Botte di Natale

I really liked this duo's Trinity movies, but after that they just kept appearing in repeat formulas, as cops, vagrants, travelers, what have you. This time, they even turned the clock back to feature as (half) brothers, a joke that had really grown tired by this point in their careers.

By 1994, Terence was over the hill and Bud a spent force. They had grown too old to do a mostly silly comedy like TROUBLEMAKERS, and I felt rather sad at the end that either they had not saved enough dough to retire or that they simply did not know when to quit.

I am being generous in giving 5 stars to this unbelievable, repetitive and overlong dud.

Great, tragic actor Helmut Berger once said about aging and loosing his good looks: "I'm sorry that I had to grow old. If I knew it meant so much to you, I would have died younger."

Watching this movie is like attending a high-school reunion after 15-odd years: yeah, it's a happy occasion but at the same time odd and (despite we usually don't want to admit it to ourselves) a tad bit depressing. Good to see the old faces and see that they've been doing well – at the same time, many haven't aged that well and you discover, that you no longer share the same interests with your former best buddies. It's not only that Spencer and Hill got older but the chemistry has changed to a point where the old 'vibe' can no longer be replicated.

I was looking forward to seeing this film as much as I was afraid of it. Not because Spencer and Hill had aged but rather because I had been rather disappointed with their prior solo work in the late 80's and early 90's. Spencer had almost become a parody of himself with TV works like "Noi Siamo Angeli" and "Extralarge" while I was less than impressed with Hills "Renegade" and version(s) of "Lucky Luke". After all, kids from my generation here in Germany grew up with the original "Trinity"-films, mostly knowing most lines by heart and replicating them in the schoolyard (that and the fight-scenes, which often led to some rather painful situations, but that is another story). Some even made it a tradition to eat cook up tins of beans during the TV-reruns, just in time for the notorious eating-scenes.

In its defense, "The Troublemakers" by itself isn't a bad film. It's slower, less light-hearted and misses the direction of seasoned hands like E.B Clucher or Michele Lupo. Like a rock-band from the 70's playing a reunion-gig, they still know their moves and tunes, but the movement is no longer as graceful, the show is no longer as innovative (and certainly don't expect any new hit-songs). Sure, I'd watch a rerun of "The Troublemakers" on TV, but I certainly wouldn't watch it in a row with the "Trinity"-films.

A couple of years ago there were rumors about Bud and Terence getting together one more time for a variation on the Jeckyll & Hyde theme. The project apparently fell through and is now in nirvana. Even as a loyal, seasoned fan, I'm not ashamed to say: "Maybe for the better." Best to leave the party at the zenith, not when the party is fading out already.

5/5 (and don't think that I didn't wish I could give it more)

The story and the acting are up to the Trinity standard, but whose voice did they use for Bud Spencer? Far from the grainy growl supplied in Trinity, the big man sounds like a chipmunk in Troublemakers. Really distracting.

If you are a fan of the 1972/1973 Trinity movies, you will enjoy this later release as a sort of bittersweet reunion of the two actors in a similar western. If you have no history with the originals, I highly recommend you pick up the Trinity movies first. The Troublemakers is very hard to find in the US but can usually be found on ebay (VHS). I only wish they had done My Name is Nobody with Bud Spencer instead of Henry Fonda-- that's how essential Bud Spencer is to the team.

It's a pretty weird experience, watching this movie. An affectionate, warm-hearted reunion for Bud Spencer and Terence Hill, it is also a bittersweet farewell to an old era of movies. It will probably appeal only to fans of the duo, as they once again go through their familiar motions (Spencer's mutterings, Hill's smiles, bean-eating, fist-fighting, helping the poor, etc.), only this time there are some serious dramatic moments as well. On the other hand, considering their age, you can't help but wonder if perhaps this film should never have been made, if they should have retired more gracefully a few years earlier. But if you insist on seeing it, try to avoid the DVD version, as the image has been blown up way out of proportion to fill the entire screen - perhaps in keeping with the tradition of the awful full-screen versions of the "Trinity" films (to which this film is without a doubt an unofficial sequel - I wonder why they couldn't make it "official"). (**)

It had been 9 years since Bud and Terence had done a movie together and I'd viewed every single one of them by the end of the 80s. I figured we'd never see anymore. However one day while looking through the new releases at the video shop I got a wonderful surprise. A new Bud and Terence movie! Woohoo!

It was a good laugh and wonderful to see the two of them back together again, although even Hill (in his 50s) was getting a little too old to do fight scenes. In one fight, Spencer, who was now in his mid 60s even got to watch Hill from a distance rather than get involved himself.

It was definitely not going to be a revival. In fact it was done as a 25th anniversary special for "They call me Trinity" and only intended to be a one off reunion. It was even supposed to be the third in the Trinity series, but they couldn't get the rights to use the Trinity and Bambino characters, so they gave the characters different names and even different backgrounds.

This was truly the final act for these two as a team. There was never to be another Bud and Terence Movie ever again. RIP Bud.