Clerks, detrás del mostrador

Kevin Smith has delved into action ("Mallrats"), drama ("Chasing Amy") and philosophy ("Dogma") in his Askewniverse, but Clerks, the first film of the series, is still the best.

Shot on a ridiculously low budget, using mostly friends and relatives as the cast and crew (see the line in the credits where "Boom" is credited as "whoever happened to be holding the pole"), "Clerks" is such a great film just because it doesn't try to be more than it is. You get the sense that this movie is in black and white not to be pretentious, but just because it's a prosaic look at prosaic lives.

Kevin Smith's real gift is writing funny, witty dialogue, and that's what carries this film. From Star Wars debates (did the destruction of the second Death Star in "Jedi" cost innocent contractors their lives?) to perfectly serious debates about sex ("Thirty-seven???"), this is the ultimate movie for anyone who's ever been going nowhere and doing nothing. It's a day in the life of the guy working at the corner store, no more, no less. But it's absolutely brilliant.

People either love or hate Kevin Smith movies. Chances are, if you can appreciate the humour of low-brow jokes about pornography as high art, then you'll enjoy "Clerks". His brand of humour isn't for everyone. This is his first film and it's flawed, to be sure. But in my humble opinion, it's still Smith's best.

Clerks (1994)

**** (out of 4)

Kevin Smith's cult classic about a two store clerks (Brian O'Halloran, Jeff Anderson) who have nothing to do except be bored and deal the cards life gives them. It's hard to believe this film is now fourteen-years-old as it seems just like yesterday when it made a splash on the indie circuit. This was my first time watching this in at least six or seven years and it hasn't lost any of its magic. I still think Smith hit on something truly great in the fact that he manages to take this type of job and show all the hassles and frustration that comes with it. I believe it was Roger Ebert's review that mentioned movies never deal with jobs unless the job is that of a cop, robber or something like that yet here we get to see the life of a clerk who is stuck at a job he hates and surrounded by people that can't really add too much to his life. The real key here of course is Smith's screenplay, which I'd call downright brilliant. To have 90-minutes of nothing but dialogue speaks a lot for his screenplay as it remains so constantly entertaining with the majority of the jokes working. The politically incorrect nature of the humor from the "37" to various other sexual things is downright hilarious and that includes the surprise in the bathroom. The performances in the film have taken a lot of unfair heat in my opinion because while they aren't perfect I do think they fit the roles just fine and mixed with the B&W it makes the film seem all the more like a documentary.

This movie completely and perfectly describes the details of over the counter life as a clerk! It is one of the funniest movies i have ever seen.Kevin Smith is a very talented and insightful director with a great since of humor.The movie does look very cheesy and low budget, but a little movie trivia, Kevin Smith sold his comic book collection to fund this movie. Then after the movie became a hit he bought his comic books back! I currently work for blockbuster video and life is exactly like this movie! Thanks to this movie some of us are thinking about holding a hockey game on the roof of the store when we quit!I recommend this movie to every person who works as a clerk in a convenience store, or in a video store. This movie for those who don't work in mediocre place such as this will explain to you why we are the way we are!

In 1994, an ambitious filmmaker named Kevin Smith was left nearly dead-broke by his commitment to his low-budget debut feature, "Clerks." Shot in black & white and filmed in and around a New Jersey convenience store, "Clerks." is genius on celluloid despite little change of scenery, wooden acting (none of the actors are professionals), and a shoe-string budget; it's also pretty damn funny. "Just because they serve you, doesn't me they like you" became an immortal tagline for one of the best independent comedies of all time, which also launched the career of its director. There's nothing PC about this debut feature, and the relentlessly explicit sex-related dialogue got the film its original certificate, the dreaded "NC-17" rating, which was later dropped down to an "R" rating on a successful appeal by the filmmakers; the characters harass their customers, leave the store during the day to tend to personal matters, and hang-out with girlfriends - not the stuff of responsible employees - and definitely NOT something you would see in any Hollywood production today. In an era rife with censorship and political-correctness, "Clerks." would undoubtedly receive the scorn and protests of the fundamental religious Right and Left. The film features Dante (Brian O'Halloran) and Randal (Jeff Anderson), two bored New Jersey convenience store employees who are both called in on a Saturday (Dante is especially upset because it's his day off) and the two break every rule in the book as they meander through the day and encounter all sorts of colorful characters. Throughout the day, Dante complains about about his girlfriend Veronica's (Marilyn Ghigliotti) sex life, Randal shirks his convenience store duties by shooting the breeze with Dante, philosophize about their daily predicaments, play hockey on the roof of the store, and observe unruly and bizarre shoppers. There's little plot but it's pure fun all the way to the ending with plenty of laughs too. But if you're the sensitive type, you should stay as far away from "Clerks." as possible, as the dialogue will certainly make you squirm in your seat. "Clerks." also contains many Smith trademarks including "Star Wars" talk, references to Spielberg movies, comic books and hockey, all qualities of which would do Smith good in his so-called "New Jersey Trilogy." P.S.: Watch out for Smith in his iconic role as Silent Bob with sidekick Jay (Jason Mewes) as they loiter outside the store and hassle customers.

10/10

Clerks is one of those movies everyone knows everything about even before they've seen it. The most fascinating aspect is probably the back-story: Kevin Smith sold his comic-book collection to finance it, shot it in the convenience store where he was working at the time, and cast his school friends in the various roles (two of them wound up playing three or four characters each). The film became a huge hit at Sundance, and is now widely (and justly) considered one of the best independent movies of all time.

The plot is quite easy to sum up: nothing happens. It's just a "regular" day in the lives of a few people working in or outside a Quick Stop convenience store. The fun starts immediately, as Dante Hicks (Brian O'Halloran) is asked to replace a sick colleague. This upsets him a lot, since it's supposed to be his day off ("You know what the worst part is? I'm not even supposed to BE here today!"). So now he has to serve a bunch of rather annoying or excessively weird people, with occasional help from his friend Randal Graves (Jeff Anderson), who "works" in the video store next to Quick Stop. Together, they discuss things like hermaphroditic porn or, Tarantino-style, which Star Wars sequel is better (Jedi or Empire?), and also try to find ways of not working, or at least make the day less boring (as Randal puts it:"This job would be great if it wasn't for the f**king customers"). Between these discussions, they also interact with Dante's present girlfriend Veronica (whose sex life causes heated debates) and ex Caitlin, who's apparently engaged to some Asian design major. And let's not forget Jay (Jason Mewes) and Silent Bob (Smith himself), two drug dealers consistently located outside the store.

Smith uses these characters to reference his favorite movies (the previously mentioned Star Wars, as well as Jaws and Indiana Jones) and talk about any subject in the filthiest way imaginable. Some incredibly outrageous stuff is mentioned ("jizz moppers", necrophilia, "snowballing"), but unlike John Waters, he never shows the events discussed by Dante, Randal et al. Everything occurs, or has occurred, off-screen, so all we get to do is have a good laugh, because no matter how crude it gets (the film is rated R for "Extensive Use Of Extremely Explicit Sex-Related Dialogue"), Smith's writing remains genuinely funny. Randal, in particular, steals every scene with his existential musings ("I'm a firm believer in the philosophy of a ruling class. Especially since I rule.") or very politically incorrect antics (the top? Reading a list of pornographic flicks in front of a mother and her baby).

If you haven't seen it yet, do it, and fast: Clerks fully deserves its cult status. It has priceless dialogue, wisecracking characters and loads of swearing. What else can you ask for?