CALIFICACIÓN DE IMDb
7.6/10
26 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaRahul is obsessed with Kiran and stalks her constantly. However, Rahul goes berserk when she gets engaged to Sunil, a navy officer, and he decides to forcefully claim Kiran for himself.Rahul is obsessed with Kiran and stalks her constantly. However, Rahul goes berserk when she gets engaged to Sunil, a navy officer, and he decides to forcefully claim Kiran for himself.Rahul is obsessed with Kiran and stalks her constantly. However, Rahul goes berserk when she gets engaged to Sunil, a navy officer, and he decides to forcefully claim Kiran for himself.
- Premios
- 3 premios ganados y 6 nominaciones en total
Piloo J. Wadia
- Irritated Hotel Manager
- (as Piloo Wadia)
Raj Nanvag
- Police Inspector
- (sin créditos)
Kedarnath Saigal
- In the crowd
- (sin créditos)
Opiniones destacadas
8Ibuk
This was Bollywood's answer to Fatal attraction and this is a classic film in its own right. Juhi Chawla was good and so was Sunny Deol but it was Shah Rukh Khan who shot to fame as the stalker. Since then he has become a favourite of the Chopra's (Dilwale Dulhaniya le Jayenge, Mohhabatein, Dil to pagal hai, Veer Zaara and Chak De India). Shah Rukh at first appears to be a villain but then towards the end you start to sympathize with him. The scripting was superb and the songs were chartbusters. My favourites are Too mere samne and Jaadu teri nazar.
After the dismal failure of the underrated Lamhe Yash Chopra fought back with Darr. The dialogues were memorable, the k..k..Kiran dialogue is often repeated. Since Darr Yash Chopra has slipped bit. Dil to pagal hai was bad but he redeemed himself slightly with Veer Zaara, which was far far better. This was Yash Chopra's last masterpiece.
After the dismal failure of the underrated Lamhe Yash Chopra fought back with Darr. The dialogues were memorable, the k..k..Kiran dialogue is often repeated. Since Darr Yash Chopra has slipped bit. Dil to pagal hai was bad but he redeemed himself slightly with Veer Zaara, which was far far better. This was Yash Chopra's last masterpiece.
So many times, Bollywood has tried to remake Hollywood hits, only to produce total duds. Mercifully, Yash Chopra's interpretation of "Sleeping with the Enemy" is an extremely stylish and well-made films.
Shah Rukh Khan is obsessed with Juhi Chawla (who's looking her very best in here!). When he realizes that Juhi has a fiance in Sunny Deol, he stops at nothing to make sure she becomes his.
Every frame of this film is a delight to watch. Whether it's Shah Rukh chanting his trademark "I love you, K...k...k...kiran!" or the feel-good mushy scenes between Sunny and Juhi (who make a perfect match), you won't feel like leaving your eat in boredom.
Each and every song on the soundtrack is ear pleasing, especially Jaadu Teri Nazar and Tu Mere Samne. Like I said, Juhi looks like a Goddess in this film. Darr may not be SRK's best film (that honor goes to Baazigar), but it definitely figures as one of his most flawless performances! Sunny is OK. He's done similar roles before, but he's good.
Overall, Darr is g...g...g...great! ;)
Shah Rukh Khan is obsessed with Juhi Chawla (who's looking her very best in here!). When he realizes that Juhi has a fiance in Sunny Deol, he stops at nothing to make sure she becomes his.
Every frame of this film is a delight to watch. Whether it's Shah Rukh chanting his trademark "I love you, K...k...k...kiran!" or the feel-good mushy scenes between Sunny and Juhi (who make a perfect match), you won't feel like leaving your eat in boredom.
Each and every song on the soundtrack is ear pleasing, especially Jaadu Teri Nazar and Tu Mere Samne. Like I said, Juhi looks like a Goddess in this film. Darr may not be SRK's best film (that honor goes to Baazigar), but it definitely figures as one of his most flawless performances! Sunny is OK. He's done similar roles before, but he's good.
Overall, Darr is g...g...g...great! ;)
Somehow Yash Chopra was so good at making romantic, colourful films, that even this film, which is a thriller, ends up having many of the elements used in his previous films, starting with Silsila and culminating in Lamhe and Chandni. Back in his early days, he made very good thrillers such as Ittefaq. Darr is certainly not on that level of tension, but it is an entertaining film overall. While it's quite mysterious, it doesn't really manage to be completely chilling, although it's fun and tense. The film is beautifully filmed, with wonderful locales and a lot of colour. The story is a little predictable, but so are probably most films of the genre. The film has Sunny Deol in a rather ordinary role, and he's good because he is most of the time. Juhi Chawla is a perfect film heroine, and that she is the cynosure here makes perfect sense because she's gorgeous. It is Shah Rukh Khan, of course, who gives the film its tense atmosphere, and he is clearly the most memorable of the case, with his iconic "K... K... K... Kiran" working to good effect. The film has nice songs as well, including "Tu Mere Saamne", although again, they do not fit the dark tone required by the film's genre. But who knows, maybe that's what makes it such an effective project, which balances it all. Darr is worth a watch after all, for its entertainment value, the performances, and it's just a good Yash Chopra film which is pretty to look at, so I recommend.
Sure, it "borrows" ideas from Psycho fairly liberally, and by now it's effects are fairly cheesy, but still, Darr is a great film to watch by any standard.
Darr is one of those rare Yash Chopra films (and the beginning of the great association of Shahrukh Khan with Yash Raj films) that brings violence and the more obsessive type of love into the picture of your typical Bollywood romance. The action scenes are few and far between, and yet this is one of the darkest and bloodiest Hindi films of the early 90's.
Shahrukh Khan assays the role of stuttering stalker Rahul Mehra pursuing the lovely Kiran (Juhi Chawla), who is already engaged to the dull as dishwater, but very sane and predictable Sunil Malhotra (Sunny Deol). All of this feels very basic on paper, but on reality the combination of these three characters is dynamite on screen.
Unintentionally I am sure (no one would intentionally portray themselves as a bore when they are supposed to be the hero of the film), Sunny Deol is in great part to thank for the magic that is Darr. While Shahrukh takes to the obsessive and yet very sympathetic victim with aplomb, Deol's performance as the tired and somewhat old (even back then) Sunil is one that really drives you into Shahrukh's arms right from the first frame.
In an odd twist of logic the character played by Sunny (Deol has been a fine actor in other films so this is not an attack on his character) almost forces the viewer to take Shahrukh Khan's point of view when it comes to Kiran. What exactly does she see in her husband-to-be? Other than fiscal stability, it does not seem that Sunil brings much to the table. In consequence, despite the admittedly awful things that Rahul does throughout the film, in a very eerie and disconcerting way, one begins to cheer for Shahrukh's character to not only win the girl, but also to triumph over Sunil in every way possible.
Such a powerful emotional impulse is bound to be given credit, and I have to give it where it is due. Just to make sure that Juhi Chawla is not left out, I do have to mention that, as in her previous work such as Qayamat Se Qayamat Tak, Juhi gives a star performance as the cute if somewhat vapid college student and object of Rahul's desire.
I strongly recommend anyone to watch this film, even if they are not entirely familiar with Bollywood. It is definitely worth a viewing if only to test and see if you can manage to completely hate the villain in this piece. It is a challenge I admittedly failed at miserably.
Darr is one of those rare Yash Chopra films (and the beginning of the great association of Shahrukh Khan with Yash Raj films) that brings violence and the more obsessive type of love into the picture of your typical Bollywood romance. The action scenes are few and far between, and yet this is one of the darkest and bloodiest Hindi films of the early 90's.
Shahrukh Khan assays the role of stuttering stalker Rahul Mehra pursuing the lovely Kiran (Juhi Chawla), who is already engaged to the dull as dishwater, but very sane and predictable Sunil Malhotra (Sunny Deol). All of this feels very basic on paper, but on reality the combination of these three characters is dynamite on screen.
Unintentionally I am sure (no one would intentionally portray themselves as a bore when they are supposed to be the hero of the film), Sunny Deol is in great part to thank for the magic that is Darr. While Shahrukh takes to the obsessive and yet very sympathetic victim with aplomb, Deol's performance as the tired and somewhat old (even back then) Sunil is one that really drives you into Shahrukh's arms right from the first frame.
In an odd twist of logic the character played by Sunny (Deol has been a fine actor in other films so this is not an attack on his character) almost forces the viewer to take Shahrukh Khan's point of view when it comes to Kiran. What exactly does she see in her husband-to-be? Other than fiscal stability, it does not seem that Sunil brings much to the table. In consequence, despite the admittedly awful things that Rahul does throughout the film, in a very eerie and disconcerting way, one begins to cheer for Shahrukh's character to not only win the girl, but also to triumph over Sunil in every way possible.
Such a powerful emotional impulse is bound to be given credit, and I have to give it where it is due. Just to make sure that Juhi Chawla is not left out, I do have to mention that, as in her previous work such as Qayamat Se Qayamat Tak, Juhi gives a star performance as the cute if somewhat vapid college student and object of Rahul's desire.
I strongly recommend anyone to watch this film, even if they are not entirely familiar with Bollywood. It is definitely worth a viewing if only to test and see if you can manage to completely hate the villain in this piece. It is a challenge I admittedly failed at miserably.
Darr is not a mere psychopathic movie it is actually a real portrayal of obsession.The movie is about a boy who is obsessed for a girl.The story was unique as this topic has never been explored in Indian cinema.It was not a copy of any Hollywood flick,it was just inspired from it.The screenplay was good and its flow was smooth.The film could have been shorter.1st half of the movie was lousy but 2nd half was good.The movie also memorable for Shahrukh's performance.He was great.This is among the best performances of his career.His body language,expressions,vibration of his sound everything was superb.This movie proves why he is called the king khan.Sunny was usual doing what he does.He was average.The way in which he carries out the rescue mission in the beginning of the movie was too bad.Juhi was good and acted well.Anupam was nice and provided the much needed comic relief.Music was good especially the title song was so charming.But placement of songs in the movie was bad.Locations are good.The movie needs a serious editing and could have been shorter.Yash ji was a great director and this movie proves it yet again.It is a must watch for cinema lovers. 8.1 out of 10 is my final rating.
¿Sabías que…?
- TriviaSunny Deol, who was a more popular star than Shah Rukh Khan in 1993, was given a choice by Yash Chopra of either the role of Sunil Malhotra or the role of Rahul Mehra. Deol chose to play Malhotra, believing it would improve his career, but instead the reverse occurred: Shah Rukh Khan's performance was more acclaimed than Deol's.
- ErroresWhen Rahul leaves Sunil's house, he is wearing brown shoes. When he runs toward the road his shoes turn white and then brown again.
- Citas
[repeated line]
Rahul Mehra: I love you, K-k-k-Kiran!
- ConexionesFeatured in Fan (2016)
- Bandas sonorasJaadoo Teri Nazar
Sung by Udit Narayan
Composed by Shiv Kumar Sharma and Hariprasad Chaurasia
Lyrics by Anand Bakshi
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- How long is Darr?Con tecnología de Alexa
Detalles
- Tiempo de ejecución2 horas 58 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.20 : 1
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