Clerks, detrás del mostrador

Kevin Smith has delved into action ("Mallrats"), drama ("Chasing Amy") and philosophy ("Dogma") in his Askewniverse, but Clerks, the first film of the series, is still the best.

Shot on a ridiculously low budget, using mostly friends and relatives as the cast and crew (see the line in the credits where "Boom" is credited as "whoever happened to be holding the pole"), "Clerks" is such a great film just because it doesn't try to be more than it is. You get the sense that this movie is in black and white not to be pretentious, but just because it's a prosaic look at prosaic lives.

Kevin Smith's real gift is writing funny, witty dialogue, and that's what carries this film. From Star Wars debates (did the destruction of the second Death Star in "Jedi" cost innocent contractors their lives?) to perfectly serious debates about sex ("Thirty-seven???"), this is the ultimate movie for anyone who's ever been going nowhere and doing nothing. It's a day in the life of the guy working at the corner store, no more, no less. But it's absolutely brilliant.

People either love or hate Kevin Smith movies. Chances are, if you can appreciate the humour of low-brow jokes about pornography as high art, then you'll enjoy "Clerks". His brand of humour isn't for everyone. This is his first film and it's flawed, to be sure. But in my humble opinion, it's still Smith's best.

If you have seen American Pie and think of it as being honest and real about sex and the way kids talk, then Clerks is right up your alley. I don't think a movie has pleasantly shocked me more than this one has. And make no mistake about it, this is one of the funniest movies I've ever seen.

By now we've all heard the story of how Kevin Smith somehow scrounged up $27000 to piece this rag tag film together. It was at a film festival and some film executive saw it and offered him a generous amount of money. They fixed it up and before you know it we have the best indie film ever made. Kevin Smith is now a recognizable name in Hollywood and that alone should make you want to see this film.

Dante and Randal are best friends. They work at a small convenience store and a crappy little video store respectively. As a matter a fact, the video store is so inept that Randall actually goes to one of the bigger video stores in town to rent his movies. Anyway, Dante is obsessed with his ex-girlfriend that cheated on him and he has a present girlfriend that is wonderful to him. That is the basic premise for the movie. And that is all you need to know about the plot. Because what the film is really about is how these characters really talk to each other. It is a bunch of clever anecdotes pieced together hilariously to form a movie. But some of the scenes are just so damn funny that Clerks stays with you for a long long time.

Take for instance a scene where Dante and his girlfriend are discussing the various responsibilities of a man and a woman in sex. Each has an obvious gender biased view of the act but listen to how honest it is written, it gives meaning and much hilarity to the scene. From here, the two end up discussing how many people the other has slept with. And we all know that is an absolute no no in relationships. Because no matter how many or how little the number is, it is too much. But that would be too easy for Smith to end it at that. No, he takes it a step further. From here Veronica ( the girlfriend ) explains that she has only slept with X amount of guys but she has gone down on 36 others. Dante is mortified. How can she do that? And she explains that when she "does it" it means more than when she goes down and that is supposed to make him feel better. It of course doesn't and the pay off in the scene is brilliant as Veronica is walking back to her car. And that is just one of the scenes that makes the film work. There are dozens of other scenes similar in nature that are so humourous yet painfully honest that you laugh but when the giggles subside, you realize that it is so true.

The obvious strength of this film is the writing. But beyond that, Smith establishes himself as a director that can get a performance out of his actors. Almost every major character in here is so well done that you think they had 20 attempts to get it perfect instead of the 3 or 4 that the budget would allow. Dante is well played by O'Halloran but it is Anderson as Randle that I think steels the picture. He is so honest and natural in every scene that he is in that it actually bothers me that he has not established himself in the game. Is it because no one wants to give him a role or is it that he has no interest in movies? I don't know, I just wish he was around again because he is electric.

Jay and Silent Bob are funny as well and Bob provides the film with one of the funnier moments as he dances out of nowhere and then he shocks us with his only line of the film. And what he says may as well be Socrates talking and not a simple street hood. It really works.

I love Clerks. It is such a fun movie and if you haven't seen this gem, check it out. Like it for the funny film that it is, but love it for whats behind it.

This film has heart. And Smith is an inspiration to anyone that wants to do what he did. After all, he proves that nothing is impossible. He is living proof of that.

In 1994, an ambitious filmmaker named Kevin Smith was left nearly dead-broke by his commitment to his low-budget debut feature, "Clerks." Shot in black & white and filmed in and around a New Jersey convenience store, "Clerks." is genius on celluloid despite little change of scenery, wooden acting (none of the actors are professionals), and a shoe-string budget; it's also pretty damn funny. "Just because they serve you, doesn't me they like you" became an immortal tagline for one of the best independent comedies of all time, which also launched the career of its director. There's nothing PC about this debut feature, and the relentlessly explicit sex-related dialogue got the film its original certificate, the dreaded "NC-17" rating, which was later dropped down to an "R" rating on a successful appeal by the filmmakers; the characters harass their customers, leave the store during the day to tend to personal matters, and hang-out with girlfriends - not the stuff of responsible employees - and definitely NOT something you would see in any Hollywood production today. In an era rife with censorship and political-correctness, "Clerks." would undoubtedly receive the scorn and protests of the fundamental religious Right and Left. The film features Dante (Brian O'Halloran) and Randal (Jeff Anderson), two bored New Jersey convenience store employees who are both called in on a Saturday (Dante is especially upset because it's his day off) and the two break every rule in the book as they meander through the day and encounter all sorts of colorful characters. Throughout the day, Dante complains about about his girlfriend Veronica's (Marilyn Ghigliotti) sex life, Randal shirks his convenience store duties by shooting the breeze with Dante, philosophize about their daily predicaments, play hockey on the roof of the store, and observe unruly and bizarre shoppers. There's little plot but it's pure fun all the way to the ending with plenty of laughs too. But if you're the sensitive type, you should stay as far away from "Clerks." as possible, as the dialogue will certainly make you squirm in your seat. "Clerks." also contains many Smith trademarks including "Star Wars" talk, references to Spielberg movies, comic books and hockey, all qualities of which would do Smith good in his so-called "New Jersey Trilogy." P.S.: Watch out for Smith in his iconic role as Silent Bob with sidekick Jay (Jason Mewes) as they loiter outside the store and hassle customers.

10/10

This has to be my all time favorite comedy and one of my all time favorites overall. About three years ago a friend of mine came to school one day raving about the funniest movie he had seen on late night. He talked about this black and white low budget movie about two blue collar losers who talked endlessly about sex. From that description I wasn't anticipating a masterpiece but I decided to rent it anyway. It was probably the best surprise I have ever had. I was laughing the entire time, so much so that I nearly woke up everyone in my house. For months afterwards my friend and I would endlessly talk about and quote this incredible film. Everyone I have recommended it to has loved it and I can easily see why. I know that some people attack the movie as being vulgar and excessive. The way I see it it is being true to life (I'm sure that when you have 10 hours to kill you'll talk about the average pay of a gizz mopper). In short I absolutely love this film and it gets better and better with every viewing. Rent this film as soon as possible if you haven't already.

Everyone has to start somewhere. Kevin Smith started his popular Jay and Silent Bob series with Clerks., a $50,000 film whose soundtrack cost more than the actual movie cost to make. It's poorly done, it's monochromatic (which actually works to its advantage), it's cheap, but it's funny, and that's all that really counts. The story is more than I thought it would be, and it's continuously funny throughout the whole short runtime. Many of the crude adventures of Dante and Randal are now legendary.

Dante (Brian O'Halloran) works at the Quick Stop convenience store. He's called in on a day off. His friend Randal (Jeff Anderson) works next door at a video store, but sporadically closes it to hang out at the Quick Stop. Throughout the day, various things occur, such as a gum representative trying to get people to stop smoking and chew his gum, a rabbi using the employee's bathroom (with an unexpected twist at the end), disrupting a wake, and the now-classic scene at the video store with "Happy Scrappy Hero Pup".

This movie has non-stop humor going for it. Whether it's Dante's or Randal's confrontations with the unruly customers (who seem over-the-top yet regular), their conversations about nothing (especially Star Wars), or their departures from their respective stores to play hockey or whatnot. I can see that Clerks. is to minimum wage earners as Office Space is to office workers. Dante's always a little timid when it comes to dealing with the unruly customers, but when Randal takes the stage, it's a lot funnier.

Although the parts about Veronica (Marilyn Ghigliotti) and Cairlin (Lisa Spoonhauer) weren't that interesting (except for the 36...make that 37 people), they were necessary, and seemed to create a plot out of this, basically, sketch comedy. It succeeded, and turned it into a great all around film. Most of these people had never acted before, and although it does seem like they're just reciting their lines (there's almost no break in between the dialogue), they do a good job at it. Sometimes it seems a little too scripted (for voice and diction, etc.), but for a bunch of first-timers, it's not bad at all.

Considering the rest of the series (besides Mallrats, which I haven't seen), I'd say Clerks. is close with Jay and Silent Bob Strike Back for the funniest Kevin Smith movie. They're also the two crudest, and the first and last in the series, respectively. But Clerks. will always stay as it was when it was released 10 years ago-revolutionary. It showed that money and action aren't important to make a movie funny.

My rating: 8/10

Rated R for extensive use of extremely explicit sex-related dialogue.