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6.4/10
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Un reportero contratado para escribir la biografía «oficial» de Ty Cobbs descubre lo oscura que es la verdadera historia de la leyenda del béisbol.Un reportero contratado para escribir la biografía «oficial» de Ty Cobbs descubre lo oscura que es la verdadera historia de la leyenda del béisbol.Un reportero contratado para escribir la biografía «oficial» de Ty Cobbs descubre lo oscura que es la verdadera historia de la leyenda del béisbol.
- Premios
- 1 nominación en total
Gary Morris
- Baptist Minister
- (as Reverend Gary Morris)
Opiniones destacadas
I normally would have absolutely no interest in seeing a Baseball movie. But this is no normal Baseball movie. This is a movie with Tommy Lee Jones in it. He portrays a vicious, nasty, evil, abusive, racist, violent, rage-filled man. And his fans know, Tommy Lee Jones does this type of man as no other can. Although he is perhaps too young for the role, he was unfairly absent from the Oscar ballot that year. He made me laugh during his insane moments (of which there were many), he scared me during a particular brutal moment, and he made me cry during his weak moments. Side-kick Robert Wuhl seems a bit toady, but you eventually realize he loves Cobb <Jones as Cobb, at least> as much as you do. This is a wonderful movie. Worth renting, absolutely. For those of you whom doubt Tommy Lee Jones ability, rent Cobb, The Fugitive, and Heaven and Earth or Men in Black. This man is fantastic; he makes Cobb great.
I had heard nothing but bad things about this movie, which is why I waited about 30 years to see it. I came away greatly impressed. "Cobb" isn't a movie you 'like.' Tommy Lee Jones plays Ty Cobb as a guy who was mad, bad and dangerous to know. Robert Wuhl, the ostensible hero, a sportswriter who is working on Cobb's biography, can be seen as a two-faced weasel. Some of the scenes of Cobb being ill are difficult to watch.
And yet, "Cobb" gives the sense of catching life and American culture on the screen to a far greater degree than most movies ever try. "Cobb" opens with a newsreel about Ty Cobb, so I suppose this movie is begging to be compared to "Citizen Kane," but I think "Cobb" can stand in "Kane's" company as a film that says something about the national character. "Cobb" doesn't look away from the fact that people in the past acted and thought differently than we do.
1994 was a good year for films, so I guess everybody was too busy talking about "Pulp FIction" and "Forrest Gump" to pay attention to this film, which is a shame.
And yet, "Cobb" gives the sense of catching life and American culture on the screen to a far greater degree than most movies ever try. "Cobb" opens with a newsreel about Ty Cobb, so I suppose this movie is begging to be compared to "Citizen Kane," but I think "Cobb" can stand in "Kane's" company as a film that says something about the national character. "Cobb" doesn't look away from the fact that people in the past acted and thought differently than we do.
1994 was a good year for films, so I guess everybody was too busy talking about "Pulp FIction" and "Forrest Gump" to pay attention to this film, which is a shame.
In bio-pics and other movies claiming to possess an historical basis, reviewers should stick to evaluating movies as movies and not as history, unless they happen to have a fair bit of grounding on the subject and/or events.
Sad that so many here obviously hold an image of a a man on the basis of having read-or at least believing themselves familiar with the subject-a single work, and that, a book that has been utterly debunked a number of times (most recently in "War on the Basepaths" (Tim Horbaker-2015) and "Ty Cobb: A Terrible Beauty" (Charles Leerhsen-2015).
Knowing what the screenplay was based upon, I went expecting a fictional portrayal of Cobb's last years and, my only reason for going, an accomplished and powerful performance by Tommy Lee Jones; both expectations were entirely met.
If you want to know as close to truth as is currently available, don't watch this movie or read anything inspired by or written by Al Stump. Pick up the 2015 biography by Charles Leerhsen. Insightful, well researched. Full list of sources and extensive endnotes.
First things first, this movie is based off of a book written by Al Stump, who is played by Robert Wuhl in the film. Al Stump in recent years has proved to be a liar and a forger so sports historians are calling into question a great deal of his supposed insight into Ty Cobb. In other words, in all likelihood Mr. Stump exaggerated or outright made up most of his allegations against Cobb to sell books. That isn't to say Ty Cobb was a prince of a human being because there's enough contemporary evidence to show that he wasn't. But some of the most vile things that have been said about him can be traced to Stump's writing. So take the things this movie has to say with a huge grain of salt.
Another black mark against the film is that it has very little actual baseball in it. This movie doesn't care about Cobb the baseball giant. It only cares about Cobb the asshole. To include one side of the man without the other is a pointless exercise in self-righteousness. Why is a biography of Ty Cobb even necessary without his baseball accomplishments? Because he was a racist and a bully? There are millions of those, past and present, who aren't getting movies made about them. It just defies reason. Cobb was one of the greatest (and dirtiest) baseball players ever. Going by this movie, however, you would think he was just some crotchety old man who shared wacky adventures with a sports reporter.
Tommy Lee Jones was too old to play this role, as is especially evident in the flashbacks to when Cobb was younger. He plays Cobb as a silly cantankerous cartoon of a man. Every bit as over the top as his performance of Two Face in Batman Forever. Let that sink in for a minute. Robert Wuhl plays himself as he always does. The movie is entertaining in spots. The comedic parts work better than the dramatic. I can't really recommend it because the bad outweighs the good and, personally, knowing about Stump leaves a bad taste in my mouth over the whole thing.
Another black mark against the film is that it has very little actual baseball in it. This movie doesn't care about Cobb the baseball giant. It only cares about Cobb the asshole. To include one side of the man without the other is a pointless exercise in self-righteousness. Why is a biography of Ty Cobb even necessary without his baseball accomplishments? Because he was a racist and a bully? There are millions of those, past and present, who aren't getting movies made about them. It just defies reason. Cobb was one of the greatest (and dirtiest) baseball players ever. Going by this movie, however, you would think he was just some crotchety old man who shared wacky adventures with a sports reporter.
Tommy Lee Jones was too old to play this role, as is especially evident in the flashbacks to when Cobb was younger. He plays Cobb as a silly cantankerous cartoon of a man. Every bit as over the top as his performance of Two Face in Batman Forever. Let that sink in for a minute. Robert Wuhl plays himself as he always does. The movie is entertaining in spots. The comedic parts work better than the dramatic. I can't really recommend it because the bad outweighs the good and, personally, knowing about Stump leaves a bad taste in my mouth over the whole thing.
¿Sabías que…?
- TriviaTommy Lee Jones had broken his leg prior to filming. He performed most of his role in a cast. The scene in the ballgame was shot last, when he had regained some mobility.
- ErroresCobb is seen being treated by a black nurse at Emory University Hospital shortly before his death. In 1961, Georgia hospitals and their staff were still strictly segregated.
- Créditos curiososThe latter half of the credits has a voiceover by Jones, narrating as Cobb, regarding the finer points of batting and other aspects of baseball, and how he regretted not going to college, and should have been a doctor.
- Bandas sonorasTheme from A Summer Place
Written by Max Steiner
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 1,007,583
- Fin de semana de estreno en EE. UU. y Canadá
- USD 63,786
- 4 dic 1994
- Total a nivel mundial
- USD 1,007,583
- Tiempo de ejecución
- 2h 8min(128 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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