Pánico en Nueva York

William Lustig's "Maniac Cop 2" is a rare thing - a sequel that surpasses its original. Granted, the original "Maniac Cop" wasn't exactly Shakespeare (though it is a hell of fun trashy B-Movie) so that probably wasn't very hard to do. This direct-to-video follow up still holds up well as one of the better B-films of the early 90s.

We all know the story of how dedicated NYPD officer Matt Cordell became the Maniac Cop after being framed by his superiors and sent off to prison as part of a corruption cover-up. His vengeance against those who wronged him served as the plot of the first film, and as "2" opens, the horribly scarred, hulking Cordell still has a few loose ends to tie up. Bruce Campbell and Laurene Landon return briefly from the first film though neither of them survives very long, and new characters are brought in to deal with the psychotic officer: grizzled NYPD detective Robert D'avi (of the James Bond flick "License to Kill") and police psychologist Claudia Christian (who went on to "Babylon 5" as well as lots of other genre TV/film). The ante is upped this time because the Maniac Cop has hooked up with a partner for this second installment (Leo Rossi of "Halloween II" fame), a serial killer who's been stalking strippers and prostitutes on New York's seedy streets. Cordell shoots up NYPD Headquarters in a hilariously over the top shootout/massacre that simply has to be seen to be believed before he and Rossi (along with a few other criminals freed from police custody) head for the prison where Cordell first met his fate, to take care of the inmates there who were responsible for his beating/coma/"death" in part 1.

OK, so the plot is ridiculous and was probably written on a cocktail napkin. That doesn't take away from the fact that "Maniac Cop 2" works beautifully both as an action flick and a horror/slasher movie. Lustig puts the pedal to the medal virtually from the first scene and doesn't let up through one bloodbath after another. Car crashes, shootouts, throat impalings, explosions -- whatever your taste in carnage, "Maniac Cop 2" will have a scene that satisfies.

The (slightly) larger budget when compared to the first "MC" go-round allows for nastier makeup on the Cordell character (who by this time is basically a hulking, undead Jason Voorhees type in a cop uniform), better set pieces, and improved stunts and pyrotechnics. Say what you want about "Maniac Cop 2," but you can't say it's a boring movie.

Fans of the "MC" series have long acknowledged that this second film is the highlight of the series. Sadly, the only DVD available in the U.S. went out of print almost as quickly as it appeared (and it was in fullscreen besides -- arrrgh!) but if you can get hold of a copy, "Maniac Cop 2" is a worthy night's viewing for action freaks and fans of cop-related carnage.

Slasher / horror films throughout the 1980s were a big thing in its time. Many popular icons arose from that decade of which many still resonate with fans today. Several moviegoers remember the mainstream villains but there are also groups of people that remember the lesser known ones too. Of those, William Lustig's Maniac Cop (1988) was one of them. Although the concept itself borrowed ideas from past films like Halloween (1978), the idea of having a killer cop on the streets causing hysteria among the citizens of the local police force was rather inventive. The premise of corrupt cops has long been used before in movies, but an undead cop was another story. The other component that made it captivating to watch was that it played out like a mystery thriller. The maniac cop wasn't actually figured out until much later in the movie, which helped build tension to the reveal. And like any other successful movie opening, a franchise was created. Let's see how it holds up.

Larry Cohen (the writer from the original) pens the continuation of the story. William Lustig also returns in the director's chair, yet there are noticeable problems, this time a little more than the first. As it was revealed at the ending of the first movie, Matt Cordell, the maniac cop (Robert Z'Dar) is alive and returns to exact his mission. The only people who still believe he's around are the cop from past events Jack Forrest (Bruce Campbell) and Teresa Mallory (Laurene Landon). Unconvinced of what they say, their captain, Edward Doyle (Michael Lerner) sends them to cop psychiatrist Susan Riley (Claudia Christian). Instead, Forrest and Mallory work to persuade Riley that Cordell exists. The only other person to think their actually telling the truth once he starts to see the puzzle pieces align is Detective Sean McKinney (Robert Davi). This is fine for a premise, but as soon as this is set up Lustig and Cohen add extra unnecessary elements.

Cohen and Lustig's biggest mistake was mixing in an assistant to the maniac cop. Leo Rossi plays a serial killer named Turkell and he ends up teaming up with Cordell; to a point where he can communicate with him (via one-sided conversation). This would have been much more entertaining if Rossi wasn't so over the top in his performance. There's actually more focus put on Turkell than Cordell at certain points. This movie is called Maniac Cop 2 (1990) right? Also at one point, Turkell asks Cordell about his past and viewers are given the exact same flashback from the original Maniac Cop (1988) film. Even another jail mate named Blum (Clarence Williams III) joins Turkell and Cordell, but has very little significance. This is all just padding, it's not story telling. Lastly, there's a rushed subplot about some inside conspiracy dealing with Cordell and his death. The problem is that it comes from nowhere so abruptly; it's confusing as to why Cohen didn't mention it in the original movie script.

Among these problems, everything else is commendable. The cast can all act well together. Bruce Campbell and Laurene Landon are still believable in their roles, Robert Davi and Claudia Christian make nice additions and there are a number of other actors that have small roles. Charles Napier, Danny Trejo, Marco Rodriguez and even Sam Raimi make quick appearances and it's enjoyable to see that. Robert Z'Dar as the title character continues to intimidate with his stature and presence. It's still confusing as to why nobody ever thinks of shooting Cordell in the face though. Everyone aims for the abdomen; not the face, why? For violence, nothing is seriously gore heavy but there are still some good kills. There's even a scene with a chain saw that may catch people off guard due to what's expected. One thing's for sure, the maniac cop loves snapping necks. Cordell's face is much more hideous this time too. There was only one scene though where it looked like a cheap mask.

For cinematography, James Lemmo handled the camera-work. Lemmo was also the cinematographer to director Abel Ferrara's Ms. 45 (1981), Fear City (1984) and also to the original Maniac Cop (1988). Like the first movie however, there are very few (if any) daylight scenes. It's fine to show night time, but it gets a bit difficult to see things when everything is shrouded in the dark city. Nonetheless the camera is always steady and gets what it needs to show. Jay Chattaway returns as well to compose the film score. Much like his previous effort in the franchise, Chattaway thankfully maintains the main theme of the series with synth keyboard and drawn out ominous horns. There are added themes though, which may not have been crucial to include. This involves a church-like choir in the background for some tracks. Yeah, there's always that idea that putting in holy or childlike songs in a minor key sounds creepy but it makes the film feel like it was supposed to have a religious tone. Not sure.

Casting, music and violence all make this sequel watchable. It is disappointing however when majority of the original crew members return and shift the focus from the title character to some other forgettable over the top one. There's also a rushed subplot about Cordell's case and it gets wedged in way too quickly. Still decent though.

Hulking, undead officer Matt Cordell (Robert D'Zar) returns from his apparent watery grave to wreck yet more carnage in this entertaining sequel to the 1988 film.

Whilst in my opinion not quite on par with the original, this one nonetheless certainly ups the action sequences. Of special mention there is a truly superbly staged assault on a police station when Cordell crashes in (literally!) to liberate a deranged serial killer whom he has formed an acquaintanceship with. This scene easily surpasses the very similar sequence from The Terminator when big Arnie performs his own inimitable attack on the police station in that movie.

The spectacular finale here too set a new stunt record for the longest full body burning and it is truly a sight to behold!

I'm a big fan of the first 'Maniac Cop' movie, which has one of THE great exploitation taglines - "You have the right to remain silent. Forever." Once again director William Lustig ('Maniac', 'Vigilante') and writer/producer Larry Cohen ('God Told Me To', 'Q The Winged Serpent') team up for this better than you'd expect sequel. Robert Z'Dar reprises his role as Matt Cordell the "maniac cop", but like the original the supporting cast steals the movie from him, and in this case are the main reason to tune in. B-grade legend Bruce Campbell and Cohen regular Laurene Landon from the first movie put in an appearance, but the rest of the cast is new - Robert Davi (Bond baddie in 'License To Kill'), and Claudia Christian (then best remembered for her bit in 'The Hidden', now for her recurring role in 'Babylon 5') as cops, and Leo Rossi ('The Accused') as a creepy serial killer who befriends Cordell. Michael Lerner ('Barton Fink') plays the Commissioner, Charles Napier ('Supervixens') a TV host and Clarence Williams III ('52 Pick-Up') a prisoner. Also keep an eye out for cameos by Lustig's pal Sam Raimi and Hispanic tough guy Danny Trejo ('From Dusk Til Dawn'). Many people, including William Lustig himself, think 'Maniac Cop 2' is the best in the series, but I still prefer the original. This one's still great fun to watch and I highly recommended it to exploitation fans. The third movie in the series however was a major disappointment. You'd be better off skipping it and watching Lustig and Cohen's overlooked 'Uncle Sam' instead. It isn't their best work but it's a lot of fun.

The first mayhem run of maniac cop wasn't exactly great, but I still remember it, years down the line. I had very low expectations going into this one, and it turned out quite surprisingly fun! It's a self-serious slasher flick with some cool set pieces, awesome stunt work, good performances and general pacing. For those familiar with William Lustig - this movie might as well been called "Maniac vs. Maniac Cop".

We all know that at the end of a slasher movie, the unfound, assumed dead, killer is just hiding, taking his time to recuperate , you know, for the sequel. More or less, such is the story, Maniac Cop was wronged in his previous life, and he's back to continue doing his brutal bidding. Don't get me wrong, it actually picks up where the first installment left it, not like most slasher sequel examples. The film offers new protagonists, the no-nonsense low-voiced Detective Sean McKinney, and craving-for-truth police psychotherapist Susan Riley, hunting down the menacing Matt Cordell, or Maniac Cop, who has teamed up with Times Square Serial Killer, or a near carbon copy of Joe Spinell's insanely murderous main character in Lustig's 1980's "Maniac". What follows is reasonably predictable, but decently paced plot, kept consistently engaging with action set pieces, and throwback crime flick atmosphere, as if popped in the vhs player.

If it survives development hell, I hope Nicolas Winding Refn's remake brings to the table an upgraded version, also plot-wise, because there's potential in the concept, and it wouldn't be enough with just loads of violence. 6/10.