more of a social commentary on a lost era in the modern world. Most people probably couldn't identify with this film, as its characters are far more privileged than the average person and far more worldly and educated as evidenced by their speech and interests. Other than the world of debutante balls and nightly after hours parties, this film doesn't show much happening.

    Despite its somewhat dated context and what some may view as dull plot, "Metropolitan" is one of my all time fave films. I guess I like the pretense of it and its refreshingly other era feel with I feel gives it a certain charm and je ne sais quoi as the French say.
    Arkaan

    Ironically sad and funny

    This film is a brilliant talkfest, with the decline of the New York WASP social setting a major point. It's set on a couple weeks during the Christmas season, with Tom Townsend being invited to a party, much by chance, by Nick and his friends. He doesn't "belong", but everyone likes him, some more than others. He does seem rather odd, with his socialist ideas, and his anti-party attitude. What develops is an odd relationship between Tom and Nick, as well as between Tom and a girl named Audrey.

    Christopher Eigmann, as Nick, is a stand out in this cast. He is cynical, pessimistic, yet probably the smartest one in the group. He spouts of dialogue with conviction and care.

    What makes this film work is the slight sadness we feel at the disintegration of this class, without having ever been part of it.

    Some people will find it boring. It doesn't have the prerequisite number of explosions for the action fans, and not much does happen. But the way this film is executed, where dialogue is the key, makes this film one of the ten best of 1990.
    Dom-37

    I Wanna Hang Out With These Kids!

    This movie is very close to my heart. Every time I watch it, I lose touch with any bitterness and cynicism that may reside within me. It turns me into a complete sap. I just love every character. I love the scene with Tom and Charlie in the bar talking with the older version of themselves. I love when they find the panties on the lawn of Rick Von Sloneker's beach house. Although this and Stillman's other films are often described as 'Woody Allen-lite', I think they have more heart than Allen's films.

    I read somewhere that Whit Stillman said he was going to stop making films about these sort of people after 'The Last Days Of Disco'. I pray it isn't so. Then again, a Whit Stillman action film is something I would definitely pay money to see.

    Más como esto

    Barcelona
    7.0
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    Los últimos días de la música disco
    6.7
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    Chicas en conflicto
    5.8
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    Deseos y sospechas
    7.1
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    The Cosmopolitans
    7.7
    The Cosmopolitans
    Love & Friendship
    6.4
    Love & Friendship
    Dancing Mood
    Metropolitan
    6.3
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    Kicking and Screaming
    6.6
    Kicking and Screaming
    El ejecutivo
    7.5
    El ejecutivo
    The Splendid Affinities
    Real Life
    7.0
    Real Life

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Carolyn Farina was cast as Audrey after director Whit Stillman's wife ran into her while shopping at Macy's. Farina, who worked in the perfume section, had no previous acting experience.
    • Citas

      Nick Smith: The most important thing to realize about parents is that there is absolutely nothing you can do about them.

    • Conexiones
      Featured in Siskel & Ebert & the Movies: Flatliners/Young Guns II/The Two Jakes/Metropolitan/Life Is Cheap... But Toilet Paper Is Expensive (1990)
    • Bandas sonoras
      Dry Your Eyes
      Performed by Brenda and the Tabulations

      Bee Cool Music - BMI

      Courtesy of Diona Records

    Selecciones populares

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    Preguntas Frecuentes

    • How long is Metropolitan?Con tecnología de Alexa
    • Is this the same Metropolitan that was made in 1990 by Whit Stillman?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 3 de agosto de 1990 (Estados Unidos)
    • Países de origen
      • Estados Unidos
      • España
    • Idioma
      • Inglés
    • También se conoce como
      • Người Thành Phố
    • Locaciones de filmación
      • Manhattan, Nueva York, Nueva York, Estados Unidos(location)
    • Productoras
      • Westerly Films
      • Allagash Films
      • Producciones Kaplan S.L.
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 230,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 2,960,492
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 46,663
      • 5 ago 1990
    • Total a nivel mundial
      • USD 2,960,492
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 38 minutos
    • Color
      • Color
    • Relación de aspecto
      • 1.66 : 1

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