Agrega una trama en tu idiomaFramed for the murder of a record company president in 1952 Hollywood, young, aspiring singer Aggie O'Hanlon is sentenced to life in prison and tries to adjust to her life life behind bars i... Leer todoFramed for the murder of a record company president in 1952 Hollywood, young, aspiring singer Aggie O'Hanlon is sentenced to life in prison and tries to adjust to her life life behind bars in a hellish womens prison where she is befriended by other "lifer" inmates who help her ou... Leer todoFramed for the murder of a record company president in 1952 Hollywood, young, aspiring singer Aggie O'Hanlon is sentenced to life in prison and tries to adjust to her life life behind bars in a hellish womens prison where she is befriended by other "lifer" inmates who help her out when Aggie finds herself marked for murder by an unknown source who thinks she knows mor... Leer todo
- Miranda
- (as Angie Ray McKinney)
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In some sense, the film only seems to be sure of itself when it lapses into "lipstick lesbians in jail" exploitation. Personally, I could have done with more of that material, but then I watched the emasculated basic cable version on Lifetime. In retrospect, I'd recommend renting the video so you don't have to miss out on any of the "sexuality/nudity", and so you won't have to put up with the lame-o profanity overdubs. One particularly egregious dialogue change (judging from context and lip-reading) was "I shot his balls off" to "I blew his brains out", which renders the followup line "there was nothing to sew back on" utterly nonsensical.
Most of the laughs in the film are unintentional rather than written. The lack of acting from the character who stabs herself got a big laugh from me. The only *good* acting in the film to speak of comes from Anne Heche, who puts more work into her role than you'd expect. Lots of nice bits of business that I can tell were her idea rather than scripted or directed, since her scenes are the only ones with that kind of quality. Oh, I guess Miguel Sandoval (the "digger" in Jurassic Park) has a couple of nice moments as well.
All in all, about what you would expect from legendary (to MST3K fans, at least) schlock producer Samuel Z. Arkoff, who also directed the unrelated 1956 film with the same title. Worth viewing if you're an Anne Heche fan or have nothing better to do, but don't go out of your way.
I thought that this would be like 'Mars Attacks' with shower scenes. There were two of those, and I have to say I enjoyed them. But as Joe Bob Briggs says, the plot gets in the way of the story.
Most of the laughs in the film are unintentional rather than written. Parts of this movie (especially the truly unbelievable climax) defy belief.
Some parts simply make no sense at all. It looks like this movie had no script, the actresses were told just to use whatever dialog they could think of.
The only scenes with quality in dialog, comes from Anne Heche. It looks like they were more her idea rather than scripted or directed. Heche is great as the bad girl and is the only one, who knows what she's doing. The lack of acting from the rest of the cast are sometimes good for a big laugh.
The movie has two graphic shower scenes. Although poorly filmed, the girls are nice to look at (Heche bares her gorgeous breasts).
Outside Heche the movie is really bad... and not to recommend....
Outside of these shower scenes was the cheesiest dialog that I have ever heard. I cannot believe this movie even had a script. I am sure the actresses were told just told use whatever cheesy prison dialog you can think of. It was painful to listen to. They threw in dialog about the Korean War and McCathyism to set the times, but it was just terrible.
It would have been a much better production if they had 80 minutes of shower scenes and 3 minutes of dialog, instead of the other way around.
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- Citas
Jennifer: I sell direct... to high-school girls.
Lucky: I know all of Jennifer's haunts. I'll pick up her trail and track her down and conk her. Strip her naked and drive her out to the country... cuff her, grill her, starve her, grill her, starve her until she signs she butchered Johnson and stole your song. But I won't kill her.
- ConexionesEdited into Rebel Highway: Girls in Prison (1994)
- Bandas sonorasEndless Sleep
Written by Dolores Nance & Jody Reynolds
Published by Beechwood Music Corp./Elizabeth Music Co. (BMI)
Performed by Concrete Blonde
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- Girls in Prison
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