Luna de porcelana

When homicide detective Kyle Brodine starts seeing the wife of businessman Rupert Monro he finds himself falling in love with her. When her relationship gets violent with her husband he begs her to leave him, however she doesn't but when she accidentally kills him with an illegal gun she turns to him for help. Unable to go to the police he helps her cover it up. However later the police suspect foul play and Kyle and his partner are put on the case. As they investigate more evidence begins to point to Kyle and it appears that Rachel has not been totally honest with him.

Proof that good noir still exists. This film never saw the inside of an UK cinema – it went straight to video on release. However the plot is a good tangled web of murder, mystery and deceit. It manages to be twisty despite the fact that this sort of thing has been done many times before. The plot unfolds late and very quickly, managing to be believable and gripping.

The main reason for this is a great performance from Ed Harris. The feeling of him being sucking into something is written all over his face – and the way he goes from cop in control of all the details into a hunted animal is really good. Stowe is also really good and the support cast also has quality – whether it be Charles Dance or a young looking Del Toro.

Overall this may not break box office records but as a thriller it is twisty, contains plenty of good lines and has a great lead performance from Harris.

41. CHINA MOON (thriller, 1994) Homicide Det. Bodine (Ed Harris) is a veteran of the force who knows the ins and outs of every crime scene. He meets Rachel (Madeline Stowe), a beautiful woman whose sensual charms he falls under. They begin a steamy relationship. But then he finds out she's married to an abusive and powerful man. Sensing her infidelity he confronts her, and in an act of self-defense she kills him. She seeks Bodines' help. But will he bring her to justice or help the woman he loves?

Critique: Nifty little thriller borrows from the film-noir tradition. The solid screenplay by Roy Karlson introduces many elements of the genre. There's the honest cop who falls for the habitual 'femme-fetal', and the violent husband as 'middle-man' who ends up dead. But just when you think things are headed into conventional plotting, there's a twist.

Good direction by first-timer John Bailey elicits excellent acting all around. Ed Harris gives another powerhouse performance, Madeline Stowe plays the would-be 'femme fatale' role beautifully, as well as an array of solid supporting actors including Benicio del Toro (who reminded me of James Dean in his younger days). Great ending too.

QUOTE: Kyle: "You were just fV@*!ng me weren't you?! I was loving you and you were fV#!ing me!"

I've rented a few movies lately that have been alright but have failed to really catch my attention. This, however, was different. First of all, it's film noir, and you gotta love film noir. "Palmetto", "Body Heat", "Double Indemnity", "The Big Sleep". A good guy gets screwed by a beautiful temptress. Only, in "China Moon" it's different. I won't tell the ending or any details. But this was a very well executed film, very suspenseful. It doesn't follow any cliches and it always has new tricks and twists. Like a lot of film noir, this film features heat, wetness, the night, and cops. A lot of movies attempt film noir but don't always achieve its true spark. This film achieves it.

Happened to catch this thriller on cable yesterday night. I am not a fan of Ed Harris but I can say that he is a good actor putting up a decent performance in this show.

It also goes to show that you do not necessary need to have awesome special effects, elaborate sets or costumes to make a movie captivating. Just a good story plot (keeping in mind that the audience are not morons or idiots) and a few good actors/actress is just enough to keep people glued to their seats.

It is really rare to find such movies lately. Really hope to see such movies that will keep people thinking what will come next, as the saying goes, its the story that counts and not blow-your-mind-but-forgot-about-it special effects or actors/actress or is that cardboards walking down the aisle with pretty clothes trying to act etc, etc.

Just intelligent story telling which people will still talked about it when they leave the threaters.

This picture that seems to have escaped the notice of the movie-going public is a stylish, murky thriller that has interesting twists and turns and good performances by Ed Harris and Madeleine Stowe. The premise of the story has been done before in several noir films of the past but Harris brings credibility to his role as a smitten cop. A crack detective who solves crimes with the best of them, Harris is a lonely man who is ripe for the picking by Stowe who is not all as she seems. The sexy brunette ranks right up there with Phyllis Deitrichson and Matty Tyler Walker as the genre's classic femme fatales. The supporting cast is good, among them are Benecio del Toro and Charles Dance in key roles. The music score is soft and sultry, very similar to John Barry's theme in "Body Heat".