Un policía de vacaciones en un centro turístico de montaña acude al rescate cuando criminales violentos toman control del lugar.Un policía de vacaciones en un centro turístico de montaña acude al rescate cuando criminales violentos toman control del lugar.Un policía de vacaciones en un centro turístico de montaña acude al rescate cuando criminales violentos toman control del lugar.
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Serious contender for the so bad it's good sweepstakes. "CrackerJack" is a cliche loaded "Die Hard" clone that despite the straight to video, low budget, bad acting, plastic model blow ups, zero logic script, instant romance, indestructible hero, and on and on, delivers some chuckles because everything is being taken seriously. Christopher Plummer probably wishes he never signed on for this bomb, but he plays his bad guy to the hilt. The rest of the cast appears to be walking through their lines wishing they were somewhere else. There is no point in doing anything here except sitting back expecting bad everything, and marveling at the total ineptitude on display. The film has a touch of gratuitous nudity, a cavern that looks like it was made out of PlayDough, exploding helicopters, exploding areal tram, and an avalanche. If you are in the mood for a good bad movie, you could do a lot worse. - MERK
Chicago Police Detective Jack Wild (Thomas Ian Griffith) is an aggressive cop whose wild man antics and PTSD, stemming from the murder of his family some years back, have earned him the nickname "Cracker Jack". After his latest episode involving a bust becoming a massive shootout, Jack is placed on administrative leave, and reluctantly accompanies his brother and sister-in-law to a secluded mountain top resort. When a team of well equipped and organized terrorists, lead by Ivan Getz (Christopher Plummer), storm the resort and take the guests hostage in search of diamonds in the possession of aging mafia Don Rosso (George Touliatos), Jack must use his wits and cunning to fight ill equipped against impossible odds to save his family and stop the terrorists.
Released in 1994, Crackerjack is a Canadian/Czech co-production by prolific b-movie producer Lloyd A. Simandl and his company North American Releasing which specializes in churning out b-level schlocky sci-fi, horror, and erotic thrillers for the purposes of pre selling them at the American Film Market for distribution on home video or airings on domestic/foreign pay and cable television syndicates. Knowing the production company behind this movie is definitely illuminating, because it feels less like a movie and more like a carefully crafted and calculated product designed to maximize commercial viability.
Pretty much every element in Crackerjack can be traced back to a action picture from the preceding 7 years of its release. Jack himself is basically Mel Gibson's Martin Riggs from Lethal Weapon, and the limited location taken over by terrorists is aped from Die Hard, with the surrounding mountains clearly inspired by the success of 1993 Blockbuster Cliffhanger. Not only does the movie Frankenstein these elements together into a movie, but it does so with complete seriousness and little to no humor. Crackerjack is so aggressively serious in tone that its earnest attempts at drama be it from Jack's trauma of watching his family die or Don Rosso's remorse for his criminal life and desire for redemption come off as hokey and melodramatic making them unintentionally funny.
The action elements are there and are delivered, but they're basically the generic Supermarket off-brand of better movie you've already seen. Jack even says "I'm on your side @$$holes!" calling to mind a similar line from Die Hard, in a very similar situation. Most of the action is perfectly serviceable, but its also very flat with not much in the way of style or identity. The cinematography at the mountain top resort coupled with a rather bare bones production design makes the movie visually flat with not much interesting to look at. Though an avalanche in the climax despite not being 100% convincing is one of the better effects in the movie.
The one good thing I can say without reservation is Christopher Plummer is entertaining playing the main Villain Ivan Getz. The character isn't all that well written and is basically a clone of Hans Gruber (albeit with superficial differences). But Plummer despite appearing in material beneath him still brings his A-Game. He sells every line he speaks and comes off as genuinely intimidating. Much like his appearance in Starcrash, the movie can be bad but it's a sure bet Plummer will be good.
Crackerjack is exactly what it aspired to be, a 2nd rate Die Hard clone that can be easily sold at Film Trade events and business meetings for airplay on cable and distribution on home video. Pretty much every element in it comes from a superior movie and you'll likely forget it as soon as its over. Plummer brings a usually reliable performance to underwritten material, but aside from that there's not much in Crackerjack you can't get elsewhere and better.
Released in 1994, Crackerjack is a Canadian/Czech co-production by prolific b-movie producer Lloyd A. Simandl and his company North American Releasing which specializes in churning out b-level schlocky sci-fi, horror, and erotic thrillers for the purposes of pre selling them at the American Film Market for distribution on home video or airings on domestic/foreign pay and cable television syndicates. Knowing the production company behind this movie is definitely illuminating, because it feels less like a movie and more like a carefully crafted and calculated product designed to maximize commercial viability.
Pretty much every element in Crackerjack can be traced back to a action picture from the preceding 7 years of its release. Jack himself is basically Mel Gibson's Martin Riggs from Lethal Weapon, and the limited location taken over by terrorists is aped from Die Hard, with the surrounding mountains clearly inspired by the success of 1993 Blockbuster Cliffhanger. Not only does the movie Frankenstein these elements together into a movie, but it does so with complete seriousness and little to no humor. Crackerjack is so aggressively serious in tone that its earnest attempts at drama be it from Jack's trauma of watching his family die or Don Rosso's remorse for his criminal life and desire for redemption come off as hokey and melodramatic making them unintentionally funny.
The action elements are there and are delivered, but they're basically the generic Supermarket off-brand of better movie you've already seen. Jack even says "I'm on your side @$$holes!" calling to mind a similar line from Die Hard, in a very similar situation. Most of the action is perfectly serviceable, but its also very flat with not much in the way of style or identity. The cinematography at the mountain top resort coupled with a rather bare bones production design makes the movie visually flat with not much interesting to look at. Though an avalanche in the climax despite not being 100% convincing is one of the better effects in the movie.
The one good thing I can say without reservation is Christopher Plummer is entertaining playing the main Villain Ivan Getz. The character isn't all that well written and is basically a clone of Hans Gruber (albeit with superficial differences). But Plummer despite appearing in material beneath him still brings his A-Game. He sells every line he speaks and comes off as genuinely intimidating. Much like his appearance in Starcrash, the movie can be bad but it's a sure bet Plummer will be good.
Crackerjack is exactly what it aspired to be, a 2nd rate Die Hard clone that can be easily sold at Film Trade events and business meetings for airplay on cable and distribution on home video. Pretty much every element in it comes from a superior movie and you'll likely forget it as soon as its over. Plummer brings a usually reliable performance to underwritten material, but aside from that there's not much in Crackerjack you can't get elsewhere and better.
If you like the gifted Kinski and the excellent Christopher Plummer you can give this piece a (one) chance. Bang! Plummer deserves all the praise for his portrait of a real baddie with a clever and cynical mind. But do not expect to much brain of this B-picture.
Put up your hand and than catapult it down, and say "bah!" to this film. An extremely weak film, that is based upon some old, already used cliché, you know "terrorists taking over, one man army, bunch of hostage", this time in the mountain hotel. Well... yahoo.
We got Thomas Ian Griffith (Karate Kid 3, Vampires) as a leading action man, but he looked here like he didn't give a damn for this film. He was even slow in martial arts scenes, he can do faster than that, but when you're doing a low budget film... what's the point? Christopher Plummer is here! What a hell? A great, classically trained actor to appear in such low budget crap as a leading villain? I don't understand... what is attractive to such great actors in low budget films? We also have Nastasja Kinski... well, she was OK.
There isn't much to say about this crap film. Except... you can watch it if you want to... fall asleep for example.
We got Thomas Ian Griffith (Karate Kid 3, Vampires) as a leading action man, but he looked here like he didn't give a damn for this film. He was even slow in martial arts scenes, he can do faster than that, but when you're doing a low budget film... what's the point? Christopher Plummer is here! What a hell? A great, classically trained actor to appear in such low budget crap as a leading villain? I don't understand... what is attractive to such great actors in low budget films? We also have Nastasja Kinski... well, she was OK.
There isn't much to say about this crap film. Except... you can watch it if you want to... fall asleep for example.
but Thomas Ian Griffith just doesn't have the polish that a big bucks actor has, granted this was made 5+ years ago. Some of the humorous lines could have been timed to make this not only action, but comedy. And how do you get KC out of Katia Koslovska anyhow? Plummer's character was so corny, he would have fit better in a Bullwinkle toon. Personally, if action flicks are going to show skin -- I'd have liked to have seen equal time between female/male, otherwise don't show any.
¿Sabías que…?
- TriviaThis film is considered to be a "Duro de matar (1988)" copycat, nicknamed "Die Hard at a Ski Resort".
- Versiones alternativasGerman version is 11 minutes shorter than the original version. Due to German laws about violence in movies under 18 nearly all action sequences have either been shortened in a drastic way or have been completely cut out.
- ConexionesFeatured in The Cinema Snob: Crackerjack (2013)
- Bandas sonorasJack & KC Waltz
Written by Peter Allen
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