Lisa

Chilling, well-observed thriller, whose message seems to be: "Careful when you're making telephone pranks, you never know whom you might mess with!". The bland cinematography gives it a TV-movie look, but it still has natural , believable performances by Ladd and Keanan, a well-cast actor as the handsome psycho, a good ear for dialogue and some moments that would make Hitchcock proud (especially the scene where the girl is trapped in the back seat of the killer's car). (***)

"Lisa" takes me back when I was about 11 or 12 years old. Sometimes bad movies can be good if you grew up watching them. I watch this movie now and I say: "Ok it was kind of stupid, but I still like it". I don't know, I guess I am hooked on the whole fact of Lisa being this stupid kid doing the exact opposite of what I would have done. I get a kick out of watching movies; especially if it is dealing with other people's problems,it makes me feel better if I am having a bad day. Still the movie has it's suspense, and charm, and its about a 14 year old girl making really stupid mistakes, and of course paying for them! Haven't we all! I still love this movie and I'm still going to buy it!

Staci Keanan of 'My Two Dads' and 'Step by Step' stars as the title character, a girl in her early teens. She's a little too eager to grow up, especially since her mother Katherine (Cheryl Ladd), doesn't want her dating for at least another two years. One night, Staci literally runs into older man Richard (D. W. Moffett), and is struck by his good looks. She develops an obsession with Richard that includes following him to see where he works (he runs a restaurant). This escalates to a point where she goes ahead and phones him, and they engage in some seductive calls, with him not knowing that this mystery caller is the young girl whom he's just met. Ultimately, she's playing with fire: we learn early in the movie that Richard is the evil Candle Light Killer who has been offing various unlucky local women.

People who love the other works of director Gary Sherman, such as his horror features "Deathline" (a.k.a. "Raw Meat") and "Dead & Buried", and his sleaze drama "Vice Squad", may be caught a little off guard at first with the tamer nature of this film. But in his own words, he basically made this for teenage girls, having also co- written it with Karen Clark. Taking it for what it is, it's watchable enough, with some adequate suspense and a climax that actually doesn't go overboard with violence. Joe Renzettis' music is good, and the lighting by Alex Nepomniaschy is appropriate from scene to scene.

Keanans' appealing performance does go a long way towards making this work as well as it does. Moffett is similarly effective - he's charming when he needs to be, and refrains from being an over the top bogeyman, playing the part with some restraint. Ladd is good as the overprotective mom who believes to have the best interests of her daughter at heart; she doesn't want her to make the same mistakes she did as a kid. Tanya Fenmore is engaging as the best friend, and a rather under utilized Jeffrey Tambor gets little to do as the best friends' father.

Even if "Lisa" is not really anything special, one could also do a lot worse.

Six out of 10.

This movie freaked me out when I saw it many years ago. The plot concerns a young single mom raising a rebellios teenage daughter(Lisa) who, tired of what she deems her mom's overprotectivness, begins crankcalling handsome strangers and unwittingly begins a phone flirtation with a serial killer.

This movie would be a great choice for mothers and daughters to view. What makes it so scary is it's realism.This is a situation that could happen to anyone, It stays with you, there are a few really terrifying scenes.I'd recomend this movie to anyone who likes thrillers, "Lisa" will make girls wonder just who it is their striking up a conversation with.

Lisa is a lesser-known seductive thriller that toys with the perils of connecting with a stranger over the phone (back then, a landline) in the late 80s. When 14-year-old Lisa (a cute Staci Keanan) falls for the much older, outwardly charming Richard (D.W Moffett), she stalks him and connects with him virtually over phonecalls. This is particularly fueled by the fact that Lisa's (single) mom Katherine (the lovely Cheryl Ladd) doesn't want her to date until she's 16, while her bestie Wendy is allowed by her parents to do so. Little does she know that Richard is a serial killer targeting young women, and he gives chase to Lisa, thinking she's her mother.

The film hasn't exactly aged well and is filled with questionable logic but it delivers pretty solidly as a cat-and-mouse thriller. The horror is minimal - if you think a killer leaving recorded messages and jumping out of the shadows leaving a trail of violence in his wake is good enough, it does alright. But in terms of building an atmosphere, it's pretty far behind. We're introduced to Richard's antics early on, and by the time the second kill happens, we already know his pattern and it really doesn't build any further layers of mystery. And the way the character has been written too is quite ordinary.

What works in the film are the following: the uneasy mother-daughter chemistry between Keanan and Ladd, the charming 80s Los Angeles setting, the pulpy elements (like Lisa getting unexpectedly stuck in Richard's car), and the blood-soaked finale.