CALIFICACIÓN DE IMDb
6.6/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaVijay falls in love Shivani and proposes her only to be rejected every time. However his love turns into an obsession and turns her life into a hell.Vijay falls in love Shivani and proposes her only to be rejected every time. However his love turns into an obsession and turns her life into a hell.Vijay falls in love Shivani and proposes her only to be rejected every time. However his love turns into an obsession and turns her life into a hell.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 1 nominación en total
Johny Lever
- Champa Chameli
- (as Johnny Lever)
Kamaldeep
- Mr. Saxena
- (as Kamal Deep)
Ghanshyam Rohera
- Eunuch
- (as Ghanshyam)
Opiniones destacadas
10malaewa
Obviously this film is not even B class; to be honest, I don't think there are enough letters even in Devanagari to explain it's class.
Yet, it is absolutely fantastic. A must-see for a Bollywood fan, an absolute-must-see for a SRK fan.
Personally I just love SRK's roles as villains, those faces he makes... ahhh...
The story in this movie will keep you on the edge of your seat till the very end (just as it says at on the back of the DVD;) ) Madhuri is stunningly beautiful even after her, how to call it..., rebirth ;) (exept one tiny scene - the arm-teeth scene i'd call it, not to write a spoiler, which is also rather surprising) There are some fine songs (the one on the airport and the one on the wheel-chair) but the most important quality of this movie is that it's so surprising all the way.
Plus the obsessive love motive is always great to watch.
10/10 for sure (in it's category of course)
Yet, it is absolutely fantastic. A must-see for a Bollywood fan, an absolute-must-see for a SRK fan.
Personally I just love SRK's roles as villains, those faces he makes... ahhh...
The story in this movie will keep you on the edge of your seat till the very end (just as it says at on the back of the DVD;) ) Madhuri is stunningly beautiful even after her, how to call it..., rebirth ;) (exept one tiny scene - the arm-teeth scene i'd call it, not to write a spoiler, which is also rather surprising) There are some fine songs (the one on the airport and the one on the wheel-chair) but the most important quality of this movie is that it's so surprising all the way.
Plus the obsessive love motive is always great to watch.
10/10 for sure (in it's category of course)
This is one of SRK's BEST movies, his acting, as usual, is flawless, and I sit back in amazement, and think "I could not do that". He is just perfect in the film, you can't but help feeling incredibly sorry for him, and incredibly angry at Madhuri, some scenes are disturbing, but they only add to the movies brilliant storyline, I have seen many Indian and English movies, but I have never seen any like Baazigar, Darr and Anjaam, coincidentally they all have Shahrukh Khan in them, he is just the BEST, never have movies been made like these, and never has there been an amazingly terrific actor like Shahrukh Khan, who NO other actor in the WORLD can compare too, there is just NO comparision between him and ANY other actor. There is not a single moment of boredom in this movie, you can't take your eyes off it. It is just terrific, along with the acting.
This film is perhaps one of the better films to have come out of "Bollywood" in the mid 90s. Bearing in mind that Hum Aapke Hain Koun came out in the same year it showed the versatility of one of India's finest actresses... I am of course talking about Madhuri Dixit! So the plot may be a little far stretched and the sub plots may be a little distracting (referring to the transvestites) but all in all what a powerful film! "Bollywood" is accustomed to certain codes and conventions so lets not forget we are watching a film from a completely different arena (compared to Hollywood).
Now to the songs (a key feature of any "Bollywood" film)... Badi Mushkil Hai, Channe Ke Khet mein, Tu samne jab aata hai and Barson ki baad - all top notch! Maybe its become common knowledge now but Barson ki baad was taken in one single shot! That doesn't happen often now does it?! Madhuri is sensuous, alluring and enchanting in her seduction...nothing is vulgar about this - can't say that about the heroines of today!
I don't think you have to be a fan of either Shah Rukh or Madhuri to appreciate this unique film... However, one does ponder if their performances were the real pull for this film - I can't imagine anyone else in their place!
Final thought: if you are sick of the stuff "Bollywood" is churning out these days - go back to the 90's and make sure you pay Anjaam a visit!
Now to the songs (a key feature of any "Bollywood" film)... Badi Mushkil Hai, Channe Ke Khet mein, Tu samne jab aata hai and Barson ki baad - all top notch! Maybe its become common knowledge now but Barson ki baad was taken in one single shot! That doesn't happen often now does it?! Madhuri is sensuous, alluring and enchanting in her seduction...nothing is vulgar about this - can't say that about the heroines of today!
I don't think you have to be a fan of either Shah Rukh or Madhuri to appreciate this unique film... However, one does ponder if their performances were the real pull for this film - I can't imagine anyone else in their place!
Final thought: if you are sick of the stuff "Bollywood" is churning out these days - go back to the 90's and make sure you pay Anjaam a visit!
Anjaam starts out as a possible, traditional love story between Vijay and Shivani, which, quite unexpectedly turns into a story of unrequited love followed by intense obsession, ego, sadism and revenge. The story develops at quite a fast pace, with one story twist preceding another, killing every possible trace of romance, much to the complete shock of an unprepared, awestruck audience. This is one of the several formula-defying films a young newcomer named Shahrukh Khan appeared in earlier on in his career, risking future career prospects as a leading actor in a film industry which very often resorts to typecasting and marking slots of villains and comedians.
But it wasn't the case this time around, and it only contributed to the image of this young, highly courageous and talented actor, whose efforts in films like Baazigar, Darr, and this time Anjaam, were applauded all over and only enhanced his stature as a credible star-actor. And one can see why. Khan is tremendous in this role. His Vijay is the nice romantic fool on the surface, but underneath lies the soul of a true monster. And the trick is that this time it's not a caricature, it's a real psycho - an eccentric, capricious brat, whose passion and ego drive him to pull out all the stops to have things done his way. The weird mannerisms, the body language, the delivery and the overall creation of this character are done brilliantly by Khan. No matter how real or unreal it could be, it is immensely entertaining and impressive.
The cynosure, the love interest, the victim, the avenger, and ultimately the leading lady of the film is Madhuri Dixit, a beautiful, principled young woman, whose honesty is but the thing that drives the obsessive antagonist nuts. Roles of avenging angels had by then already become almost a standard in Hindi films, with Rekha setting the bar with her unforgettable daredevil act in Khoon Bhari Maang. The character of Shivani is different in story and execution, and it is not as heroic. That said, Dixit is excellent in a performance that easily ranks amongst the best of her career. The transformation from a charming young lass to a woman hardened by what she had to endure is utterly convincing. One wishes she had accepted more roles like this one in better films.
Which brings me to the next point, and it is the film itself. Sadly Anjaam doesn't completely live up to the quality set by the acting. While the film is greatly entertaining, the execution is often faulty. The prison portions, though gripping at times, are for the most part embarrassingly exaggerated. There is a familiar portrayal of the corrupt law and juridical system, against which no man could ever resist if no money was found at their disposal. Anjaam is directed by Rahul Rawail, a famous director. It is his most eclectic work, and is an unusual Hindi film for its time. For the story it tried to tell, it did very well. A strong story development, a stronger second half (which is a good thing), and an ending which is totally overblown and unbelievable. But it's a good watch in spite of the flaws, and the two central performance make up for many of them anyway.
But it wasn't the case this time around, and it only contributed to the image of this young, highly courageous and talented actor, whose efforts in films like Baazigar, Darr, and this time Anjaam, were applauded all over and only enhanced his stature as a credible star-actor. And one can see why. Khan is tremendous in this role. His Vijay is the nice romantic fool on the surface, but underneath lies the soul of a true monster. And the trick is that this time it's not a caricature, it's a real psycho - an eccentric, capricious brat, whose passion and ego drive him to pull out all the stops to have things done his way. The weird mannerisms, the body language, the delivery and the overall creation of this character are done brilliantly by Khan. No matter how real or unreal it could be, it is immensely entertaining and impressive.
The cynosure, the love interest, the victim, the avenger, and ultimately the leading lady of the film is Madhuri Dixit, a beautiful, principled young woman, whose honesty is but the thing that drives the obsessive antagonist nuts. Roles of avenging angels had by then already become almost a standard in Hindi films, with Rekha setting the bar with her unforgettable daredevil act in Khoon Bhari Maang. The character of Shivani is different in story and execution, and it is not as heroic. That said, Dixit is excellent in a performance that easily ranks amongst the best of her career. The transformation from a charming young lass to a woman hardened by what she had to endure is utterly convincing. One wishes she had accepted more roles like this one in better films.
Which brings me to the next point, and it is the film itself. Sadly Anjaam doesn't completely live up to the quality set by the acting. While the film is greatly entertaining, the execution is often faulty. The prison portions, though gripping at times, are for the most part embarrassingly exaggerated. There is a familiar portrayal of the corrupt law and juridical system, against which no man could ever resist if no money was found at their disposal. Anjaam is directed by Rahul Rawail, a famous director. It is his most eclectic work, and is an unusual Hindi film for its time. For the story it tried to tell, it did very well. A strong story development, a stronger second half (which is a good thing), and an ending which is totally overblown and unbelievable. But it's a good watch in spite of the flaws, and the two central performance make up for many of them anyway.
Nobody could have imagined the Casting of srk & madhuri for the 1st time, but not in a love story, but in a vengeance drama. That too srk as the villain in a woman centric film. This thought itself deserves an applaude. Some movies are beyond the limits of their box office verdict & needs to be given respect forever. Anjaam is one of those honorable films which the audience couldnt accept at the time of release due to the shock, but they can never deny the impact of it. Srk has not become what he is today just like that. He will be remembered as the most versatile & audacious actor in future. Madhuri dixit is a naturally talented actress & she shocked everyone with her brilliant performance in this film. This one should achieve cult status now.
¿Sabías que…?
- TriviaAfter Darr & Baazigar, Anjaam was the third film of Shahrukh Khan in negative role.
- ErroresShahrukh Khan is trying to fix a Mercedes W123 model which broke down. After he sets the car on fire, it shows a different make and model car.
- Créditos curiososThe opening credits and film's title starts from duration 29 minutes and 10 seconds.
- Versiones alternativasDue to the film's dark subject matter, many scenes were cut by the Censor Board to reduce the impact for the most violent scenes.
- ConexionesReferenced in Singh Is Kinng (2008)
- Bandas sonorasBadi Mushkil Hai
Music by Anand Chitragupth and Milind Chitragupth
Lyrics by Sameer
Performed by Abhijeet
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Detalles
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- Sitio oficial
- Idioma
- También se conoce como
- Consequence
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