New York Undercover

I caught a few reruns back few years ago. If you are a fan of shows like the wire then you will love this. If only it was available to stream

This series was without a doubt, the best police drama made in the 90's. It was action packed, contemporary, well written, cutting edge material. The show evolved around the characters of J.C.Williams & Eddie Torres who were so connected with the gritty streets of N.Y.C., it made them naturals for the undercover work that they were assigned. Lt. Cooper was perfect as the no nonsense commander of the unit who gave them just enough flexibility to get the job done. The story lines read out of the newspaper of the day and every week, they would have whoever was the top current musical artist perform at "Natalie's", so the show stay current with the times.

The show went south when the stars tried to pull a "Friends" and demand higher salaries and wanted their contracts renegotiated. The producers responded by killing off Torres and replacing Cooper. It was a shame, because the show was a hit. After DeLorenzo & D'Arbanville left the show, it only lasted one more season, and it was not as good as the first three seasons. I'm not sure if it is on DVD, but if it is, it's worth the price.

Show ruined in 4th season. Recently watched on Prime and the shows vibe drastically changed direction in the 4th season. I believe this was why in was canceled. Despite the last episode of season 3 being awesome and the first episode of season 4 action packed it lost it's appeal. It was if someone wanted it to be less ethnic and more main stream suburbia. The shows core was rooted in urban music, social economic hurdles, cultural differences, and complex dynamics of relationships encompassing the aforementioned. There are uncomfortable subjects and points of view in the series, but nothing outside the realm of reality. There were plenty of cop shows during that time depicting other ethnic and none ethnic groups. Why mess up a good thing....but the network did and the show never recovered. The show during it's time was a great starting point for exposing up and coming talent to a larger audience. So many actors and actresses show up in the episodes which makes it fun and interesting to watch. In the end, I'd still watch NYU knowing what I know. Kind of like life; you know you're going to get old if you life long enough and you know it'll suck, but you enjoy it as long as you can anyway.

This was one of those unique shows that should have acquired more praise. While white-dominated cop shows seem to be the norm, this show broke new ground with a diverse cast and minority related issues. Sadly, the whiteness of Hollywood was far too much to overcome in regards to the shelf life of this show. Malik Yoba and Michael DeLorenzo were especially excellent in this series, demonstrating their talent as they were constantly torn between race, culture and the police force. I especially felt the opening montages to the show provided quite a trademark within the series, using no words and only the pulsating beats of contemporary hip-hop and R&B artists to tell the story in a neo-silent film fashion. Whenever I can catch this show at 1 a.m. (and this is only on the weekends), I am rarely disappointed.

Dick Wolf struck gold in this 90s drama centering around the personal and professional lives of two New York cops. Realistic, gritty, clever, and so hip it was almost ahead of its own time, New York Undercover did for inner city minorities what the Cosby show did for middle class minorities in the 80s and 90s: It depicted strong non-stereotypical characters living through reality.

Guest stars, particularly musical guest stars, were the punch-line to almost every episode; the smooth buttercream frosting on the cake. And Natalie's was the perfect place to showcase all the talent. Gladys Knight, B.B. King, Notorious B.I.G.--on any given night anyone could be at Natalie's--and you sure didn't want to miss it. In fact, the way the characters flocked to Natalie's provided a fun parallel for the way we all flocked each week to the show. Smiles on our faces, ready to be entertained, wondering what was in store tonight. And who could forget Ice T's non-musical stint as the deliciously criminal Danny-Up? I never have, and probably never will, see a television villain more believable and more entertaining than this one, and the story line he brought to the show was a masterpiece.

It was hard to see the show go. Possibly even harder, though, was that last season after Detective Torres was killed off and they tried to revamp the show into something else. New characters, new focuses, a new feel. It had lost its spark, its magic. The lights were dimming, the music had stopped. It was time to go. I like to imagine the season before that as having been the last one. Watching Eddie die, seeing J.C.'s face, knowing what it all meant. Those were the characters we loved and the ones we would miss because we knew them. Dick Wolf, you did something right, and thanks for that. It WAS hard to see the show go. But it's just like leaving the club: it was a wonderful night and you're tired, but that last song is still in your head. And you can't stop singing it.