Le mari de la coiffeuse

Antoine's love for women is clear, something that began in his young days. He must have his hair cut by the plump woman hairdresser whose mere presence inspires awe and passion in the little boy. Getting close to her breasts is just pure ecstasy for him. He is the best groomed boy in his town thanks to the frequent visits he pays to have his hair cut.

When Antoine grows up, the old hairdresser has gone. In her place, the lovely Mathilde arrives. Antoine's first encounter with Mathilde is not exactly one that would endear himself to the young woman, who is lovely in a mysterious way that is music to him. Eventually, they marry and seem to live a good life until fate intervenes to separate them in a way Antoine didn't envisioned.

This lovely comedy directed with great charm by Patrice Leconte is a joy to watch. The director was lucky in engaging one of the best French film comedians, Jean Rochefort. As Antoine, he is the best thing in this tender story of love and loss. Anna Galiena who plays Mathilde is perfect. Both actors are amazing in the film.

"The Hairdresser's Husband" is an enjoyable love story that will please fans of Mr. Rochefort and Mr. Leconte.

Being a Patrice Leconte-directed film, you know this is going to be nicely photographed with a lot of Sergio Leone-type facial closeups. I always appreciate that, and especially here when it is the beautiful face of Anna Galiena featured often. Some of the "portraits" of her in here would make magnificent paintings.

The story isn't much but it kept my interest in an odd way. The film had some strange scenes and some strange viewpoints on life, although I noticed much of the same secular and superstitious liberalness in many films from France. Unfortunately, that secular viewpoint can lead to tragic endings as is the case in this story which finished in a shocking manner.

However, there is some nice humor in this drama, too, such as the funny dance scenes by Jean Rochefort.

One thing about French films: they don't need a lot of action to keep your interest. They are wonderful storytellers and I usually enjoy their films, despite their odd philosophies on life.

Banning this beautiful film for being unrealistic or unbelievable only shows how self-centered can American audiences be.

The fact that a mid-class French hairdresser commits suicide just because she is afraid to lose her present loving feeling should not be considered absurd, but instead should make all of us think how do we lose our own love day by day -doing nothing to prevent it.

And the way Jean Rochefort talks to the customer at the last scene is just so moving -oh well, you might say it's only an old mad Frenchman, but believe me, there is much more than that.

I love this film probably because it seems to be the kind of movie that would never get made in the US. It not only seems to be foreign, it seems otherworldly. The musical interludes featuring the bizarre movements of Jean Rochefort are worth many repeat viewings. (I own a copy of this video.) The movie looks at obsession and the transitory nature of relationships in a bittersweet and magical way.

this is actually what this movie is about: what happens when all your dreams come true and what you exprience every day is so incredibly beautiful and fulfilling that you fear even think of losing what you have. funny and touching, poetic and sad - this movie has this 'something special' about it that makes it unforgettable. great acting, one-of-the-kind story and beautiful cinematography combined with really unique, fairytale-like mood make this movie a genuine 10 out of 10.