Eclipse total

When I picked up the DVD of Dolores Claiborne, I wasn't sure of what to expect. I remembered that a lot of people were complaining that this wasn't Misery, starring Kathy Bates, who stars here, and the pacing was a bit off. However, when I was watching it, I was fully gripped into it's very gripping storyline of "Did she or didn't she?" and Kathy Bates pulls off another stunning performance (she never dissapoints me). All the other actresses, from Jennifer Jason Leigh, Christopher Plummer, to a then unknown John C. Reilly, also put out great performances. The direction of Taylor Hackford is top notch, and probably the biggest thing here is the cinematogrpahy, which is stunning with all the period photography (dull and grey at present, colorful in the past) and the eclipse photography is nothing short of stunning. A very surprising and entertaining watch,

If there is one thing I always fear, than it must be movies about bad marriages, an abusive husband, child abuse ... How often do you get a good movie with such subjects. Not very often, because most of the time these are awful TV-movies that seem to be written at a rate of at least one an hour. Always following the same concept, always trying to make the poor viewer cry his eyes out while saying that that poor woman / child didn't deserve to be treated that bad. Now don't get me wrong, I'm certainly not saying that it should be tolerated. Men who do such awful things can't be punished hard enough, but the movies that are made about this subjects are complete crap most of the time.

"Dolores Claiborne" tells the story of a woman who is accused of murdering the wealthy woman she worked for as a maid in Maine. When her daughter Selena finds out that her mother is accused of this crime, she immediately returns home from New York, leaving her job as an important reporter behind for a while. But she doesn't return to support her mother as you might expect. No, she's almost certain that she did it and she seems to try to get a good story out of it. But gradually she finds out what really happened and in the meantime some awful things about Selena's troubled childhood, the awful family life,... come floating at the surface again.

I know that I said in the beginning of this review that most movies with such a subject are plain crap, but there are always expectations to every rule and "Dolores Claiborne" certainly is one of those exceptions. It was written by Stephen King and it shows. The man knows how to build up suspense and certainly can give you an uneasy feeling while reading his books or watching one of 'his' movies. And "Dolores Claiborne" has a lot more depth than you might expect at first. The only thing is that they have managed to disguise it, not giving away too much information at a time. Only at the end of the movie you'll fully understand what has happened and what the reason was for both women to react the way they did.

What I also liked, next to the story, was the way everything is shot. All the scenes in the present are shot in those cool blue tones, but these blend seamlessly into the flashbacks that were shot in vivid colors. This gives an extra touch to the story that certainly works. You know exactly what is the present and what is the past, but those colors also add a lot to the drama.

But the way a movie was shot alone doesn't make it good of course. That's what good actors who do some excellent things are for. And that's also exactly what you'll get from Kathy Bates, Jennifer Jason Leigh, Christopher Plummer... Jennifer Jason Leigh is nice as the daughter, but it's Kathy Bates and Christopher Plummer who give away the best performances in my opinion. Bates is stunning as the tormented woman who's personality seems so strong, while in reality she is a broken soul who wishes for nothing much but to die as soon as possible, so all her misery can end. And I also loved Plummer as Detective John Mackey who's hate against Dolores is so big, because she is the only spot on an almost spotless career. He has solved all his cases except for one and he'll not rest until he can send Dolores to jail.

All in all this is a very good and suspenseful movie that never tries to become a tearjerker, despite the heavy subject. It offers some great acting, nice photography and a good story. That's about all I can wish for in a movie and I give it at least a 7.5/10, maybe even an 8/10.

Somehow this gripping, brilliantly-acted thriller was overlooked and underrated when it was first released in 1995, but it's probably the best movie ever made from a Stephen King story.

Kathy Bates has never been better. Her acting is so strong, deep, and subtle, it's outrageous that she wasn't even nominated for the Academy Award. I think it's because the film was released early in the year and was out of theatres already when the nominations were made. She's better here than about ten Oscar-winning actors I can think of, put together -- a one-woman textbook of how to act for the screen.

Bates won an Oscar for MISERY, but she's better here, because the story and the character are more interesting, complex and challenging. With flawless technique, and great depth of feeling, she delivers one of the finest screen performances of the 1990s.

Okay, the denouement's a bit strained, and there's a sprinkling of stilted, hokey lines (Stephen King was never good at writing believable dialogue, and his addition of forced scatology and cussing doesn't make it any less stilted.) But overall the complicated story, which flashes back and forth over a period of twenty years, is extremely well-told. The constant shifting from past to present is never confusing -- an achievement in itself!

This film never found its audience, somehow, and even some critics missed how good it was. I notice Maltin's book now raves over the film, giving it 3 1/2 stars, the same rating he gives to THE SILENCE OF THE LAMBS. The violence here is more psychological than bloody, but DOLORES is every bit as good a thriller as LAMBS, and Bates, quite frankly, can act circles around Jodie Foster.

Selena St George returns to her Maine island home to be reunited with her estranged mother Dolores. Dolores has been charged with the murder of her long time wealthy employer Vera, and all the evidence points to her guilt. Inspector Mackey leads the investigation, however his view is tainted as he failed to convict Dolores for the murder of her husband Joe, almost 20 years ago - his only unclosed case. As the present murder is investigated the truth about the past is slowly revealed.

How many Hollywood films give good roles to women. Not many - certainly not older women. This stands out because it has three good roles for women and a very strong supporting cast. The story is compelling, the present murder is slowly revealed, while the back story between Dolores, Selena, Joe and Vera is slowly spun out in memories. The various strands are all gripping - the level of detail and back story is excellent. The way the past is weaved into the present is well handled and you never feel like there's too much going on - each strand compliments the others.

The flashbacks are well filmed - each memory is painted bright with sunshine and gaudy colours. Like Selena's memory, it all seems better in hindsight. The present is filmed in pale greys, not even flesh colours come across - everyone looks ashen and grey. The director also deserves praise with the way he blends the present scenes into the past - the camera moves slightly revealing past action. At the end, every story is revealed and it's very satisfying.

As I said, the cast are excellent. If Bates got an Oscar for Misery then she more than deserved one here. She is superb in older and younger roles. She has some annoying habits, mainly the phrases she uses - but she brings out so much hurt, so many layers and so much resentment really well. Jason-Leigh is as good as always and is suitably disturbed - she is very well matched by her younger version, Ellen Muth, who matched Leigh's manner and speech well. Parfitt is an excellent Vera, she has a smaller role but deals with the changes very well. The support cast are all excellent - three stand out. Strathairn is excellent as the abusive Joe, Plummer is great as the cop, who turns out to have as many unresolved issues as Selena. The cast is rounded off by John C Reilly, who is always great.

Overall this is a well-acted compelling story. It lacks the sudden horror of Misery, but is a much more fully developed character piece.

And the last horse crosses the finishing line! It's actually taken me until now to watch Dolores Claiborne but better late than never.

This is the very final Stephen King adaptation for me and that saddens me as I tend to very much enjoy them.

Starring Kathy Bates, Jennifer Jason Leigh and the excellent Christopher Plummer this thriller blew me away to an extent I simply didn't expect.

Set in New England (As all Stephen King tales tend to be) it tells the story of a woman arrested for the murder of the woman she worked for. Her arrest has lured her estranged daughter back home all the way from New York and results in family secrets being dragged kicking and screaming into the light

Alike most King works the movie heavily relies on flashbacks and it works wonders here. Over the course of over two hours the truth is gradually chipped away at until the highly impressive finale and series of twists.

Kathy Bates & Christopher Plummer are on form as always and take this already masterful tale and truly make the characters their own.

Also starring John C Reilly who would go onto do mostly comedy this is a near perfectly crafted little tale that begs the simple question "Why don't they make movies like this anymore?"

Essential viewing.

The Good:

Cast knock it out of the park

Beautifully written

Very well directed

Stunning location

The Bad:

Nothing springs to mind

Things I Learnt From This Movie:

Stephen King needs to write more books so they can adapt them into more movies before I start getting withdrawal symptoms