Deep Red

There isn't anything wrong with the overall tone, the scene shooting looks good enough and the actors have a fair script it seem so to me. Interesting premises if a little "deux ex machina". It does alter the 'overall tone' as I mentioned i.e. another sciffy is logged for our enjoyment. I like the score, no pop songs or MTV montages here. Biehn is easy on the eyes as is the Polish actress who plays Monica. I like most of the user comments here; My rating is 5/10. To quote a nice scene in the movie, "It felt good tonight didn't it?" There were nice, understated FX. The cheese is more like a condiment than a key ingredient.

I watched this film expecting it to be a film full of villagers, but was pleasantly surprised to find that despite it's no doubt very low budget, some good special effects managed to be pulled off,(I especially enjoyed the alien being excremented through someone's hand-Nice), even though the film is a bit slow moving, it did keep you guessing (especially at the beginning), and had some good twists so I gave this film 7/10. There were above average performances from all cast members and some nice ladies, if you get the chance watch it, even for curiosity's sake.

Finally got around to watching my tape of the film being shown on BBC. At first I didn't recognise Michael Biehn and was about to trash it, but then I did and, on the basis of really enjoying him in Aliens, I watch Deep Red.

Well at the end of ~90 minutes, I wouldn't say I was mentally challenged, but I'd still recommend it as a basic enjoyable movie -if you're into sci-fi, nanotechnology, and the good guy winning.

In a space war, a tiny spaceship is hit by another one, falls on planet Earth into the hand of a little girl (Gracie) and penetrates her hand. Some time later, the private investigator Joe Keyes (Michael Biehn) is hired by a mother, who is under the protection of his former wife Monica (Joanna Pacula) together with her daughter Gracie (Lidsey Haun), to help her husband, the scientist Warren Rickman (Tobin Bell). Warren is being threatened by his colleague, Thomas Newmeyer (John de Lancie). Joe is divorced from Monica, and blames himself for the death of another mother and daughter who were under his protection. They were the wife and daughter of the detective Mack Waters (John Kapelos), and killed by a murderer Mack had put in jail. When Joe finds Warren, strange events happen and Joe decides to find Monica to realize what is happening and help her. A great mystery involving immortality and healing is disclosed along the story. This sci-fi movie is very intriguing, having a very different and unpredictable screenplay. It recalls a film noir, with narrative in off, dark and smoky places, with touches of `Blade Runner', and is a very good entertainment. With some improvement, it could have been an excellent movie. My vote is six.

Title (Brazil): `Sangue Imortal' (‘Immortal Blood')

Not to be confused with Dario Argento's classic 1975 Giallo (known to it's native Italian audiences Profondo Rosso). This 1994 film also known as "Deep Red" to English speaking audiences debuted not in theatres, but on the Sci Fi Channel more than a decade before it was given it's ridiculous Syfy Channel rebranding. That's really another way of telling you that "Deep Red" is from the days when a Sci Fi Channel original was not so easy to dismiss & you'd be making a major error of judgement to dismiss this interesting & involving slice of Sci-Noir. A subgenre which encompasses everything from Future-Noir ("Blade Runner") to Tech-Noir ("Strange Days"). And in the case of "Deep Red" it could perhaps be described as Bio-Noir if not simply Sci-Noir itself...

...With it's plot dealing with biological alteration & regeneration as a result of contact with shrapnel from an Alien spacecraft under attack, "Deep Red" is as deeply rooted in pure Science Fiction as a film can get. But in terms of presentation it has far more in common with the mood driven detective novels of yesteryear. With our burned out protagonist narrating throughout a film which takes place almost entirely at night, "Deep Red" guides us through the darkness without telegraphing any of the twists which occur later down the road. To call the film unpredictable would be inaccurate as anyone who has watched enough films or read enough books in this genre will be wise enough to guess how this one plays out. But that doesn't mean the unfolding story is any less enjoyable...

...And with a cast of familiar film & tv faces including Michael Biehn, Steve Williams, Joanna Pacula, John de Lancie, Tobin Bell, John Kapelos, Lindsey Haun & Michael Des Barres, you know you're in good enough hands to give "Deep Red" the benefit of the doubt upon first impressions. And it must be said that with the film's opening space battle featuring some of the cheapest looking CGI of the 90's you may find yourself put off continuing. But let me tell you that you will not see another shot like it for the remainder of the film! In fact, "Deep Red" is fairly lo-fi for a Sci-Fi film. This one is more about the story than it is spectacle & that's something which most modern Syfy Channel originals sorely lack! And since the quality of CGI in Syfy Channel films are as poor today as they ever were you'd think they'd want to focus more on their scripts rather than "flaunting" their not so special effects. And this is exactly why a mid-90's film like "Deep Red" can be a refreshing experience to modern audiences who roll their eyes at the mere mention of a Syfy Channel original...

...The story of "Deep Red" is not going to rock your world or anything, but it's well told & played enough to keep you invested in the characters at it's heart. The ever-heroic Michael Biehn is naturally our lead & delivers a solid performance as a depressed security agent who works alongside the law. But as good as he is, Biehn is admitedly upstaged by Sci Fi tv icon John de Lancie as (who else?) the villain of the piece. A once renowned scientist turned self serving leader of his own team of "men in white", he's not above murdering anyone who gets in his way. And what could have possibly turned him into such a power mad monster? A taste of immortality of course! Not only that, but also shapeshifting capabilities & other benefits which come from his own contact with the aformentioned Alien shrapnel. Naturally he wants to seek out & silence everyone else "gifted" with such capabilities in order to obtain such god-like capabilities for himself. His main target being a child seen being struck by the shrapnel at the start of the film. It's not the most original setup & the script has more than a few cheesy moments, but at least some thought was put into this Sci Fi Channel original. Which is more than can be said of a Syfy Channel original! 😉

S. S. S.